IMDb रेटिंग
6.4/10
3.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA martial arts book, which Hsu Yin-Fung carries, is being highly sought by various clans and gangs, but he is in pursuit of someone himself.A martial arts book, which Hsu Yin-Fung carries, is being highly sought by various clans and gangs, but he is in pursuit of someone himself.A martial arts book, which Hsu Yin-Fung carries, is being highly sought by various clans and gangs, but he is in pursuit of someone himself.
फ़ीचर्ड समीक्षाएं
This film is one of Jackie's best old movies!! People say "Jackie Chan's" old films suck, well they are wrong about this one!!! In this film Jackie kicks people from left to right till the end!!! This film has the usual story were everyone want's to find the stolen book with some style in it!! When I brought the film I wasn't expecting much, but I got too much after all. This film has like 11 action scenes!!!! I haven't seen any old Jackie film with soo much action!! I like how Jackie uses the thing around him as props. Also there are no real stunt's in this film but the action is good. The action is sometimes slow and sometimes fast. Like for example when there was a sword fight, you can call that a fast action scene. But when there was hand to hand action that's slow but not alway's. And the story itself is pretty good. Because in other Jackie film the story is the same and it just get's boring after a while. So I think I sad enough about this great action packed film. So go rent or buy it today!!!!!
Snake and Crane Arts of Shaolin is mostly known for being a transitional movie for Jackie. He did not play the grim Bruce Lee archetype that Lo Wei tried to mold in him, but was the start of a comedic and lighter hero for Chan. Snake and Crane was a box office failure in Hong Kong, but it got Jackie recognition in Hong Kong. It also showcased his increased intricate and atypical fight choreography with an increase of humor and props.
There is really much to like in this film. Chen Chi-hwa (Half a Loaf of Kung Fu) did an excellent job of direction with beautiful wide-screen shots of gorgeous scenery and elaborate placement of camera position. I wish he directed more films. Jackie's choreographed fight scenes are also very good. Like many of the martial art films of this time, the plot is the rub. Though I did like the first half of the plot.
The film starts with Jackie displaying his various knowledge of weapons including the spear (I cannot believe they lifted music from Monty Python and the Holy Grail for this scene.) The aerobatic display that Chan does (along with others) is far superior to any martial art action done later in the film.
Jackie stars as Su Yin Fong, a sarcastic and most excellent Kung Fu practitioner who has possession of the book "The Eight Steps of the Snake and Crane." A manual of techniques that was thought, along with the Dragon Spear, to be in the possession of Master Lin. It was created and collaborated by eight masters of Shaolin who mysteriously vanished. Or did they? Being in possession of such a prize and openly flaunting it, Su finds himself the target of many ruffians. He is jumped by the Ting Brothers while fishing. He is attacked by the Wu Tang Clan while eating. Later he is attacked by various members of the Black Dragon Clan, Beggar Clan and the Flying Tiger Clan. His only ally is Fong Sie Pin of the Ere May Clan who killed Lady Suon and her minion after Jackie Chan had already defeated them.
Su is also looking for a shoulder-scarred man. He will not let anything stop him from this goal. This includes advances from Tang Pin Nhur (Nora Miao) and her offering of a treasured golden peacock! Now that is a lot of fortitude (or else he is eunuch.) Nora actually has some decent fight scenes in this film. But the plot winds down with too many obvious turns (like who the shoulder-scarred man is and what happened to the Shaolin monks.)
I do feel like this film is worth watching. In addition to the beautiful photography and the actors I have mentioned there are great characters like Lu Lo Qui (with his cursing match against Su), Hong Tu (Gam Ching Lan) who is a pretty petite female pretending to be a male, and Chien Tse (Kam Kong.) If only the plot was stronger (and possibly Lo Wei had less influence on the story) then this film would be mentioned more often and I could create a more cohesive critique. But for historical purposes it will always have its place as a transitional movie in Jackie Chan's illustrious career.
There is really much to like in this film. Chen Chi-hwa (Half a Loaf of Kung Fu) did an excellent job of direction with beautiful wide-screen shots of gorgeous scenery and elaborate placement of camera position. I wish he directed more films. Jackie's choreographed fight scenes are also very good. Like many of the martial art films of this time, the plot is the rub. Though I did like the first half of the plot.
