अपनी भाषा में प्लॉट जोड़ेंBilly Hayes, an American college student, is caught smuggling drugs out of Turkey and thrown into prison.Billy Hayes, an American college student, is caught smuggling drugs out of Turkey and thrown into prison.Billy Hayes, an American college student, is caught smuggling drugs out of Turkey and thrown into prison.
- 2 ऑस्कर जीते
- 17 जीत और कुल 14 नामांकन
Paul L. Smith
- Hamidou
- (as Paul Smith)
फ़ीचर्ड समीक्षाएं
Im a turkish boy and im proud of being a turk.that movie may be a good movie but its full of exaggerations.Even Billy Hayes admitted that that movie was full of exegerations.Some ppl have some prejudieces about turkey and turkish people.and i don't like that.For ex i watched the movie called 'sleepers' but i dont think that all Americans rape kids in jail.
Artistically, MIDNIGHT EXPRESS is quite well made... I do recall several media reports at the time of the film's release that led to contrary impressions, supporting the deliberate attempt by the filmmakers to do a hatchet job on the setting of this film. The first was Billy Hayes himself, when he first arrived on native soil, having pulled off his alleged escape; he said on TV, "I like the Turks...it's the prison I had a problem with" Easy to understand; few prisons are a joy ride, regardless of nation of origin. From this, I gathered he personally didn't have an animosity against the Turks, although MIDNIGHT EXPRESS goes out of its way to make everything negative about the country and culture. Only the "Western" characters are good and attractive, and the folks selected to play the Turks are corrupt, physically ugly and basically sub-human. The exterior scenes in Turkey itself have a grayish tint, implying the land is a hell-hole, and even the near-universally acclaimed cuisine gets a black eye.
The second thing from the (film's release) period I recall was a discussion on radio that claimed the prison Billy served time in was relatively modern, built in the mid-sixties... and not the Devil's Island PAPILLON setting depicted in the movie. (A 19th-Century British barracks in Malta was used for the prison.) Naturally, some artistic leeway is allowed here, since the movie's purpose is to paint a picture of a living nightmare.
I recall reading the book years ago, and when our hero got his unfair sentence, naturally he was in despair... but at that moment, he felt an almost gallant, resigned acceptance. In contrast, when Billy gave his courtroom speech in the movie (which certainly was a defining moment of the film's ill-naturedness... to quote part of the speech: "For a nation of pigs, it sure seems funny that you don't eat them! Jesus Christ forgave the bastards, but I can't! I hate! I hate you! I hate your nation! And I hate your people! And I f**k your sons and daughters because they're pigs! You're all pigs!"), the three ugly judges actually hung their heads in shame. I wonder if there's a courtroom in any nation that would permit such a prolonged and loud outburst.
The August 30th post mistakenly referred to Turkey as an Arab nation.... so the user must not have seen "Lawrence of Arabia," where the Arabs were the heroes and the Turks were the villains. It's interesting that in the rare Hollywood film where Arabs are portrayed "positively," Turks still come across as barbaric.
A Turkish-American friend has told me, contrary to what others here are thinking that the film couldn't really prejudice the viewer, that the film has achieved one of its purposes, to leave a sore, anti-Turkish taste in mouths. Keeping in mind that Americans are generally ignorant of the ways of many foreign nations, this film continues, even today, of being the only source of information most Americans have about Turkey. As cinematically effective and wonderfully made this film is, there's a disturbing side to MIDNIGHT EXPRESS that makes it mildly resemble a contemporary "Jude Suess," or THE ETERNAL JEW ("Der Ewige Jude").
The second thing from the (film's release) period I recall was a discussion on radio that claimed the prison Billy served time in was relatively modern, built in the mid-sixties... and not the Devil's Island PAPILLON setting depicted in the movie. (A 19th-Century British barracks in Malta was used for the prison.) Naturally, some artistic leeway is allowed here, since the movie's purpose is to paint a picture of a living nightmare.
