Boardwalk

The acting was great, one of the best films I've seen, and a true emotional roller coaster of a ride...a neat little twist at the end. The film can be very shocking in places, but what's so good is that it contains no special effects, just purely great acting and direction.

Stephen Verona co-wrote and directed this story about an elderly married couple living in a decaying New York neighborhood near Coney Island who refuse to relocate despite escalating crime and racial tensions. Low-budget film from I.T.C. doesn't have an exploitation gimmick (on the level of, say, "Death Wish") to lean on, therefore it didn't reach many audiences. Both Lee Strasberg and Ruth Gordon do first-rate work, but the glumness of the concept and Verona's need for his slim plot to come full circle to make a point results in a very depressing experience. Janet Leigh has a smaller role as the couple's daughter, and her eagerness with this dramatic material is heightened by Verona's unsubtle handling (it isn't one of her better performances). The picture stays in the mind through a few pointed scenes and images, but "Boardwalk" is too static to make a greater impact. *1/2 from ****

Saw this on cable back in 81. And it was about an old couple who live in a bad neighborhood and are being picked on by a youth gang. It was rated PG, but had some pretty disrupting scenes. The ending was definitely a shock. As far as i know this has never been on video or at least i never seen it anywhere. IF you can find it check it out. Iam sure it looks pretty dated now.. Its a movie that will stick with . I haven't seen it since 1981 and still remember all the stuff that happened in it..Iam sure a lot of the people in it are gone now. It shows how bad neighborhoods in new york were back in the late 70's.. It reminded me of another movie that came out in 80 called defiance

"Boardwalk" is a movie that seems like it's not sure WHICH type of movie it should be. On one hand, most of the film is about elderly people coming to terms with their final years and this makes up about 80% of the movie. But on the other, it is about a gang called 'The Satans' and their terrifying and harassing these elderly folk. In hindsight, I wish the film had chosen one plot or the other...not both.

David and Beck Rosen (Lee Strasberg and Ruth Gordon) are quite elderly and are looking forward to their 50th anniversary, which is soon approaching. But in the meantime, a variety of problems come their way and instead of enjoying their final years, the couple have to hold on and weather a lot of storms to come.

Gordon and Strasberg are really good in these roles. That is why all the destractions are a bit annoying. I just wish the film had spent more time on their story instead of on the gang....especially since watching hoods beat the snot out of the elderly isn't a lot of fun. In fact, it's a depressing and awful film to watch at times.

By the way, if you want a much better film about the elderly and gangs, try SIEGE (1978) starring Martin Balsam.

Vigilante thriller its not, like the synopsis reads and the front of the video case might suggest with the imagery… though the scene does occur. "Boardwalk" is a well-intended (despite the racial flare and direct moralizing) and at times moving feature thanks hugely by the exceptional performances of seasoned actors Lee Strasberg and Ruth Gordon. The two were simply charming whenever together. Watching the once happy elderly couple, now battling family issues/ health problems (which is the main drama driving the story where there are numerously scattered human interest subplots), but also the changing neighbourhood of Coney Island as young jive talking hoons run wild (which populates mainly the beginning and ending but still feels secondary) is engagingly passionate in its ups and downs. The heartache only grows, where it comes away with a swelteringly damaging climax and the closing shot is particularly haunting in its forced predicament. The suspense is only minor, but it's always compelling. The evocative script is thoughtfully laid out in its exploration of the effects / shake down these central characters find themselves in, as they're stripped to the bone and demoralized, living in a community filled with fear, but still they won't back down and succumb to the turmoil (be it the gangs or their dwindling business). Its love, survival and violence rolled into one. Amongst the sombre air, is still quite a sunny vibe of hope led by the acting. In support roles are agreeable turns by Janet Leigh, Joe Silver, Eddie Barth, Merwin Goldsmith and Kim Delgado. The authentic location work helps cement a realistic edge, while the pacing is rather measured and rather low-scale in its escalating confrontations and violence (which is tamely staged, but gut wrenching since you're thrown right into the acts).