...And Justice for All

This movie is compelling. It is not just a supremely entertaining courtroom drama, but more so a brilliantly detailed character study. Al Pacino, predictably, is just class, and the other characters give him some very competent support. The interweaving of secondary cases with the main one is seamless, and keeps the pace moving at a pleasing level. The ending, which is so often talked about, is terrific, if a little sudden, and not totally satisfying. The script is faultless. My only criticism is that the disco soundtrack is incongruous with the serious issues at hand and at times pretty comical. But I guess the time period is perfectly evoked through it, not that the issues are exclusively relevant to the late 70s/early 80s though. 9/10.

When we think of the great roles over Al Pacino's career, we automatically conjure up images of The Godfather I and II, Scent of A Woman, Carlito's Way and Serpico among many others. What gets little mention and is oft forgotten is Al Pacino's performance as Arthur Kirkland in "…And Justice for All." From days past and as I would watch Pacino classics, I always think back to 1979 and his portrayal of an ethical lawyer fighting for truth and justice in a not so ethical legal morass.

Thanks to AMC for bringing this movie back for new generation of movie watchers and also for a reminder of how great an actor Al Pacino is. If you have not seen "…And Justice for All," you are in for a treat. Far and away this was Al Pacino's best film role and possibly one of the greatest film roles of all time.

Too bad Hollywood was so engrossed in the morbidly depressing and cynical Kramer vs. Kramer in 1980. Head to head, Dustin Hoffman's role in Kramer vs. Kramer could not hold Al Pacino's water, but alas, the Hollywood types on most occasions vote with their backsides and not their heads.

See this Movie!!!!!

As a student in 1968 I worked in my father's law office when 20 years of age running errands and picking up clients and other attorneys at the airport. I once thought I wanted to become a lawyer like the old man. After that experience it never crossed my mind again. It was then I recognized that lawyers were merely another "mob" with public sanction. My father ultimately had to give it up because of all the disingenuous people he had to deal with in that arena. Justice is difficult to come by under the best of circumstances and courtrooms present an intellectual environment one notch above that of an alley.

For me this movie should be required viewing by all prospective attorneys. Especially the criminal variety for eventually they shall be exposed to all that they have seen in this movie in one form or another and very likely much, much worse.

Oh, and I liked the movie.

"...And Justice For All" is one of those well-intentioned movies that doesn't achieve the goal it was set out to accomplish. Having said this, the film is a good example of the way some lawyers truly do care about their clients and not intent on making a lot of money.

I now know why Al Pacino is considered one of the greatest film stars in Hollywood. With roles in "The Godfather," "Scent Of A Woman," "Heat," "Devil's Advocate" and "The Insider," Pacino has proven he is an actor with integrity and presence. The best thing about "...And Justice For All" was the true and genuine care that Pacino's character had for his clients.

The only thing I would change about this movie would be to narrow the story lines because it had a few too many to follow. With the number of subplots in this film, it was too difficult to pinpoint the main plot and enjoy the film outright.

Overall, this movie was good and I recommend it.

We don't get many of these types of movies anymore. Studios worry about their commercial appeal (ie. appeal to teenagers on a date) and give us more gory thrillers or rom-coms instead, but back in the 70s the occasional satiric drama would sneak past the studio committee types and hit the box office like a blot of lightning. Part of the reason for this was the presence of successful writers of hard hitting social satire like Paddy Chayefsky among the front of rank of Hollywood scripters and another reason was powerhouse actors like Pacino. Like his earlier hit Dog Day Afternoon, here the camera stays on him like a spotlight as he fights a doomed fight with every breath in his body.

This movie took on a serious subject: a Justice System so lost in its own bureaucracy and politics that it could no longer dispense the thing it was created for, ie. justice. Pacino ran with it in classic fashion, ranting, foaming at the mouth, practically rabid with indignation and frustration. It's a powerhouse performance, not subtle by any means, but affecting, maddening, galvanizing. By the time the movie's over, you want to make this guy governor of New York.

The script by Valerie Curtin and Barry Levinson is the film's greatest strength. Years later I could still quote from it line for line. It is funny, clever and insane by turns with enough wildly believable ironies for ten courtroom dramas. Corrupt supposed officers of the court spout on about ethics yet are not above blackmail. The wealthy and connected enjoy privileges, while the bureaucracy grinds up the unsuspecting.

Director Jewison gave everything a professional polish, but then wisely stayed out of the way of his star. This was Pacino's stage and he owned it.

Be prepared to have your world rocked. There are few modern actors who would even attempt a role like this. They want the audience to like them. Pacino just wants to be heard. And he'll yell to make that happen.