I recall reading the book years ago, and when our hero got his unfair sentence, naturally he was in despair... but at that moment, he felt an almost gallant, resigned acceptance. In contrast, when Billy gave his courtroom speech in the movie (which certainly was a defining moment of the film's ill-naturedness... to quote part of the speech: "For a nation of pigs, it sure seems funny that you don't eat them! Jesus Christ forgave the bastards, but I can't! I hate! I hate you! I hate your nation! And I hate your people! And I f**k your sons and daughters because they're pigs! You're all pigs!"), the three ugly judges actually hung their heads in shame. I wonder if there's a courtroom in any nation that would permit such a prolonged and loud outburst.
The August 30th post mistakenly referred to Turkey as an Arab nation.... so the user must not have seen "Lawrence of Arabia," where the Arabs were the heroes and the Turks were the villains. It's interesting that in the rare Hollywood film where Arabs are portrayed "positively," Turks still come across as barbaric.
A Turkish-American friend has told me, contrary to what others here are thinking that the film couldn't really prejudice the viewer, that the film has achieved one of its purposes, to leave a sore, anti-Turkish taste in mouths. Keeping in mind that Americans are generally ignorant of the ways of many foreign nations, this film continues, even today, of being the only source of information most Americans have about Turkey. As cinematically effective and wonderfully made this film is, there's a disturbing side to MIDNIGHT EXPRESS that makes it mildly resemble a contemporary "Jude Suess," or THE ETERNAL JEW ("Der Ewige Jude").
I found an old VHS tape of this film among my film collection: I don't think I've watched it for 30 years so I put it in the machine. I thought it was a strong movie with good performances and held up very well. I've always liked the music. I was amazed to read the reviews and find that the film was treated like a cinematic diatribe against Turkey and the Turkish people. The film is not about Turkey. That's simply the setting. it's no more about the Turkish people than "I Am a Fugitive From a Chain Gang", "Cool Hand Luke" or "The Shawshank Redemption" is about the American people.
The film works on two levels. It's about a guy who foolishly decides to ignore the laws of a foreign country and smuggle hashish from ti to make some quick money. He gets caught and confronts a series of policemen, lawyers, judges and prison guards, none of them sympathetic characters. Those are the "Turkish people" presented to him and to us. They are little different from the sort of people who would hold those jobs in any country, including ours. A couple of prisoners make comments about disliking Turks but that's because this is their experience of them. There's no implications that all of the Turkish people are like these characters. On this level the film is just a stark reminder that if you travel to a foreign country you must be aware of and obey their laws. Just because you are an American, you have no special status.
The other level of the film and the part that makes it special is the psychological. the "Midnight Express" is not a train but it's not just an escape attempt. When Billy winds up in the asylum, he gets into a battle to hold on to his mind. He doesn't want to be a "bad machine", which is the other way to escape his dismal reality. he's losing that battle when his girlfriend show up to give him hope and reason to use it. That's what the movie is really about.
The film works on two levels. It's about a guy who foolishly decides to ignore the laws of a foreign country and smuggle hashish from ti to make some quick money. He gets caught and confronts a series of policemen, lawyers, judges and prison guards, none of them sympathetic characters. Those are the "Turkish people" presented to him and to us. They are little different from the sort of people who would hold those jobs in any country, including ours. A couple of prisoners make comments about disliking Turks but that's because this is their experience of them. There's no implications that all of the Turkish people are like these characters. On this level the film is just a stark reminder that if you travel to a foreign country you must be aware of and obey their laws. Just because you are an American, you have no special status.
The other level of the film and the part that makes it special is the psychological. the "Midnight Express" is not a train but it's not just an escape attempt. When Billy winds up in the asylum, he gets into a battle to hold on to his mind. He doesn't want to be a "bad machine", which is the other way to escape his dismal reality. he's losing that battle when his girlfriend show up to give him hope and reason to use it. That's what the movie is really about.
It's interesting to note the comments on this movie.