The film starts with Jackie displaying his various knowledge of weapons including the spear (I cannot believe they lifted music from Monty Python and the Holy Grail for this scene.) The aerobatic display that Chan does (along with others) is far superior to any martial art action done later in the film.
Jackie stars as Su Yin Fong, a sarcastic and most excellent Kung Fu practitioner who has possession of the book "The Eight Steps of the Snake and Crane." A manual of techniques that was thought, along with the Dragon Spear, to be in the possession of Master Lin. It was created and collaborated by eight masters of Shaolin who mysteriously vanished. Or did they? Being in possession of such a prize and openly flaunting it, Su finds himself the target of many ruffians. He is jumped by the Ting Brothers while fishing. He is attacked by the Wu Tang Clan while eating. Later he is attacked by various members of the Black Dragon Clan, Beggar Clan and the Flying Tiger Clan. His only ally is Fong Sie Pin of the Ere May Clan who killed Lady Suon and her minion after Jackie Chan had already defeated them.
Su is also looking for a shoulder-scarred man. He will not let anything stop him from this goal. This includes advances from Tang Pin Nhur (Nora Miao) and her offering of a treasured golden peacock! Now that is a lot of fortitude (or else he is eunuch.) Nora actually has some decent fight scenes in this film. But the plot winds down with too many obvious turns (like who the shoulder-scarred man is and what happened to the Shaolin monks.)
I do feel like this film is worth watching. In addition to the beautiful photography and the actors I have mentioned there are great characters like Lu Lo Qui (with his cursing match against Su), Hong Tu (Gam Ching Lan) who is a pretty petite female pretending to be a male, and Chien Tse (Kam Kong.) If only the plot was stronger (and possibly Lo Wei had less influence on the story) then this film would be mentioned more often and I could create a more cohesive critique. But for historical purposes it will always have its place as a transitional movie in Jackie Chan's illustrious career.
One of the most coolest Kung-Fu movie ever made. I saw this one on the Japanese movie theatre when I was a kid and I thought it's cool, and I saw it again today on video and it's still cool!! This is definitely one of Jackie's best movie. It was shot mostly outdoors so you'll enjoy beautiful winter landscapes of somewhere in Asia as well. If you like Jackie Chan or Kung-Fu movies, you MUST see this!!
1978 was one of the most, if not the most, prolific years in the history of martial arts movies. By my count about three of these movies were made every day. If you make a list of the best martial arts movies of all times then these movies from 1978 must appear on that list or you know nothing - The 36th Chamber of Shaolin, Crippled Avengers, Heroes of the East, Five Deadly Venoms, Drunken Master, Warriors Two, and Dirty Kung Fu.
So where does Snake and Crane Arts of Shaolin fall in among this plethora? We must pretend, to be objective, that Jackie Chan was just another of the hundreds of capable would be star material stunt men of the era. Is there anything about this movie that makes it worth mentioning along with the other seven named? Short answer, yes.
There are two fight sequences. First is a sword fight sequence at about the 45 minute mark. (I'm pretty sure Jackie took many of these same moves and improved the overall sequence in another of his movies. I'll get back and edit this once confirmed.) Second is the spear fighting sequence in the final fight. Those two fights are on the level of Liu Chia-Liang greatness (the Grandmaster of all martial arts movies). The only problem is the rest of the movie is "meh". I will not be adding this movie to the best of 1978 list but it is certainly rated above average and mandatory viewing for fans of the genre.
Since I mentioned it - I will add my list (up until 1978)
1967 One Armed Swordsman, Dragon Gate Inn, Rape of the Sword
1968 Killer Darts, King of All Swordsmen
1969 Killers Five
1970 The Chinese Boxer
1971 The Eunuch, Lady with a Sword, The Brave and the Evil
1972 The Black Tavern, Five Fingers of Death
1973 Enter the Dragon, Win Them All, One By One
1974 The Savage Five, Shaolin Martial Arts
1975 The Flying Guillotine, The Female Chivalry, The Man from Hong Kong
1976 Challenge of the Masters, Master of the Flying Guillotine, Killer Clans, The Secret Rivals, Dance of Death
1977 The Iron Monkey, Broken Oath, Invincible Armour, Shaolin Plot, Executioners from Shaolin, The Lost Swordship, Judgement of an Assassin, Pursuit of Vengeance
1978 The 36th Chamber of Shaolin, Crippled Avengers, Heroes of the East, Five Deadly Venoms, Drunken Master, Warriors Two, Dirty Kung Fu
So where does Snake and Crane Arts of Shaolin fall in among this plethora? We must pretend, to be objective, that Jackie Chan was just another of the hundreds of capable would be star material stunt men of the era. Is there anything about this movie that makes it worth mentioning along with the other seven named? Short answer, yes.
There are two fight sequences. First is a sword fight sequence at about the 45 minute mark. (I'm pretty sure Jackie took many of these same moves and improved the overall sequence in another of his movies. I'll get back and edit this once confirmed.) Second is the spear fighting sequence in the final fight. Those two fights are on the level of Liu Chia-Liang greatness (the Grandmaster of all martial arts movies). The only problem is the rest of the movie is "meh". I will not be adding this movie to the best of 1978 list but it is certainly rated above average and mandatory viewing for fans of the genre.
Since I mentioned it - I will add my list (up until 1978)
1967 One Armed Swordsman, Dragon Gate Inn, Rape of the Sword
1968 Killer Darts, King of All Swordsmen
1969 Killers Five
1970 The Chinese Boxer
1971 The Eunuch, Lady with a Sword, The Brave and the Evil
1972 The Black Tavern, Five Fingers of Death
1973 Enter the Dragon, Win Them All, One By One
1974 The Savage Five, Shaolin Martial Arts
1975 The Flying Guillotine, The Female Chivalry, The Man from Hong Kong
1976 Challenge of the Masters, Master of the Flying Guillotine, Killer Clans, The Secret Rivals, Dance of Death
1977 The Iron Monkey, Broken Oath, Invincible Armour, Shaolin Plot, Executioners from Shaolin, The Lost Swordship, Judgement of an Assassin, Pursuit of Vengeance
1978 The 36th Chamber of Shaolin, Crippled Avengers, Heroes of the East, Five Deadly Venoms, Drunken Master, Warriors Two, Dirty Kung Fu
having just about butchered more old Hong Kong action films than i care to mention, Columbia-Tristar actually did something right with the DVD re-release of this film - they restored a brief snippet towards the end that had long been lost to the standard American video release of it. The snippet is only about a minute of film, but it explains the emotional upheaval shown by one of the characters, and why he decides to aid Jackie in the final battle.
This is one of the better pure chop-socky 'fu films of Chan's early period, while still under contract to Lo Wei. Chen Chi Hua is really only directing a typical chop-socky, but he does allow Jackie to try out some mugging for the camera as well as some shtick. most of the actors are quite up for their supporting roles, and although the script is pretty standard fair, Chen and Chan rarely let it get beyond their capacity to have a good time, and to share this with the audience.
By no means a classic, but a thoroughly entertaining 'fu film.
This is one of the better pure chop-socky 'fu films of Chan's early period, while still under contract to Lo Wei. Chen Chi Hua is really only directing a typical chop-socky, but he does allow Jackie to try out some mugging for the camera as well as some shtick. most of the actors are quite up for their supporting roles, and although the script is pretty standard fair, Chen and Chan rarely let it get beyond their capacity to have a good time, and to share this with the audience.
By no means a classic, but a thoroughly entertaining 'fu film.
क्या आपको पता है
- ट्रिवियाThe song "Ice Floe 9" by Pierre Arvay, from the De Wolfe Music library, is used in the film's opening credits. The same piece was also used for the opening credits of Monty Python and the Holy Grail (1975), and also appeared in the extended version of मृतकों की सुबह (1978).
- गूफ़Around 37m, when Hsu Yin-Fung fights Sing Chu, playing the "cartwheel" sequence in slow motion (or pausing the film at the right moment) will reveal that the hole in the ground supposedly created by Chu's punch was there before his fist hit the ground.
- कनेक्शनFeatured in Kain's Quest: Iron Angels/Angel (2018)
- साउंडट्रैकDangerous Days
(Main Theme from the Japanese Theatrical Version)
Written by Gregory Starr
Composed by Tetsushi Hayashi
Courtesy of Nippon Columbia Records
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