Grayeagle

It's rather Revisionist Western answer to this movie. It's as much of romance as adventure/drama/whatever, and actually I enjoyed it much more (which was't that hard, since I didn't enjoy The Searchers at all).

I don't remember this movie clearly because I've only see it once and quite long tim ago, but I thought it was pretty good for 1977 a western, at least back then. Some people here compared this film to Dances With Wolves, but for me it reminded me rather more of Soldier Blue, actually (no, there was no violence against women and children, and no soldiers for that matter). It's a little flick and I don't remember no mass scenes, and this reminded me of 84 Charlie Mopic. The actor playing the titular character was probably the most persuading white-guy "Indian" I've seen... maybe because he's so heavily body-painted and hardly spoke at all?

Frankly, I don't know why so low general rating just under average. I gave it strong seven, and it's a sincere rating of this movie as a whole. I'd like to see it again.

This film started off well enough (apart from the curious scene with the mysterious rider silhouetted in the setting sun on the horizon contrasting with the cabin in full sunlight) but its last 30 minutes or so dragged along when they should have been more exciting. Very few of the Native Americans looked realistic, one exception being Standing Bear, ironically played by Iron Eyes Cody, whose heritage has been queried in other reviews.

Talking of whom, I couldn't work out the significance of his flashback halfway through the film, when a young Running Wolf visits Standing Bear's cabin and ominously eyes his young daughter (or wife?) who looks nothing like a Native American. Was she to become the mother of Beth, who was later adopted by the Colters? Enigmatic scenes like this make me wish for the IMDB Message boards (discussion forum) of a decade ago where I might have been enlightened.

The version I saw was the full 104-minute version. Perhaps the 60-minute UK cut was less puzzling.

Great cinematography, and it's always good to see Ben Johnson and Jack Elam.

I'm going to make a suggestion here. When you watch this movie for the second time, turn down the volume completely. Make up your own wonderful scripting and music. Somehow, the scenes, acting, and storyline make complete sense and the movie becomes a wonderful exploration of images from a first rate motion picture that might have been. There are moments of incredible color and western imagery that are delightful to see, even if they fall far short of being the reality of the era depicted. Sorta reminded me of a nice western novel you picked up in a shop while in the airport. There's Alex Cord and Lana Wood in a classic lover's pose on the front cover with Iron Eyes Cody looking on in the background. Perfect Native Americans, who of course, are not native at all. This motion picture had everything it needed to be a wonderfully engaging drama with spectacular filming and broad scope. Yet, somehow during its production, it simply became a good children's tale. So, the question here is; how do you manage to get the money and all these industry tools, Ben Johnson, Jack Elam, and all those great actors, and turn a wonderful movie into this? I don't know. But, it saddens me.

When a homesteader (Ben Johnson)'s daughter (a gorgeous Lana Wood, Natalie Wood's sister) is abducted by a Cheyenne Indian (Alex Cord), one of the greatest Cheyenne warriors who ever lived , the father launches a search for her recovery . He's is accompanied by an Indian friend (Iron Eyes Cody) and a frontiersman (Jack Elam). They spend time doggedly pursuing his kidnapped daughter when are attacked by a bunch of nasty Indians and then the hard-hearted trapper takes revenge .

This nice and well-paced Western contains adventure , interesting characters , romance , shootouts and spectacular fights . Action Western is pretty good , stylishly developed , a first-rate story and powerful told too . A great featured-role acting by veteran Jack Elam leads some eye-catching supporting performance along with Ben Johnson and Paul Fix . Appears relevant secondary actor named Iron Eyes Cody , usual player Indian roles (¨Great Sioux Massacre¨, ¨Sitting Bull¨, ¨A man called Horse¨) , though actually of Sicilian origin . Full of wide open spaces with breathtaking landscapes exceptionally filmed ; however it is necessary an urgent remastering because of the film copy is worn-out . The flick was well directed by Charles B Pierce who even appears credited in a brief role . He's an expert on terror genre (¨The Evictors¨ , ¨Boggy Crek¨ I, and II , ¨The town that dreaded sundown¨) and Western (¨Hawken's breed¨, ¨The winds of autumn¨, and ¨Winterhawk¨ realized in similar style to ¨Grayeagle¨). This big-scale adventure will appeal to Indian Western fans because you will find impressive battles and an ending haunting or over-melodramatic according your tastes . Rating : Good , worth a look for fans of Western.

I loved this movie and would recommend it as a family picture. I disagree that this is a poor remake of the "Searchers" they are not the same at all. Some of the reviewers obviously never really watched the films. I'm a fan of Ben Johnson, Iron Eyes Cody and Jack Elam. I thought Jimmy Clem was so believable in his part of Abe Stroud, though I thought he did a little too much spitting tobacco. Paul Fix was unreconizable as himself in the part of Running Wolf, I would never have guessed it was him. Charles B. Pierce was very convincing as the demented bugler. Lana Wood was very pretty and I think tried to do a good job but she really wasn't a very good actress, at least in this part. Alex Cord was just right in his portrayal of Grayeagle. He really had to carry the scenes he did with Lana. Grayeagle says little because that was the right way to portray a warrior of the day who knew some English but saved it for when he had something to say. Small talk would have been ridiculous for Grayeagle. He used facial expressions and body language very well. Alex Cord was so graceful mounting and dismounting the Appaloosa and rode well centered, it was a pleasure to watch him ride. I always thought Ben Johnson was the best rider I had seen in movies but Alex Cord is excellent. They did a good job picking the horse for Greyeagle to ride, that appaloosa was just the type that would have been ridden in the 1800's not the quarter horse type appaloosa seen in so many movies. Greyeagle's horse looked and moved like the kind of horse a high warrior might ride. Looked like fun to ride if you didn't have to re-shoot too many scenes. I liked the attention to detail of the costumes and blanket for the Appaloosa with the buffalo pictures, meaning kills? I had lots of questions about the meaning of costume items worn by the Cheyenne and customs portrayed in the film. I wish the director could have had Standing Bear tell Beth the meaning of things that went on in the Cheyenne camp so the viewer wouldn't be left with questions about what they were watching. There were a few glaring oops in the film such as the same quilt seen in the Coulter cabin as in Abe Strouds cabin, also the fabrics and colors were all wrong for the period. Shoes on the Indian ponies, though that could be overlooked due to horses used to being shod could come up lame in the filming. I also had the feeling that the Coulter cabin and Abe Strouds cabin were one in the same just changed a little inside. The appearing and disappearing stripes on the legs of the appaloosa, kind of noticeable I think. The music was wonderful and the scenery was beautiful. One of my favorite scenes was Ben Johnson, Jack Elan and Iron Eyes Cody racing across the land shouting to each other and running full out. I think they really had a good time with that scene. Big Oops, Ida Coulter? Trapper Coulters wife was referred to as Maria by the Cheyenne who visited her. The name Ida Coulter was never mentioned. I hope this movie is available to purchase again , I think it's a classic.