Angie

It's the opening song about this show that gets me. A very well written sitcom, this show was, but laughs a few, really, like many other comedies of this type that still pulled you in,and had you. Regardless, I really enjoyed this show in my teens which really captured New York city cafe culture, with it's two assets, Pescow, no real oil painting, and 'Flying High' Hays, who deliver their acting chops, especially Pescow, who really brings it. I found her much more attractive in my young '80's' years, but the one I really liked was Deborah Lee Scott, as the kind of jealous, less successful sister who was always falling out with men, after falling out of bed with them. Scott had went on to do Police Academy 3, as the wife of the accident prone Fachler. Also the great Doris Roberts as Angie's mum, way before liking Raymond. There were many other, of these kind of late 70's sitcoms, Angie, being a slightly memorable one, though nothing to write home about. Yet again, it's the song that gets me. Good quality show.

I had a bit of a crush on Donna Pescow when I first saw her in Saturday Night Fever, so when Angie premiered in the spring of 1979, I was ecstatic. She was even more gorgeous on this show, and this was a pretty decent sitcom. It also was in the Top 5 for its first few weeks, but unfortunately it only ran about a season and a half. The basic premise was Angie Falco, a waitress at a Philadelphia coffee shop, falls in love with Brad, a pediatrician and one of her regular customers. It's basically a "working-class Cinderella meets her knight in shining armor" story, and they elope when the two families cannot agree on the upcoming wedding details. The show actually changed quite a bit during its short run. After the wedding, Angie still works as a waitress and moves into Brad's lavish mansion, complete with butler. Shortly thereafter, Brad surprises Angie by purchasing the coffee shop and Angie becomes the manager. Not long after that, Angie puts the mansion on the market and they move to a smaller, cozier, but still opulent home (with Brad's office located downstairs). No sooner are they settled in, then Angie sells the coffee shop and purchases a beauty salon, which she manages and where her mother (Doris Roberts, in a role where she truly shines) works after giving up her newsstand job. There was plenty of good acting and well-written comedy here, but the constant changes in a relatively short series life apparently made the regular viewer dizzy (and the "every once in a while" viewer wonder what the hell happened if they missed a couple episodes!). Despite all that I still enjoyed this show and would love to see it make a comeback on TV Land someday, or perhaps be issued as a DVD set.

What went wrong? Debralee Scott, Donna Pescow, Robert Hays, awesome theme song. Too bad I was too young to truly appreciate the writing and character development. How about a reunion?

From the moment Maureen MxGovern begins singing "Different Worlds" the Angie theme song I was hooked. The show which originally aired after "Happy Days" had spunk and a great ensemble case including Including Doris Roberts, Donna Pescow, Robert Hays and Debralee Scott.

It was a wonderful sitcom that hit the right spots with the audience and the cast chemistry was delightful. I especially loved Doris Roberts whose character was similar to her "Everybody Lives Raymond" character. Sadly CBS the network kept moving the series around the 2nd year which often kills a show. And it did just that. I suppose it is on some streaming channel today.

The sitcom was initially the highest-rated new series of 1978-1979 TV series, appearing on schedule in January 1979 (tying with "Mork and Mindy" for that honor). However, unlike the Orsonian goofball, "Angie" was the victim of a massive revamp during its second season and a victim of constant schedule shuffling--moved from night to night, time slot to time slot, repeatedly for months, by ABC until viewers lost interest in searching for it, then abandoned the ship. The only rats here, however, were the ABC executives who, like all network suits, failed to realize the damage that instability does to a potential hit series with immediate high ratings, a lovable heroine, a cast of crazies and the audience. I truly miss this show one-quarter of a century later. Robin Fletcher