I saw it on TV last night, not for the first time, and I noticed how the Turks in the film are all one-dimensional bad people, and physically ugly to boot. I also read that many of the scenes are completely fictional. I am not one of those people who think that a "true" story must be completely true; I think that the purpose of movies is to entertain, and this one certainly does that, if in a harrowing way. But, given the politics of our time, if the author of the screenplay wanted to create a demon people for dramatic effect, perhaps it would have been better to have set the story in a fictional or unidentified country.
The other observation I would make is, we are not much better than they are. We regularly sentence people to ungodly amounts of prison time for drug offenses, both on a state and federal level. Our prisons are no picnic, either, with many of the same sorts of things that were portrayed in the movie happening right here at home.
So, go check "the man in the mirror" before you condemn anyone else.
I saw it on TV last night, not for the first time, and I noticed how the Turks in the film are all one-dimensional bad people, and physically ugly to boot. I also read that many of the scenes are completely fictional. I am not one of those people who think that a "true" story must be completely true; I think that the purpose of movies is to entertain, and this one certainly does that, if in a harrowing way. But, given the politics of our time, if the author of the screenplay wanted to create a demon people for dramatic effect, perhaps it would have been better to have set the story in a fictional or unidentified country.
The other observation I would make is, we are not much better than they are. We regularly sentence people to ungodly amounts of prison time for drug offenses, both on a state and federal level. Our prisons are no picnic, either, with many of the same sorts of things that were portrayed in the movie happening right here at home.
So, go check "the man in the mirror" before you condemn anyone else.
Midnight Express is really impressing and depressing movie. It's really must be seen, it shows the importance of human rights to whom don't care about it. I wish writer of script hadn't used realnames like Turkey. Because, as a person who lives in Turkey, I'm sure that there's no such a torture methods and implemantation in Turkey. There are just writer's imaginations. Other than that, ppl should see this film.
क्या आपको पता है
- ट्रिवियाBanned (and never released theatrically) in Turkey until 1992 when the private television channel HBB broadcast it.
- गूफ़The Turkish spoken by the Turkish characters in the film is uniformly broken. The actors are obviously not Turkish; sometimes the language is so broken it is difficult for native speakers to understand what they are saying.
- भाव
Max: The best thing to do is to get your ass out of here. Best way that you can.
Billy Hayes: Yeah, but how?
Max: Catch the midnight express.
Billy Hayes: But what's that?
Max: [laughs] Well it's not a train. It's a prison word for... escape. But it doesn't stop around here.
- क्रेज़ी क्रेडिटThe only opening titles are: Columbia Pictures presents a Casablanca FilmWorks production an Alan Parker film Midnight Express After this, the opening prologue text reads "The following is based on a true story. It began October 6, 1970 in Istanbul, Turkey."
- इसके अलावा अन्य वर्जनSome of the VHS and Betamax copies included text before the end credits run that did not appear on the DVD and Blu-ray copies "On May 18,1978 the motion picture you have just seen was shown to an audience of world press at the Cannes Film Festival.... 43 days later the United States and Turkey entered into formal negotiations for the exchange of prisoners." This dialogue existed on HBO's showing of the movie back in 1985.
- साउंडट्रैकIstanbul Blues
Vocals by David Castle
Written By Oliver Stone, Billy Hayes (as William Hayes)
Arranged and Lyrics by David Castle
Acoustic / Electric Guitars by Patrick McClure
Drums, Percussion by Jerry Summers
Strings by Fritz Sonnleitner and Sid Sharp
Bass by Rick Tierney
Piano, Electric Piano, Clavinet by David Castle
Published by Rick's Music Inc./Gold Horizon Music Corp. (BMI)
(p) 1978 Casablanca Record and FilmWorks, Inc.
© 1978 Columbia Pictures
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Midnight Express?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Midnight Express
- फ़िल्माने की जगहें
- Fort St. Elmo, Valletta, माल्टा(as the Turkish prison)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $23,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,50,00,000
- दुनिया भर में सकल
- $3,50,00,000
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें