IMDb रेटिंग
3.7/10
1.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAstronauts become monstrous host-inhabiting creatures after space mission. Cave explorers encounter these beings underground. Survivors try escaping and fighting the threat.Astronauts become monstrous host-inhabiting creatures after space mission. Cave explorers encounter these beings underground. Survivors try escaping and fighting the threat.Astronauts become monstrous host-inhabiting creatures after space mission. Cave explorers encounter these beings underground. Survivors try escaping and fighting the threat.
Mark Bodin
- Roy
- (as Marc Bodin)
Roberto Barrese
- Speleologist
- (as Robert Barrese)
Benedetta Fantoli
- Maureen
- (as Benny Aldrich)
Michele Soavi
- Burt
- (as Mychael Shaw)
Valeria Perilli
- Jill
- (as Judy Perrin)
Danilo Micheli
- Bill
- (as Don Parkinson)
Donald Hodson
- Mr. Raymond
- (बिना क्रेडिट के)
Ciro Ippolito
- TV Studio Director
- (बिना क्रेडिट के)
Peter Shepherd
- Peter
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
A space module lands back to Earth after a failed mission, but the astronauts have been replaced by hideous creatures that can penetrate into people's bodies and make them explode. A group of speleologists are attacked by the monsters inside an underground cave.
For fans of Italian horror cinema, the most notable name attached to this movie is probably Michele Soavi, who plays Burt. Soavi has acted many times, but really came into his own as a director of such films as "Stagefright" and "Cemetery Man". This was one of his earlier film projects, before he became a protégé of Dario Argento.
The effects in the film are fairly simple but effective, and I really liked the music. If I had to make a complaint, it would be that the pace was a bit too slow at times. That, and it seems the person who wrote the script did not try very hard to connect the astronauts, caves and the psychic aspects.
For fans of Italian horror cinema, the most notable name attached to this movie is probably Michele Soavi, who plays Burt. Soavi has acted many times, but really came into his own as a director of such films as "Stagefright" and "Cemetery Man". This was one of his earlier film projects, before he became a protégé of Dario Argento.
The effects in the film are fairly simple but effective, and I really liked the music. If I had to make a complaint, it would be that the pace was a bit too slow at times. That, and it seems the person who wrote the script did not try very hard to connect the astronauts, caves and the psychic aspects.
I'd heard bad things about this, like it was too slow, confusing, had too much potholing in it, but after finally watching this I feel the bad dubbing and general stupidity of the script (not to mention the great soundtrack by Oliver Onions) carried everything through. Sure, the ending was a bit of a let down, but still, where else do you have a guy explaining his wife's meltdown on live television as "It's okay- she's just telepathic".
A spaceship is due to land in the sea and while waiting for that, a TV show interviews a potholer on live television for some reason. She breaks down as she has a vision of sorts about something bad happening. When the spaceship lands, they find the pod empty, even though the astronauts reported that everything was okay. Meanwhile, our potholers go bowling for some reason, probably to introduce our characters. There's our telepathic lady, her boyfriend, another guy, yet another guy (dubbed by Nick Alexander), another guy played by Michele Soavi, a chick, and another chick (not dubbed by Nick Alexander.
As our bunch of victims prepare to go potholing, the telepathic spots a girl picking up a pulsating blue rock but is taken away by the boyfriend. Lucky for her, as the blue rock has torn off the face of the little girl! You know your watching an Italian film when a small kid is graphically mauled by an alien creature. Also, you know your watching an Italian film when Michele Soavi finds a similar blue rock on the ground while he's having a pee up against a building.
And now it's time for potholing! Our bunch of fuds head into the ground for a while, eventually settling down for the night so Michele Soavi can talk b*ll*cks about writing with candles. The next day, everyone rather stupidly splits up (and not for the last time), resulted in the blue rock bursting open, tearing a girls face off, and sending her down a ravine, where our numpties find her, face intact! After a long, long sequence getting this girl back up the ravine, one guy goes back up with her and we have the longest tracking shot in film history, as the camera pans from the guys shoes up the entire length of this girl's body (it takes ages). This pays off, however. You know how in alien they've got a chest burster? How about a face burster? You get that here as our alien makes an appearance, bursts out the girls face, and attacks the other guy causing his head to fall off onto the rest of our idiots.
From then on out it's alien (or aliens, it's quite confusing) versus potholers as they get lost in the dark, split up (again), and run around trying to find a way out – There's some gore, exploding heads, aliens bursting from bodies, people being killed and a bit of a psychic battle that's not even remotely explained. Needless to say a couple of people escape back to the world, which is strangely empty (save for one shot where there's people walking down the street and traffic and what not).
While strangely focusing on things ignored in other films (cars driving down the street for ages, bowling alleys, potholing) and kind of fizzling out towards the end there (although I loved the POV shot through the alien's mouth!), Alien 2 (which I'm sure is an official sequel) has enough extreme gore, bad dubbing and stupid characters to entertain a jaded Italian splatter fan. I will say that the soundtrack is great, as you would expect from Oliver Onions.
A spaceship is due to land in the sea and while waiting for that, a TV show interviews a potholer on live television for some reason. She breaks down as she has a vision of sorts about something bad happening. When the spaceship lands, they find the pod empty, even though the astronauts reported that everything was okay. Meanwhile, our potholers go bowling for some reason, probably to introduce our characters. There's our telepathic lady, her boyfriend, another guy, yet another guy (dubbed by Nick Alexander), another guy played by Michele Soavi, a chick, and another chick (not dubbed by Nick Alexander.
As our bunch of victims prepare to go potholing, the telepathic spots a girl picking up a pulsating blue rock but is taken away by the boyfriend. Lucky for her, as the blue rock has torn off the face of the little girl! You know your watching an Italian film when a small kid is graphically mauled by an alien creature. Also, you know your watching an Italian film when Michele Soavi finds a similar blue rock on the ground while he's having a pee up against a building.
And now it's time for potholing! Our bunch of fuds head into the ground for a while, eventually settling down for the night so Michele Soavi can talk b*ll*cks about writing with candles. The next day, everyone rather stupidly splits up (and not for the last time), resulted in the blue rock bursting open, tearing a girls face off, and sending her down a ravine, where our numpties find her, face intact! After a long, long sequence getting this girl back up the ravine, one guy goes back up with her and we have the longest tracking shot in film history, as the camera pans from the guys shoes up the entire length of this girl's body (it takes ages). This pays off, however. You know how in alien they've got a chest burster? How about a face burster? You get that here as our alien makes an appearance, bursts out the girls face, and attacks the other guy causing his head to fall off onto the rest of our idiots.
From then on out it's alien (or aliens, it's quite confusing) versus potholers as they get lost in the dark, split up (again), and run around trying to find a way out – There's some gore, exploding heads, aliens bursting from bodies, people being killed and a bit of a psychic battle that's not even remotely explained. Needless to say a couple of people escape back to the world, which is strangely empty (save for one shot where there's people walking down the street and traffic and what not).
While strangely focusing on things ignored in other films (cars driving down the street for ages, bowling alleys, potholing) and kind of fizzling out towards the end there (although I loved the POV shot through the alien's mouth!), Alien 2 (which I'm sure is an official sequel) has enough extreme gore, bad dubbing and stupid characters to entertain a jaded Italian splatter fan. I will say that the soundtrack is great, as you would expect from Oliver Onions.
HOW did Kevin M Gates, who wrote the opening critique here NOT win the Pulitzer Prize in 1999 for his "essay" on this eminently forgettable ALIEN rip-off. How did he WRITE so many words I want to know? How long does it take to scribble "puerile rubbish?" And yet...he's right the flick is so bad its almost fascinating.
Here in Australia, I bought a BETA copy of this flick in 1986. It still plays unfortunately! (on the only one of five BETA machines we have that still work) Here, it was simply titled ALIEN 2 and long before the IMdb came into existence I used to win a fortune from friends betting them that there WAS a film called ALIEN 2. After I'd scooped the cash up, I'd play the flick and laugh in their faces!
Cute touch that....."Directed by Sam Cromwell" sounds major league Hollywood. Cromwell it turns out is Ciro Ippolito...just a few rungs below Ridley Scott!
Anyway, I digress. Read Kevin Gates' plot summary and you'll have some idea (not much) what to expect. As he says, the special effects consist of whatever offal was left at the abattoir the day they were filming. Ah, Belinda Mayne, still I dream of you!
Here in Australia, I bought a BETA copy of this flick in 1986. It still plays unfortunately! (on the only one of five BETA machines we have that still work) Here, it was simply titled ALIEN 2 and long before the IMdb came into existence I used to win a fortune from friends betting them that there WAS a film called ALIEN 2. After I'd scooped the cash up, I'd play the flick and laugh in their faces!
Cute touch that....."Directed by Sam Cromwell" sounds major league Hollywood. Cromwell it turns out is Ciro Ippolito...just a few rungs below Ridley Scott!
Anyway, I digress. Read Kevin Gates' plot summary and you'll have some idea (not much) what to expect. As he says, the special effects consist of whatever offal was left at the abattoir the day they were filming. Ah, Belinda Mayne, still I dream of you!
They've got some nerve calling this film Alien 2: although certain elements have clearly been inspired by Ridley Scott's 1979 sci-fi horror classic, the film as a whole couldn't be more different
Want tense, claustrophobic, space-bound, futuristic action? Not a chance. Sulla Terra, the film's subtitle, translates as On Earth, meaning that the film takes place on (present day) Earth, and under its surface in an admittedly impressive looking cavern. Unfortunately, this means we get endless tedious footage of the characters wandering around the cave, the director so preoccupied by the wonderful rock formations that he forgets all about telling a coherent story, throwing in such random nonsense as a telepathic speleologist just for the hell of it.
