अपनी भाषा में प्लॉट जोड़ेंA photographer and his model are on a photo shoot in a forest when they get the feeling they are being watched. The feeling becomes so strong that they decide to cut their session short and ... सभी पढ़ेंA photographer and his model are on a photo shoot in a forest when they get the feeling they are being watched. The feeling becomes so strong that they decide to cut their session short and leave.A photographer and his model are on a photo shoot in a forest when they get the feeling they are being watched. The feeling becomes so strong that they decide to cut their session short and leave.
Mario Novelli
- The Silencers Henchman
- (as Antony Freeman)
Eolo Capritti
- Security Man
- (बिना क्रेडिट के)
Giovanni Cianfriglia
- Killer
- (बिना क्रेडिट के)
Massimo Ciprari
- Officer in Office
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Why do I watch movies like this ? - other than I have some weird misguided masochistic belief that one day I will find a true gem amongst all this dross I can't think one one good reason. This movie was dross from start to finish - but semi-hilarious dross. Where else but in a bad Italian dubbed movie could you find heated exchanges of surreal mangled English like this one between a honest military type and the sinister chief of a secret X-files like organisation dedicated to hiding "The Truth":
Man in Black: Silence is best for us until we are able to prove that the UFOs have no bellicose motives.
Military Type: In any event I find your interference abusive.
Man in Black: Whoever has to impose his will is.
I rewound the DVD (you know what I mean) a good half dozen times and I still can't make those lines mean anything sensible. My other fave line was:
"We can be quite hard on those who contravert our interests."
It's English Jim, but not as we know it.
The other highlights of this dull plonker of a movie for me were the totally spaced out acting of the photographer character at the start. Saddled with the worst haircut EVER in the history of everything, the man just wandered around looking like a stunned fish in a bad wig till kidnapped and forced to look at a piece of Plexiglas by some aliens. The aliens are most effectively not seen as a POV shot - hand held camera with a fish-eye lens - sort of spooky the first time but, used over and over again it lost its power (incidentaly, if it is a Point of View shot, it means the aliens always walk out of rooms backwards for some reason).
The film was set in "England". This meant the Spanish Italian set designers put some British number plates on a couple of English cars and put a Union Jack on our hero's press card... and that was about it. No other attempt to make it look like the UK at all.
Favourite moment? When the Foley artists didn't notice that characters they were foleying (is there such a word?) were no longer walking on gravel but were now on the lawn so their feet kept on making loud "crunch! crunch!" noises. Other than that, another total waste of 90 minutes of my life. I hope they prove those UFOs have no bellicose motives soon...
Man in Black: Silence is best for us until we are able to prove that the UFOs have no bellicose motives.
Military Type: In any event I find your interference abusive.
Man in Black: Whoever has to impose his will is.
I rewound the DVD (you know what I mean) a good half dozen times and I still can't make those lines mean anything sensible. My other fave line was:
"We can be quite hard on those who contravert our interests."
It's English Jim, but not as we know it.
The other highlights of this dull plonker of a movie for me were the totally spaced out acting of the photographer character at the start. Saddled with the worst haircut EVER in the history of everything, the man just wandered around looking like a stunned fish in a bad wig till kidnapped and forced to look at a piece of Plexiglas by some aliens. The aliens are most effectively not seen as a POV shot - hand held camera with a fish-eye lens - sort of spooky the first time but, used over and over again it lost its power (incidentaly, if it is a Point of View shot, it means the aliens always walk out of rooms backwards for some reason).
The film was set in "England". This meant the Spanish Italian set designers put some British number plates on a couple of English cars and put a Union Jack on our hero's press card... and that was about it. No other attempt to make it look like the UK at all.
Favourite moment? When the Foley artists didn't notice that characters they were foleying (is there such a word?) were no longer walking on gravel but were now on the lawn so their feet kept on making loud "crunch! crunch!" noises. Other than that, another total waste of 90 minutes of my life. I hope they prove those UFOs have no bellicose motives soon...
A man is doing a photo shoot with a model out in the middle of a field somewhere, and unknowingly he get's footage of alien craft, and aliens. Once he finds out what he's got he stashes the negatives. Sooner or later someone finds out about it,, a clandestine group within the World Government find out and they will stop and nothing to get the negatives back, because they feel if the information is released to the public at large, it will cause a worldwide panic. Meanwhile the photographer place is tossed and everyone is looking for the negatives, the model shows up later in the movie after being traumatized by the aliens although we do not see this part in the movie,, overall it wasn't bad the first half of the movie,, but the second half just turned me off. so that's why I'm going with a 4 rating.
First, this movie contains no excitement. None. Not an ounce. If you don't like watching B-movies, you don't need to see this. Even if you like B-movies, this one is difficult to sit through, but it has a few things going for it.
Second, it's hardly an ET rip-off. (Did the previous two commentators see the same movie? No way.)
Rather than ET, it more resembles the TV series called "UFO". Some of the characters even pronounce that abbreviation as a word, like "you-foe", which is how they always pronounced "UFO" on "UFO". Early on, the movie does a decent job of presenting a mildly creepy "the aliens are stalking us" mood, & in one or two places, characters speculate that aliens abduct humans to experiment on them. Both of those aspects reminded me of "UFO". Also, there are some scenes through an alien's eye-view. (Oh yeah, & during those scenes, one of the sound-effects is definitely from the Doctor Who story called "Robot".)
But the plot doesn't stay with the "aliens are stalking us" premise. It meanders all over the map of plots. It goes nearly everywhere a plot can go: creepiness, missing persons, journalistic story-hunting, police crime investigation, government conspiracy, international conspiracy, double-crossing double-agents, & even psychics. The plot changes so often & so thoroughly that I felt almost like I was watching different movies. I'd say this is the movie's biggest problem; it's like the writer didn't know what kind of movie he wanted to create.
There's a character who just HAS to be the inspiration for The X-Files' Cancer Man. Even the actor looks like the one who plays Cancer Man. When I saw that character, which is also about the time the plot turns to conspiracy theories, it made me suspect that this movie was some of the inspiration behind The X-Files. I'd almost bet on it. There are also some alien-abduction scenes & talk that resemble that same theme as it's expressed in The X-Files. (But if you are an X-Files fan, don't count on this movie to give you a supplementary X-Files fix. Your standards are probably way too high.)
A curiosity: The version I watched had an English dubbed sound-track. I believe the movie is Spanish (?), but every printed word I recall seeing was English. I thought that was mildly interesting.
The ending was unexpected, I'll grant. I'm not saying it was inspiring, insightful, or clever. I just didn't see it coming.
So, it's a bad movie, for sure, but there are some things about it that provide some food for thought or analysis if you're the kind of person who wants to look for it. (But it really is a pretty bad movie.)
Second, it's hardly an ET rip-off. (Did the previous two commentators see the same movie? No way.)
Rather than ET, it more resembles the TV series called "UFO". Some of the characters even pronounce that abbreviation as a word, like "you-foe", which is how they always pronounced "UFO" on "UFO". Early on, the movie does a decent job of presenting a mildly creepy "the aliens are stalking us" mood, & in one or two places, characters speculate that aliens abduct humans to experiment on them. Both of those aspects reminded me of "UFO". Also, there are some scenes through an alien's eye-view. (Oh yeah, & during those scenes, one of the sound-effects is definitely from the Doctor Who story called "Robot".)
But the plot doesn't stay with the "aliens are stalking us" premise. It meanders all over the map of plots. It goes nearly everywhere a plot can go: creepiness, missing persons, journalistic story-hunting, police crime investigation, government conspiracy, international conspiracy, double-crossing double-agents, & even psychics. The plot changes so often & so thoroughly that I felt almost like I was watching different movies. I'd say this is the movie's biggest problem; it's like the writer didn't know what kind of movie he wanted to create.
There's a character who just HAS to be the inspiration for The X-Files' Cancer Man. Even the actor looks like the one who plays Cancer Man. When I saw that character, which is also about the time the plot turns to conspiracy theories, it made me suspect that this movie was some of the inspiration behind The X-Files. I'd almost bet on it. There are also some alien-abduction scenes & talk that resemble that same theme as it's expressed in The X-Files. (But if you are an X-Files fan, don't count on this movie to give you a supplementary X-Files fix. Your standards are probably way too high.)
