Messer im Kopf

Bruno Ganz is astonishing as a man recovering from traumatic brain injury. His performance is more realistic than most cinematic depictions of brain injury (aside from the idea that brain surgery could have been performed without shaving his head!), which is in itself remarkable; the many ways in which there is a knife in his head, literally and figuratively and symbolically, add layers to an already brilliant performance.

Angela Winkler also shines in her complex and troubled relationship to the injured man.

It's been years since I saw this film, and yet it stays with me. I really want to see it again. I have to say I think it's a real shame that it was not more widely seen initially, and that it never seems to make it back to the revival houses...

This movie is both serious and humorous and it's worth seeing alone for the superb acting of Bruno Ganz. He's just so watchable and has an amazing way to deliver his lines. It also has one of the most scary and brilliant endings I know. It makes the movie continue in your head after the credits roll.

In many ways one might think this an ordinary film. There are no special effects, no beautiful stars, no special flourishes. But every shot is perfect. Every frame is necessary. Every nuance is in place. And Bruno Ganz is absolutely superb at every moment.

I first saw this film by chance in the early eighties and have searched and searched ever since -- for 25 years -- in order to see it again. Now it's 2012 and I almost expected to be disappointed. But I am just as impressed as ever, with the superb script and under-stated direction. "Knife In The Head" will hold you in its grip until the very last frame, and only gets better in the last few minutes.

It seems odd to say, because in many ways this film seems so darned ordinary, like so many others. But, but, there is some difference. Rather than ordinary, I think it might be one of the best films ever made.

According to reports at the time, the Federal Republic of Germany (or "West Germany," as it was known then,) became somewhat of a police state in the mid-70's.

The embarrassing, massive blunder of the Munich '72 Olympics segued into the Baader-Meinhoff, and at some point the German government started using police tactics that had more to do with Orwellian practices than civil rights. This movie reflects that, and it does so while showing the arduous process experienced by its protagonist (admirably played by Bruno Ganz,) who must literally rewire his brain after the forces of the State almost kill him by mistake and then try to blame him in order to cover things up.

There must have been a measure of freedom left in W. Germany for this movie to have come out somehow. Is Ganz's recovery (from vegetable back to human being after having had his memory wiped out) an allegory of Germany itself (from Nazism to freedom and back to a police state again)? Go figure. All I know is that is movie left an indelible impression in my mind, which is saying a lot in an era when German cinematography was coming up with a gem every other month.

Seek it out.

I found this to be a very powerful film when I first saw it almost 25 years ago. My opinion of it remains the same to-day as it was then. I regret that more people have not had the opportunity to see this remarkable film.