Looking forward to seeing a cool alien creature? Sorry. This film's extraterrestrial starts off as a blue rock, turns into a red hand puppet in a moment that rips off Alien's chest-burster (although I admit that the face-burster scene is pretty cool), and finally becomes a mass of indistinguishable and very unconvincing tentacle thingies.
Expecting ground-breaking special effects? No dice. This is a low-budget Italian production, so all we get is some grainy stock footage for scenes involving a space mission returning to Earth, and some cheap gore. Thankfully, the latter is pretty juicy: the aforementioned face-burster sees the victim's eyeball pushed from its socket before the creature erupts; one of the cavers has his head chewed off, the severed noggin (complete with assorted giblets) falling onto the rocks below with a satisfying 'thud'; and another guy's head explodes to reveal thrashing tentacles.
What about a thrilling finalé? I don't think so! After a couple of encounters with the creature, the last pair of survivors emerge from the cave to discover that the planet is totally deserted, with the exception of the alien, which chases them around for a while, director Ciro Ippolito employing dreadful alien POV shots. Eventually, Ippolito becomes as bored with proceedings as his viewers undoubtedly are, abruptly ending his film with a caption warning the audience "You may be next!". It's a lousy way to wrap up a fairly dismal film which is barely worth enduring for the gore (and a bit of gratuitous topless nudity from star Belinda Mayne).
Want tense, claustrophobic, space-bound, futuristic action? Not a chance. Sulla Terra, the film's subtitle, translates as On Earth, meaning that the film takes place on (present day) Earth, and under its surface in an admittedly impressive looking cavern. Unfortunately, this means we get endless tedious footage of the characters wandering around the cave, the director so preoccupied by the wonderful rock formations that he forgets all about telling a coherent story, throwing in such random nonsense as a telepathic speleologist just for the hell of it.
Looking forward to seeing a cool alien creature? Sorry. This film's extraterrestrial starts off as a blue rock, turns into a red hand puppet in a moment that rips off Alien's chest-burster (although I admit that the face-burster scene is pretty cool), and finally becomes a mass of indistinguishable and very unconvincing tentacle thingies.
Expecting ground-breaking special effects? No dice. This is a low-budget Italian production, so all we get is some grainy stock footage for scenes involving a space mission returning to Earth, and some cheap gore. Thankfully, the latter is pretty juicy: the aforementioned face-burster sees the victim's eyeball pushed from its socket before the creature erupts; one of the cavers has his head chewed off, the severed noggin (complete with assorted giblets) falling onto the rocks below with a satisfying 'thud'; and another guy's head explodes to reveal thrashing tentacles.
What about a thrilling finalé? I don't think so! After a couple of encounters with the creature, the last pair of survivors emerge from the cave to discover that the planet is totally deserted, with the exception of the alien, which chases them around for a while, director Ciro Ippolito employing dreadful alien POV shots. Eventually, Ippolito becomes as bored with proceedings as his viewers undoubtedly are, abruptly ending his film with a caption warning the audience "You may be next!". It's a lousy way to wrap up a fairly dismal film which is barely worth enduring for the gore (and a bit of gratuitous topless nudity from star Belinda Mayne).
The budget in this one is VERY VERY low, the colors are not right, and the gore is not very bloody and FAKE looking. The blood almost looks like paint and the aliens make me laugh. For an Italian horror film, this one ranks as one of the worst. I purchased the UNCUT Japan release thinking I was going to see some cool Italian splatter. Boy was I disappointed! The acting of course is bad (It's ITALIAN after all) and the movie pretty much all takes place in a cavern-like place. As far as Italian cinema goes, there are plenty of better and more violent horror/sci-fi pictures than this, including SHOCKING DARK and CONTAMINATION. I would seek those out instead of this piece of trash.
Rating: 3/10 because of some LAME but bloody not-so-special F/x.
Rating: 3/10 because of some LAME but bloody not-so-special F/x.
क्या आपको पता है
- ट्रिविया20th Century Fox wanted to sue Ciro Ippolito $10,000,000 for using एलियन (1979) in the title. However, a British lawsuit pointed out that there was a novel from the 1930s called "Alien", so Ippolito won the case.
- गूफ़When Roy and Thelma arrive back in the supposedly deserted city, cars and people can be seen in the background of one shot.
- क्रेज़ी क्रेडिट[before end credits] ...You may be next!
- इसके अलावा अन्य वर्जनAn Italian television broadcast featured scenes not present on the 2011 Midnight Legacy DVD release.
- कनेक्शनFeatured in The Cinema Snob: Alien 2: On Earth (2010)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Alien 2: On Earth?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- ITL 40,00,00,000(अनुमानित)
- चलने की अवधि1 घंटा 32 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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