Who'll Stop the Rain

Suprisingly, I'd never heard of this one before. I watched it because my dad had reccommended it to me and I've always liked Nick Nolte. I guess I was expecting a war movie (I'm not terribly fond of them) but what I got was way more than that. Nick Nolte plays one of his best roles ever as merchant marine, Ray Hicks. He's just finished his tour of duty in Vietnam when he is asked a favor by his best friend. What follows next is two hours of tense moments, realistic situations, great music, harsh violence and a finale that was like nothing I have ever seen before.

I enjoyed Michael Moriarity's role as John and Tuesday Weld is great (and beautiful) as always. Richard Masur and Ray Sharkey provide a little bit of comedy relief as a pair of bumbling (but psychotic) idiots. Also, did I mention just how great Nick Nolte is in this movie? I mean, he's always had a strong screen prescence in everything he's ever done, but here, he does such a great job with the part that you really want to know more about his background. There really isn't much explanation as to where he's from and just what he's about, but in the end, you do have a pretty good idea of what makes him tick.

I just watched this for a second time and I'm pretty sure that I will end up picking up the dvd. One thing I can say, after watching this I'll never look at that Creedence song the same way again.

I saw this again on the TV a few days ago, and it reminded me of just how good it was. It's nothing special to look at, but the script is great and it's well acted. Nick Nolte is one of my favourite actors, and Richard Masur and Ray Sharkey make a wonderful pair of goons.

"Who'll Stop the Rain" is an edge of your seat thriller set during the Viet Nam war. It features one of the early successes of Nick Nolte.

The story opens in Viet Nam where a burnt out reporter (Michael Moriarity) tries to make some easy money by smuggling two kilos of heroin (rather than his usual marijuana) to the U.S. He enlists as his currier Nolte who is somewhat reluctant at first but agrees. Nolte shows up at Moriarity's home to collect his fee from Moriarity's wife (Tuesday Weld) and then the fun begins. Two bogus federal agents (Richard Mazur, Ray Sharkey) begin to lay claim to the smack. They are joined later in the chase by their boss, a corrupt federal agent (Anthony Zerbe).

The performances are top notch all around. Nolte is suitably macho in one of his first big roles. Weld is overwhelmed by the events but soon gives in to Nolte's plans. Moriarity is also good as the naive husband who thinks he can make a quick buck to compensate him for the horrors he has experienced in Viet Nam. Mazur and Sharkey are outstanding as the brutal sadistic heavies and Zerbe is as slimey as ever as the chief baddie.

The Nolte character is somewhat of a mystery (at least to me). Who is he? What is he doing in Viet Nam? Is he a soldier of fortune, a mercenary? or what? He has a run down shack in Los Angeles where he has buried an assault rifle. In Arizona he has an elaborate mountain top hideaway complete with an amphitheater and loudspeakers that play Hank Jones music. None of this is explained to my satisfaction.

What the movie does have is a good story great acting and an entertaining soundtrack featuring Creedence Clearwater Revival.

This is a small masterpiece and perhaps the best film to come out of the whole Vietnam War experience, perfectly reflecting the drug-addled, hyper-cynical and soulless days at the end of the 60's, when we all realized that it wasn't going to be alright.

If you like Nolte, you must see this. If you loath Nolte to the very depth of your being, you need to see it even more. His energy here would fill a dozen lesser films - only the remarkable supporting cast keeps him from single-handedly burning the movie down.

A huge number of American films from this period are massively overrated. Not this one.

Released in 1978 with the "bigger" Vietnam films (THE DEER HUNTER, COMING HOME), this is an under appreciated gem. Nick Nolte showed signs of becoming a solid leading man with his work here as action junkie Ray Hicks. The supporting cast in smaller, important roles bolsters a tight, moving film. Richard Mazur and Ray Sharkey are ultimate psychos and Charles Haid, as the weasel dope dealer are great. Like Karl Reiz's previous gem (THE GAMBLER), this film deserved to be bigger.