एलियन

'Alien' is one of those special films that have aged very, very well. Even now, after nearly 40 years, everything about it just feels fresh. The restrained, natural performances by the fantastic cast; the outstanding production design; the beautiful, ominous score by Jerry Goldsmith; the realistic, "lived-in" look of space-freighter Nostromo's interior: it actually feels less dated than many science fiction films that were made much later, which is quite an astonishing feat. Even the (what now must be considered) "retro" technology inside the ship doesn't necessarily have to be viewed as anachronistic in the face of our obvious recent advancements, because it's the most simple technological equipment that is usually robust enough to survive the longest under harsh conditions (like the extreme temperatures in space).

I feel it's especially hard for science fiction films to stand the test of time - which is kind of inherent to the genre I suppose - and 'Alien' simply remains an outstanding achievement in that regard. It's a testament to the talent of everyone involved, but especially to the vision of director Ridley Scott. The film was crafted with so much love for every little detail, and the designs by Moebius, Chris Foss - and in particular the Lovecraftian horrors unleashed by Swiss surrealist H.R. Giger - are among the best and most iconic in any science fiction film. This isn't just an outstanding, timeless piece of entertainment: it's a work of art. 10 Stars out of 10.

Favorite films: IMDb.com/list/mkjOKvqlSBs/

Lesser-Known Masterpieces: imdb.com/list/ls070242495/

In "Alien" we follow a seven man crew en-route to earth on board the huge space freighter "Nostromo". The crew is in cryosleep, but the on board computer interrupts the journey when a foreign radio signal is picked up. It originates from an uninhabited planet and the crew lands to investigate. There they make contact with an alien life-form...

What makes Alien so great is the constant feel of uneasiness. Right from the beginning you have a feeling that something is wrong. The crew is not particularly friendly towards each other, and you truly feel all the in-group tension. The ship itself is a huge worn out industrial-style maze of halls and corridors, and it feels more like a prison than a place to live. It is as if not only the alien but also the ship itself is against the humans. The Alien itself is the scariest monster in history because it is a ruthless, soul-less parasite completely devoid of any human or civilized traits. The design of the monster is a stroke of genius. Sure it has a humanoid form, but it has no facial traits or anything else which could give away emotions or intentions. Its actions reveals no weaknesses nor civilized intelligence. The Alien is more or less the opposite of everything human and civilized, plus the creature is more well-adapted to the inhumane interior of the ship than the humans who build it. To sum up, you then have a setting where the humans are caught in a web of in-group tensions, an inhospitable ship and the perfect killer which thrives in the ships intestines. You almost get the feel that the humans are the ones who are alienated to each other and to their own ship.

Ridley Scott tells the story with a perfectly synchronized blend of visuals and sounds.

The actors do a superb job, portraying their characters in a subtle but very realistic way. The seven man crew is not a bunch of Hollywood heroes. They are ordinary people with strengths and weaknesses, likes and dislikes. In this way they all seem so fragile when confronted with the enemy.

As mentioned the ship is very claustrophobic and Ridley Scott adds to the eeriness by using camera movement, lights and shadows in an effective way. The living quarters are bright and should be comfortable to the crew, but there is something sterile about it all. The rest of the ship is basically a huge basement.

The music by Jerry Goldsmith underlines the eeriness so well, and the movie wouldn't have worked without his score. Combined with the sounds of the ship it all adds to the uneasiness.

This is not a story about heroic people who boldly teams up against evil. It's a story about ordinary people facing true fear, which is the fear without a face. The fear we can't understand and can't negotiate with, because its only goal is to survive on the expense of us. It's a story where some people bravely fight back whilst others are destroyed by the terror. It's a story where people a killed in a completely random way. There is no higher-order justice behind who gets to live and who dies. All seven characters are just part of a race where the fittest - not necessarily the most righteous - will prevail, and all seven characters start the race on an equal footing. None of them are true heroes, and none of them are true villains.

All the above makes Alien so great as a horror movie. The terror isn't just the Alien itself, it's the entire atmosphere which gets so effectively under your skin, that you just can't shrug it off after the end credits like you can with so many other Hollywood horror movies. The title "Alien" doesn't just refer to the monster, it is the theme of the movie and it is the feeling you have during and after the movie. 9/10

'Alien' while technically science fiction is also one of the greatest horror/suspense movies ever made. Ridley Scott is now one of the most well known and successful directors in Hollywood, but I don't think anything he's made in the last ten years is a patch on this perfect film, which is a near masterpiece in my opinion. In fact, on reflection there are only three Scott movies I genuinely like, those being his first three. The last of these 'Blade Runner' was released twenty years ago now, so to me Scott is long past his use by date. Whatever, 'Alien' itself is a brilliant piece of work, and is almost flawless. Scott's direction is superb and everything else about it is outstanding - a strong script from Dan O'Bannon et al, an evocative score from Jerry Goldsmith, brilliant design and special effects, including the amazing contributions from H.R.Giger, all add up to an amazing movie experience. I also really liked how the cast were character actors and not "stars" so there was plenty of suspense generated as to who will live and who will die. This is something very few subsequent movies have done, 'Pitch Black' being one of the exceptions. Sigourney Weaver may be an icon as Ripley now, but when the movie was first released she was virtually unknown, having had a small cameo in Woody Allen's 'Annie Hall' and not much else. The rest of the cast are equally as good. I especially enjoyed Yaphet Kotto ('Blue Collar') and the legendary Harry Dean Stanton ('Wise Blood') as the wise cracking "below deck" crew. Many people seem to prefer James Cameron's sequel 'Aliens' over this, but as I much prefer horror and suspense movies to action ones I think this is definitely the better movie, and still the strongest and most effective in the series. 'Alien' is a horror classic and an absolutely unforgettable movie that I can't recommend highly enough. If you haven't seen it before watch it immediately!

Everything has already been said about this great film n there seems to be little left to say but lemme contribute a lil more by praising how good this film is.

I first saw this in the late 80s on a vhs n as a kid i found it to be a bit slow but was shaken by the chestburster scene.

The facehugger terrified me as a kid.

Revisited all the four parts in the early 2k on dvds which i own.

Revisited this part again few days back as i am on Alien movie marathon n very impatient to check out Prometheus n Covenant.

I feel that this part is inspired by Bava's Planet of the Vampires.

The ruins with the skeletal remains, the design and shots of the ship itself does have the deja vu effect.

This one is atmospheric n dark, gory at times, it has enuff stuff for sci fi fans, it also has slasher n war like tone.

But the best thing is the feminist tone where in this part the women are not being cast as the helpless victims.

Director Ridley Scott's well-honed talents of pacing and editing create a tense atmosphere that superbly conveys dread and fear of an unknown, unseen evil entity. In 1979, the technology didn't exist to generate a computer image of a Being from another world, and thank God, because this film would have sucked just like all these post-Alien creature features do. Everyone who loves this movie knows what I'm talking about. Ridley Scott had to be extremely careful not to show a full shot of the Alien, except in very brief scenes, and not to reveal exactly how it moves, because then we would see that it is just some tall, skinny guy in a rubber suit. Nowadays, some computer guy would whip up a really scary-looking, but nevertheless FAKE-looking (yes, computer guys, we can tell) Alien, and the director would not have to even think about trying to breathe life into H.R. Giger's hallucinations to make a successful picture.

The dark, cold beauty of this film will never be equaled.