Sweeney 2

I will go with the majority opinion here. Sweeney 2 definitely beats Sweeney as the best film spin-off. No silly conspiracy stories, just good old fashioned blaggers and Regan and Carter doing what they do best. Not to say that Sweeney was a bad film, just it was too far removed from the series.

The story pits our favourite coppers against a gang of ex-pat blaggers who travel back to England from Malta every time they need more funds. As a highly professional, ruthless group, they are not easy to catch and Regan finds himself under the cosh, being pressured by his boss (Nigel Hawthorn) to get a result before the inquiry is taken away from them.

Sweeney 2 is more than just an extended Sweeney episode. It's considerably stronger in terms of both violence and bad language that even the ground-breaking series never approached. The fact that in the cinema it was certified 'AA' (now 15) but has always been an X/18 rated video shows that it hasn't mellowed over time.

Although the film drags badly in the middle, this is more than compensated for by the spectacular action scenes and a tense final 25 minutes. The scene where the blaggers crash a Ford Cortina through a shop window, and leaving a police car trailing in it's wake, is an absolute corker and one of the iconic images from the film (look at the video cover if you don't believe me).

Although Sweeney 2 is very much a film for fans of the series, I'd highly recommend it to anyone who likes a good police yarn. There is definite nostalgia value of the scenes of '70's London and it's great playing 'spot the familiar TV actor' as the film included the likes of Ken Hutchinson, Brian Hall, Georgina Hale and Derrick O'Connor.

This film is rarely shown and so it was a treat to watch it the other day. The first thing you notice is the liberal use of the f-word which probably did the film no favours in the 1970's as the TV series was watched, in the main, by under 15's. In fact the general level of violence has been greatly increased in this film spin-off, especially towards the end when the shootings, explosions and subsequent body count goes off the scale.

There are also liberal views and references to women's breasts (a nod towards the predominantly male audience). However, the old formula of the tv series that enderes it to so many 20-30 somethings still permeates the film. This includes car chases, scraps, extremely non-PC moments, and amusingly comic overtones, especially the odd scene where the bomb squad and sweeney have a booze-up in a hotel knowing that a device is being defused in one of the rooms (an incident that today would plaster the front pages of the newspapers for months afterwards). Reagan and Carter are a brilliant double act and their supporting colleagues (especially the scruffy, nose picking, Welsh DC Jellyneck) give an air of "Keystone cops" to the whole film. Mention must be made of the dreadful 70's fashions that always added to the enjoyment and interest of the series. Lots of famous supporting cast including Denholm Elliot in a small role as a corrupt ex chief inspector.

Before he was taking down on corruption charges, Judd had assigned DI Regan the case of a gang of bank robbers. With Judd out of the picture, the Flying Squad keep the case as a mark of respect – just as the robberies become more violent than ever, with the latest getaway leaving a trial of bodies in their wake. With precious few leads, Regan and his team get to work, all too aware that it is only a matter of time before the gang strike again.

In a way Life on Mars has helped and hindered The Sweeney for viewers looking back on it with little knowledge of it the first time around. I was far too young for the series when it was aired and never bothered with it when it was repeated later in our multichannel world. Life on Mars has affectionately referenced the world of The Sweeney and this has meant that, although I am now aware of the genre, I'm also less likely to take it as seriously as it was intended. However watching this film it is evident that The Sweeney didn't take itself too seriously either and it appears to be enjoying its 70's excess and tough non-PC characters just as much as Life on Mars did. The air of humour is obvious but it doesn't take away from the tough tone that the majority has to it.

Of course this is not to say that the film itself is much cop and personally I didn't think much of it once the fun retro novelty of the film had worn off. The plot is a bit too thin to stretch to the feature-length running time and the strain does show at many points. This also means that it moves too slowly at times and loses the sense of urgency that it has in its better moments. The cast offer little but the touch male of the period. Looking back it is odd to see Thaw, Waterman, Elliott, Hawthorne and others in this type of role but, within the context of this film, they do enough to carry it.

Like my fellow reviewer Theo already said though, at least it does seem to be common with the original tone of the series, for better or worse. The novelty value got me into it and the touches of humour and tough style were more or less sufficient to make it entertaining, but regardless it is what it is.

Thaw and Waterman return to their famous roles in this theatrical sequel. This time Detectives Regan and Carter are tracking a group of bank robbers who always nab £100,000 and leave any amount over that in the getaway car. Regan is able to crack the case thanks to his Flying Squad team and some help from his corrupt, imprisoned former Chief (Denholm Elliott). This is a lot darker that SWEENEY! but still features some humor (mostly with Regan spouting off on hapless underlings). Like the first film, there are some shockingly violent set pieces. The only odd bit is a 15-minute detour where the boys go to a hotel to disarm a bomb. It is completely pointless, appears midway through, and reeks of something shot afterward to pad out the film's running time.

A slightly rougher and (in the last 15 minutes or so) more violent & gory spin-off from the TV series but with no DCI Haskins. Instead we suddenly have some bloke who looks like Sir Humphrey off `Yes Minister' playing Regan's & Carter's boss. The plot is a bit disjointed in places. Basically it's about a gang of `armed blaggers' toting gold sawn-offs and alarming '70s hairdos who jet in from Malta every so often to turn over some London bank. But then halfway through, the focus suddenly switches to some French-speaking `geezer' from Beirut in a hotel disarming a bomb in his room. He has absolutely nothing to do with the armed blaggers, but we stay with him for a good 20 minutes as George Carter dresses up as room service, takes him a large Scotch and ends up helping him disarm the bomb while all the other coppers have an impromptu booze-up downstairs in the hotel bar. No explanation as to who he is, where the bomb came from and what he's doing there, except for later on when Regan tells Carter `by the way' that `the geezer with the bomb' was with the CIA. And that's it!!! We're left to fill in the many blanks ourselves as the plot goes back to the expat blaggers living it up on Malta and planning their next `job'. We learn that they steal the exact equivalent of $100,000 in every raid - no more and no less. But again, absolutely no explanation is given as to the rationale behind this. Then there's Denholm Elliot's crooked Detective Superintendent who gets `sent down' for corruption. Early on we're told that he was Regan's ex-boss and that the two had been working closely for years, but I don't recall ever seeing or even hearing of the character in the TV series (although I can't claim to have seen every episode and it's been some years since I saw the programme so maybe I've missed something). Like its parent TV series and similar shows of the era (such as `The Professionals'), Sweeney 2 sticks two fingers firmly up at the PC brigade, and that's still very refreshing to see in this day and age, when programme-makers seem to be obsessed with tokenism, `inclusiveness' and not `offending' anyone. Despite its shortcomings and plot vagaries, this is an enjoyable movie for those with fond memories of a golden age in British television and '70s nostalgics in general. A bit of a mixed bag to be sure, but worth a look.