The Silent Partner

Elliott Gould, Christopher Plummer, and Susannah York star in "The Silent Partner."

Gould plays Miles Cullen, a bank teller, who finds a discarded deposit slip with words on the back indicating someone has a gun and is going to rob the bank. When he sees a nearby Santa Claus collecting money, he notices the printing is similar to what was on the note.

Miles figures Santa will be back, so he steals the money himself and, when the bank is robbed, Santa (Christopher Plummer) is distressed to find that he didn't get anything. He zeroes in on Miles and starts threatening and harassing him. He doesn't realize that Miles is as smart - or smarter - than he is.

Really good film, with Susannah York on hand as a bank employee whom Miles falls for. Plummer is excellent, meaner than dirt, as a ruthless crook who will stop at nothing to get his money.

HIghly recommended. Very absorbing and clever.

Riveting battle of wits. Clever bank teller Cullen (Gould) figures out way to filch cash from bank and get it blamed on a robber (Plummer) who gets away with only a minor amount. Trouble is robber Reikle figures out where the bulk went and decides to harass Cullen into sharing his amount. But Cullen cleverly leads cops to Reikle's flat where they arrest him. Now it looks like Cullen's home free, but is he.

Cullen's a fascinating character. Humorless and nerdy, he appears married to the bank and his big aquarium. But inside that deadpan appearance lurks a calculating brain that knows an opportunity when he sees one. Thus, as Cullen knows, strength can lie in being underestimated as he usually is.

This would seem one of actor Gould's easier assignments since Cullen rarely breaks an expressionless exterior. Nonetheless, the humorless part really requires a lot of self-control, which Gould manages in ace fashion. On the other hand, Plummer doesn't get much screen time, but Reikle's icy stare and mocking voice make an unsettling contrast to Cullen. Girl-wise, the blonde York has a rather thankless role as bank co-worker Julie who sort of likes the diffident teller, but can't figure him out. On the other hand, Cullen seems mildly interested one minute only to turn cold the next as he calculates what his various schemes require. It's really Lomez who gets the plum part as the steamy Elaine. Not bothered by his odd manner, she quickly attaches to the conflicted Cullen who has trouble resisting.

All in all, the plot threads are cleverly woven into a compelling whole, along with an apt ending . And I like the idea of the enclosed but breakable aquarium as a key metaphor. Anyway, the film's an outstanding 110-minutes, whether taken as a solid crime suspenser or as an imaginative character study. Either way, it's highly entertaining.

You're in for a lot of suspense with this one, I've never understood why this movie was not more widely seen, even though it is deservedly highly-regarded. The whole cast is terrific, above all the great Elliott Gould. Curtis Hanson's screenplay offers just the right twists at just the right moments and it all adds up to a very believable story. Don't miss it!!

This is where everything that makes good suspense comes together, a well-paced story, authentic characters, a clever hero, terrific direction, just the right atmosphere and fine writing.

The actors make it all the more outstanding, Elliott Gould, who has phenomenal range spanning from dry comedy to innocence to riveting dramatics and angst-driven neuroses, delivers here one of his best.

Susannah York lights up the screen with her sparkle and talent.

All the others are equally effective, plus we have the added bonus of the great John Candy.

If you get a chance to see it, go for it!!

Anders Bodelson's Danish novel "Think of a Number" has been transplanted to Toronto, intelligently updated by screenwriter Curtis Hanson, and directed by Daryl Duke in brilliant fashion. What makes this film so special, I think, is that you wind up rooting for Elliot Gould, a bank teller turned thief, to best Christopher Plummer, a sadistic bank robbery, even though Gould's character is basically amoral. This is that rare thriller that works on every level. The plotting feels free of contrivance, Gould and Plummer have never been better, chilly Toronto looks spectacular, and there's a wonderfully evocative, jazzy soundtrack by pianist Oscar Peterson.

Coming as it did out of Canada in 1978, this film, despite its high quality, was almost immediately forgotten, but it is surely deserving of rediscovery. Check it out. It's one of the very best thrillers you'll ever see.