Violette Nozière

The infamous mediatic Violette Nozière case that shocked France in thirties between the wars took Claude Chabrol to enterprise this bold project in late seventies, the wiser director hits the target off the bat to cast Isabelle Huppert to play the young criminal that fits perfect as teenager Violette, the screenplay was based upon Jean-Marie Fiterè's novel in accurate manner as expected by own writer, extensively documented due at its time Violette already had died and wouldn't possible any further information thru her.

Chabrol got replicate the tiny Nozière's apartment where the main sequences unfold, also several spots of period piece to shooting in external scenes, further exposing with accurately Violette's double life on Parisian flamboyant lifestyle at Quartier Latin and her involvement with the crook Sorbonne's student Jean Daban, moreover a possible incest Chabrol just implles it slight on suggestive scenes, due he never believe that his father had committed such outrageous crime whatsoever, an stunning portrait from bleak past of Nozière's family!!

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First watch: 2025 / How many: 1 / Source: DVD / Rating: 8.5.

In the early 30's, in France, the eighteen-year-old Violette Nozière (Isabelle Huppert) lives with her mother, the housewife Germaine Nozière (Stephane Audran), and her father, the mechanic of train Baptiste Nozière (Jean Carmet) , in a small apartment in Paris. The ambitious Violette has a double-life, working as prostitute during the afternoons, saying that she meets a fictitious friend, who would be the sister of her doctor. When she learns that she contracted syphilis from a client, she lures her parents, says that she is a virgin, syphilis would be a genetic disease, and they would take medicine. Soon she meets the pimp Jean Dabin (Jean-François Garreaud) that explores her, and Violette gives money and gifts to him every day. She says that she is wealthy, but she gets the money through prostitution and stealing from her parents. When she learns that her father has a dowry to her wedding, she poisons them, but Germaine survives, and the murderer goes to court.

"Violette Nozière" (1978) is the true story of a French psychopath in the 30's by Claude Chabrol. The plot is ambiguous in many moments, mostly regarding the accusation of incest. But the film induces the viewer that Violette is a cold-blood murderer, ambitious and in love with a pimp. Isabelle Huppert ii excellent, as usual, in her first work with Chabrol. My vote is seven.

Title (Brazil): "Violette"

Being one of two among Chabrol's own personal favorites (the other is LES BONNES FEMMES [1960]), I reserved its viewing on the director's 80th birthday. However, while certainly beautifully made and acted, I found myself not sharing Chabrol's enthusiasm for the film (though I did not go so far as to slap a measly ** to it as Leonard Maltin did!). In fact, it is also inferior to the later STORY OF WOMEN (1988) – which this fairly resembles (being similarly based on a factual cause celebre), particularly in its latter stages.

Incidentally, the film seems to have been made as part of a two-picture deal (along with BLOOD RELATIVES [1978]) between France and Canada. Anyway, it led 23-year old Isabelle Huppert (though the character she plays is actually only supposed to be either 14 or 18, depending on the sources!), an award winner at Cannes, towards acquiring the well-deserved status of her country's premiere actress she retains to this day.

Chabrol tackled melodrama only occasionally and seldom with success: on the one side, we can cite THE BREACH (1970) and the afore-mentioned STORY OF WOMEN (also with Huppert) and, among those that did not work out quite as well as had been anticipated, one can name – alongside the film under review – the somewhat unnecessary adaptation of MADAME BOVARY (1991; in which Huppert had the title role yet again). The problem here lies with the story itself (to escape her stifling petit bourgeois existence, a girl – whose promiscuity had already given her syphilis – poisons both her parents), which is simply not all that interesting…and, stretched to slightly over two hours, the effect rings even more hollow!

Still, to redress the balance, the film is imbued with the director's customary exactitude of period detail (it is set in the 1930s) and characterization (even if the protagonist hardly arouses our sympathy throughout, especially when accusing her late father of incestuous conduct to justify her own actions!) – but also unusually featuring a handful of quirky interpolated flashbacks. The strong supporting cast includes such Chabrol fixtures as Stephane Audran (at 45, heading definitely towards middle-aged roles though here she is still able to express her sexuality), Jean Carmet (by far his largest role for this director), Mario David and Bernadette Lafont (appearing towards the end as Violette's cellmate), as well as Francois Maistre (a Luis Bunuel regular) and Fabrice Luchini.

Generally considered Chabrol's return to form after a period of barren inspiration ,including his worst ever ("Folies Bourgeoises").It was probably her best since "les Noces Rouges" (1973) .Like it,it was based on a true story, but an old one ,for the story takes place in 1933.Violette Nozières (the first of a long series of lead parts for Isabelle Huppert in Chabrol's canon) ,predating the director's "Madame Bovary" ,tries to shun her petty milieu ,falls for a gigolo (Jean Dabin! the heroine mistakes it first for the actor Gabin),and tries to poison her parents (she has mitigating circumstances ,for her father desires her ).Stephane Audran and Jean Carmet provide good support as the folks.

In the streets ,the buskers sang the horrible story of the infamous Violette Nozière.

Paris in the early 1930s: Fourteen-year-old girl Violette has relationships with various men and is disenchanted with her parents, who show no compassion for the girl's problems. How can they be solved? Not one of director Chabrol strongest works, film is buoyed by exceptional camerawork (Jean Rabier) and an appropriately melancholy performance by Huppert as the young girl. Interesting mainly for Chabrol enthusiasts, others beware of the complicated narrative structure. Most reviews reveal too much of the plot! From a novel by Jean-Marie Fitère, which is based on a true case.