10

"10" (4 outta 5 stars) Kind of weird seeing this movie again after 20 years. When I first saw it I was just a kid in my early 20s and now I am older than the character Dudley Moore plays in this movie... a cranky, disillusioned composer going through a mid-life crisis. Dang, I never had one of those at 40... does this mean I'm overdue? Anyway, flawed as this movie is, it is still a classic. It's generally considered a "comedy" but the most effective scenes are the quieter, more melancholy scenes. (The scene where Moore plays the piano in the bar for Dee Wallace gets me every time.) This is probably the best role of Moore's career... he's able to come across as sympathetic even while acting like a jerk for most of the movie. It's the supporting performances by Julie Andrews, Dee Wallace, Robert Webber and Brian Dennehy that really give the movie its depth. Thankfully, Bo Derek doesn't really have to do any acting, so she doesn't throw the movie too much out of whack. The movie seems a lot sadder to me these days... though I thought it was hysterically funny 25 years ago.

I'll never forget seeing Bo Derek for the first time in this movie. I was shocked (hated the hair, but it made the character) This is a great movie about a man who is having a mid-life crisis. Dudley Moore, has just turned 42, and is single (dating Julie Andrews.) While driving around in his Rolls, he sees Bo Derek in a Mercedes on her way to her wedding. Hes totally wild over her, and she becomes a sort of obsession. So he finds out where they are honeymooning, and goes there. The movie is great, its funny, and keeps you laughing. This was also Bo's break-through. Shes a total 10, and even though she speaks very little, her character is a HUGE part of the film. Its great, everyone should see this film.

Though he will probably always be remembered for 1981's ARTHUR, my favorite Dudley Moore performance is still from the 1979 Blake Edwards classic "10". Moore plays George Webber, a man who seemingly has it all: a flourishing career as a songwriter, money, a gorgeous home, an equally gorgeous girlfriend (Julie Andrews), but still feels like something is missing in his life. Then one day, while stopped at a traffic signal, he glances at a girl (Bo Derek)in a limo, on her way to her wedding. George becomes obsessed with this vision, this perfect "10" and forsakes everything in his life, including Andrews, to find and be with this woman. After getting six fillings drilled by the girl's dentist/father (James Noble), in an attempt to learn where the girl went on her honeymoon, George flies to Mexico to find his "10" and eventually learns the lessons you would expect from such a venture. In addition to some great physical comedy offered by Moore, there are moments of great warmth here too. The scenes at the outdoor bar in Mexico where Dudley encounters a lonely woman (Dee Wallace) and plays the piano are lovely. Brian Dennehy is effectiveLY cast against type as the bartender. Also cast against type is Robert Webber as George's gay songwriting partner who tries in vain to make George see what an idiot he is and appreciate the things he has. This IS not just a smarmy sex comedy, but a warm character study of a man chasing something he really doesn't want or need and features one of Dudley Moore's most charming performances.

Dudley Moore stars as a dissatisfied 42-year-old having his "midlife crisis". He turns in a good performance, even if his character is not very likeable. The comedy is mostly of the wry variety, although there are some physically comedic vignettes. Julie Andrews is wasted in a relatively small part with a bad hairstyle. Dee Wallace was quite charming in a small part. And Bo Derek looked very good, and her acting was certainly adequate, in spite of the reviews. The ending, while a bit predictable, carried some emotional power. It's worth seeing, but no classic.

"10" is far from a masterpiece, in fact, it's much more of a goofy 70's rom-com than anything else, but there's a little bit more heart and quite a few more laughs than I thought there would be here. The film is about a man (played by Dudley Moore) going through a mid-life crisis as he realizes his age is creeping up on him as he's failing to provide a spark in his relationship with the one and only Julie Andrews. What follows feels like a movie made specifically for sexually deprived teenagers, but there's definitely a little bit more to it than that. George Webber (Moore) is a film composer recognized by everyone for his famous ballads, but he rarely shares an intimate moment with people for various reasons. Spending his nights desperate to find his music again and spying on his neighbor who consistently hosts sex parties, there's not a lot going for Webber. But when he stumbles upon a young newly married woman, things begin to change. The actual plot itself isn't the most interesting, especially as it consistently meanders into slapstick comedy. I mean, George literally has a mid-day fantasy of Bo Derek slowly running on a beach Baywatch style for over a minute. It's not exactly the most tightly written or directed feature. However, I did at least connect to the Webber character in part. His relationship to Andrews is touching at times, and I have a special place in my heart for film composers. Henry Mancini's score is another gem and it's definitely a film that can be enjoyed in the background if you turn your brain off for a few hours.

6.4/10