अपनी भाषा में प्लॉट जोड़ेंTwo young boys enact a mock fight outside a football ground as a joke, but it goes wrong when one of them is injured. While the victim recovers in hospital, the other boy attempts to hide fr... सभी पढ़ेंTwo young boys enact a mock fight outside a football ground as a joke, but it goes wrong when one of them is injured. While the victim recovers in hospital, the other boy attempts to hide from the police.Two young boys enact a mock fight outside a football ground as a joke, but it goes wrong when one of them is injured. While the victim recovers in hospital, the other boy attempts to hide from the police.
- 1 BAFTA अवार्ड के लिए नामांकित
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
this film impressed me greatly, bleak but powerful especially in it's ending and Poliakoff's early, terse screenplay is excellent. Although made in the late 70's the film has aged remarkably well and still feels relevant. I recommend it to anyone looking for an interesting and intelligent look at British youth culture.
Seeing as I come from where the film is set, Southend-On-Sea, its like a visual history of my formative years. First saw the film on BFBS in Germany and was quite amazed to see Peter Clark who I knew when we were younger.
If you read this Peter, remember Seasons In The Sun?
But to the film... thoroughly enjoyed it and bought it on VHS as soon as i could. And its interesting to note that of all the people in the film they near enough went onto much greater things, and some to die tragically young.
But its enough everytime I see it to fall back to those far gone days and relive all the sites and sounds of Southend as it was once.
And Gary Holton fulfilled one of my fantasys by driving around the top of end of Southend and Victoria Circus, and sticking his car through a shop window. WOW!!!
If you read this Peter, remember Seasons In The Sun?
But to the film... thoroughly enjoyed it and bought it on VHS as soon as i could. And its interesting to note that of all the people in the film they near enough went onto much greater things, and some to die tragically young.
But its enough everytime I see it to fall back to those far gone days and relive all the sites and sounds of Southend as it was once.
And Gary Holton fulfilled one of my fantasys by driving around the top of end of Southend and Victoria Circus, and sticking his car through a shop window. WOW!!!
A lot of young lads have their fair share of monkey shines growing up, though perhaps nothing quite on this scale. An 11 year old future psychopath somehow convinces his naive buddy to pretend to stab him outside a football stadium during a packed match, while dropping a fake blood pack to make it look real. Only, the mad one forces his gentler friend to push the knife in for real, so it quickly ceases to become a game, especially when it emerges the 'victim' is planning to set up his mate as some kind of junior Norman Bates. With friends like this, who needs enemies, eh?
In the meantime, while the weird one wanders around the hospital spreading all kinds of false rumours, the innocent fugitive is taken under the wing of a group of Saturday night revellers, including a particularly disturbed individual who forces the kid to join him on a little crime spree including joyriding and ordering food then running off without paying. As you can see, this isn't a film full of what could be classed as 'role models'.
Neither is it a brilliant example of character writing or plotting as one random incident follows another, with no real attempt to tie them together into a cohesive whole. That I suppose, it part of it's appeal... despite being rough around the edges, there's little here which is predictable or expected, and the outrageous goings-on are never dull. An early effort for future acclaimed filmmakers Stephen Frears and Stephen Poliakoff, the potential shines through. Also, it proves that police today were just as useless as they were back then... 6/10
In the meantime, while the weird one wanders around the hospital spreading all kinds of false rumours, the innocent fugitive is taken under the wing of a group of Saturday night revellers, including a particularly disturbed individual who forces the kid to join him on a little crime spree including joyriding and ordering food then running off without paying. As you can see, this isn't a film full of what could be classed as 'role models'.
Neither is it a brilliant example of character writing or plotting as one random incident follows another, with no real attempt to tie them together into a cohesive whole. That I suppose, it part of it's appeal... despite being rough around the edges, there's little here which is predictable or expected, and the outrageous goings-on are never dull. An early effort for future acclaimed filmmakers Stephen Frears and Stephen Poliakoff, the potential shines through. Also, it proves that police today were just as useless as they were back then... 6/10
A cute boy with a cold, manipulative, feckless demeanour convinces his friend to pretend to stab him at a football game with a penknife and a fake bag of blood. Unsurprisingly, he gets stabbed for real, and the boy goes on the run. While in hospital, the apparently psychopathic youngster spins tales about his friend being a budding Norman Bates, saying that he talks about hurting people and draws his violent fantasies.
Meanwhile, the fugitive meets a charming reprobate who takes him joyriding in a stolen car, vandalises a shop window, and in the movie's most bizarre scene, appears to attempt suicide.
The whole thing has a grim, depressing, aimless feeling to it. The movie never lets you into the minds of the characters, so you don't know what they're going to do next, nor do you understand why they did what they just did. The characters seem to live in a world without reason, and just make things up as they go along.
The movie is watchable, with impressive performances from the young leads, who surprisingly never did anything else.
Meanwhile, the fugitive meets a charming reprobate who takes him joyriding in a stolen car, vandalises a shop window, and in the movie's most bizarre scene, appears to attempt suicide.
The whole thing has a grim, depressing, aimless feeling to it. The movie never lets you into the minds of the characters, so you don't know what they're going to do next, nor do you understand why they did what they just did. The characters seem to live in a world without reason, and just make things up as they go along.
The movie is watchable, with impressive performances from the young leads, who surprisingly never did anything else.
I do remember walking down to "old Leigh" (Leigh-on-sea)one night in early March watching them film a scene for this movie at the underpass by the cockle sheds. In addition while in the 'Peterboat ' pub I saw Richard Beckinsale sampling some of the local brew and was struck how overweight he looked despite the fact he was well over six feet (he looked in good shape in Rising Damp and Porridge). Then about five days later I heard the shock news that he had died from a heart attack while only 32
Watching it today, although nostalgic, it does seem very dated. A lot has changed in Southend since then, some things are the same or very similar but it is a different generation, time has passed and it does not seem relevant today. Good scenes of the town back in 1979 and it also reflects the very poor spirit for young people back at that time, things did seem hopeless for many.(Note: In 1979, --- 33,000 were packed into ROOTS HALL to watch a goal less draw in the FA cup between Euro Champs Liverpool and fourth division Southend united!).
Watching it today, although nostalgic, it does seem very dated. A lot has changed in Southend since then, some things are the same or very similar but it is a different generation, time has passed and it does not seem relevant today. Good scenes of the town back in 1979 and it also reflects the very poor spirit for young people back at that time, things did seem hopeless for many.(Note: In 1979, --- 33,000 were packed into ROOTS HALL to watch a goal less draw in the FA cup between Euro Champs Liverpool and fourth division Southend united!).
क्या आपको पता है
- ट्रिवियाRichard Beckinsale was originally cast to play Detective Ritchie in this film. Tragically, he died during filming. His character was re-cast and the scenes re-shot, although he can still be occasionally glimpsed in long-shot according to director Stephen Frears.
- कनेक्शनFeatured in Rising Damp Forever: एपिसोड #1.2 (2016)
टॉप पसंद
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- One Joke Too Many
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