A curiosity: The version I watched had an English dubbed sound-track. I believe the movie is Spanish (?), but every printed word I recall seeing was English. I thought that was mildly interesting.
The ending was unexpected, I'll grant. I'm not saying it was inspiring, insightful, or clever. I just didn't see it coming.
So, it's a bad movie, for sure, but there are some things about it that provide some food for thought or analysis if you're the kind of person who wants to look for it. (But it really is a pretty bad movie.)
This film was not nearly as much of a chore as I expected it to be. There are a few seconds of brilliance in this somewhat idiotic hardcore UFO conspiracy paranoia-fest. Most of the acting is mediocre, but fairly typical for 1970s-style stuff replete with pregnant pauses. A photographer and a model witness some strange goings-on in the woods and soon fall victim to these same goings-on. Flying saucers are spotted, more people disappear - but is it the aliens or our own government's ultra-secret group of cover-up guys? Soon enough, a reporter and a "UFOlogist" (apparently modeled on the character of the writer-director) are drawn into this unraveling fiasco and become the target of the ultra-secret agents who are as menacing as they are improbable and witless. Then the fun really begins.
The movie, predictably, makes about as much sense as the average UFO conspiracy theory, but should be commended for taking itself so seriously. The camera work is OK for a low-budget film, the pacing is pretty good, the script is silly and absurd, and there are continuity issues which are fun to look out for. What are the few seconds of brilliance I mentioned? Honestly, I can't say much you without writing a spoiler. Suffice to say that the end of the film is, at least, worth fast-forwarding to if you can't take the middle.
The movie, predictably, makes about as much sense as the average UFO conspiracy theory, but should be commended for taking itself so seriously. The camera work is OK for a low-budget film, the pacing is pretty good, the script is silly and absurd, and there are continuity issues which are fun to look out for. What are the few seconds of brilliance I mentioned? Honestly, I can't say much you without writing a spoiler. Suffice to say that the end of the film is, at least, worth fast-forwarding to if you can't take the middle.
For some reason, in the late 70's and early 80's the local CBS affiliated station in New York kept playing this movie in it's late-night slot on Friday or Saturday nights for several years, usually at 2 a.m. or some such time. It's a fitting movie for that time slot since it's really hard to follow and quite odd (see the other reviews for specific story info). Anyway, after catching it numerous times in those days just before cable TV (And even after it hit but before they offered much all night programming), I kept catching this little oddity. After not seeing it for many years I decided to see if I could find it on DVD. Well, it is only available (from every search i've conducted anyway)in a pretty lousy grainy print on the budget label "Brentwood Video" as part of a 4-pack of movies (4 movies on 2 double sided discs)called "Alien Worlds" if anyone is interested. It's usually available for around $10-but even much less if you shop around. The other 3 movies on this set are readily available in numerous other collections of public domain movies, so no need to comment on them here. But I haven't seen "Eyes" available anywhere else. Though hardly a "restored" version in any way, this print runs exactly 92 minutes, so for once IMDb's stated running time of 90 minutes is not correct. Even with the 92 minute running time it's not unusual for a movie dubbed into English from another language to also have some of the running time trimmed. It seems to be a common budget-conscience practice to sometimes save money by not bothering to dub some scenes at all if they are not considered to be important to the story. Would a longer version make in any less confusing? Who really knows-unless you've seen it in it's native language... By the way, my attempts to watch this during the day don't work and I end up just turning it off. There's something about watching this in the middle of the night that just fits this movie..or maybe it's just from my earlier experiences, who know??
क्या आपको पता है
- ट्रिवियाFor the English-language version, another actor dubbed in the voice for Martin Balsam's character (even though Balsam was quite obviously speaking English in the film).
- गूफ़Although the movie is set in Great Britain, none of the prominently featured vehicles are right-hand-drive except for the Land Rover and a briefly seen Hillman Minx. This is understandable in the case of several American cars, as right-hand-drive model availability was spotty in the time period, but it is not logical for the British-built Mini and Triumph TR3 seen in the film to be left-hand-drive in their home market.
- कनेक्शनFeatured in Sherry Holocaust: Interview with Actress Sherry Buchanan (2016)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Eyes Behind the Stars
- फ़िल्माने की जगहें
- इटली(location)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 32 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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