Les raisins de la mort

This film is watchable, but it is hit-and-miss in several respects. The atmosphere and story are not too bad, and the gore is a bit amateurish but plentiful. My major objection to the film is the poor editing. If you are ever asked about the importance of editing and continuity to the watchability of a film, just point to this film as an example of how NOT to do it. Due to the poor editing and lack of continuity, people "jump" all over the screen and sets, showing up in one place after starting in another. One of the actresses literally walks around a corner of a building and changes clothes completely at the same time. (No, I don't believe that this was intentional.) A couple huge dogs just show up at one point (which also makes no sense), wounds change locations, and some events were obviously intended to precede other events that now appear earlier in the film.

Don't get me wrong, this film is worth your time if you're a fan, but it is definitely not a slick, finished product.

A bleak gallic version of 'Night of the Living Dead', except that this time the victims remain horribly sentient and resemble lepers rather than zombies.

The makers probably had the outbreak of mass psychosis at Point-Saint-Esprit in 1951 in mind (which was caused by ergot in the local bread rather than pesticide in the local wine as depicted here).

Rollin's "big" budget films rewards the viewer tremendously. Raisins de la Morte has been called the first French gore film, yet it is worth seeing for more than its few baser thrills. The whole movie is like a particularly convincing claustrophobic dream. Novice explorers of the European horror film or general fans of the zombie genre should be captured by the compact story of the lost girl in the near ancient village of zombies created by an uncannily debilitating batch of wine. Rollin's skill at creating the feel of a bad dream, however, is shown in the opening train scene. An extremely effective tracking shot of a nearly empty train car sets the tone of isolation and danger perfectly.

I must admit that, unlike many of my fellow Eurohorror fanatics, I am not the biggest fan of Jean Rollin, but then, I am still far from being an expert on the man's work. Most of the Rollin films that I've seen so far reach from stylish but flawed (e.g. "Fascination") to stylish but boring (e. g. "La Rose De Fer") to plain ridiculous ("Le Lac Des Morts Vivants"). Therefore, I was very positively surprised when I recently saw "Les Raisins De La Mort" aka. "The Grapes of Death" (1977) a highly original, creepy, intelligent and overall very impressive Zombie/Gore film, which is by far my favorite of all the Rollin flicks I've seen.

"Les Raisins De La Mort" is a Zombie film with a somewhat environmentalist premise: In a mountainous, wine-drinking area of France, pesticides that are meant as insect repellents for grapes, turn the population sick and murderously insane... Unlike your usual fully braindead zombies, the infected here are still (somewhat) capable of thinking, talking and having feelings, they just have the insatiable urge to murder...

"Les Raisins De La Mort" has the reputation of being one of the first French gore films, and it is also a highly effective one. The cinematography and settings (beautiful French landscapes and villages) are extremely elegant, which is a quality that most Rollin films have. This one's intriguing premise and suspense is a quality that I would only attribute to this one (out of the bunch of Rollin films I've seen). Marie-Georges Pascal, who sadly committed suicide at age 39 in 1985, makes a likable protagonist as Élisabeth, a girl who gets lost in the land of the infested when trying to visit her fiancé, and Mirella Rancelot is memorable as a blind girl, a likable character whose stare into nonentity is both sympathy-evoking and slightly eerie. The film delivers what gore fans expect, the zombie-makeup (the infested begin to get moldy and rot away) is extremely disgusting, and the gore effects are bloody as hell and very well done. For a Rollin film, this one is very low on the sleaze and nudity, only the ravishing actress/pornstar Brigitte Lahaie (Rollin's favorite actress) gets naked in a supporting role. The score is pretty good and underlines the eerie atmosphere.

Overall, this film delivers everything one might hope for in a Zombie film: a nice setting, suspense and creepiness, and loads of (both disturbing and disgusting) gore. Atmospheric, effective and definitely Rollin's best, in my opinion. Highly recommended!

I saw this for the first time recently. The film's gore may remind viewers of Fulci. The settings may remind of Who Can kill a Child and Tombs of the blind Dead. The film has lingering shots of oozing stuff n nasty ulcers, it has nudity, a decapitation n hell lottuva weirdness. Dont worry about the oozing ulcers, we have porn actress Brigitte Lahaie, who doesnt hesitate to undress. In one scene a woman is shown wearing a red shirt n the next she is shown wearing a braless gown. The best part about this film is Jean Rollin's exquisite cinematography and surrealistic atmosphere throughout.