Goin' South

If you realize that a movie critique represents an INDIVIDUAL'S opinion which may be very different from your own, you probably also don't take these comments too seriously. But - for what it's worth - here's mine re: Goin' South: I found it very entertaining (and I'm probably fussier than most when it comes to movies). That's what I value most in a film: entertainment. Any negative comments about this flick come from the more erudite crowd which knows or looks deeper for such things. I was even able to get past Nicholson's character's need for a good nose-blowin', which usually really bothers me, but, in this case, I found it utterly hilarious. We're gonna leave out recapping the plot - THAT'S pretty well taken care of not too far from here. But I just couldn't pass up the opportunity to write something good about this picture because I think that it richly deserves it.

"Goin' South" is a watchable comedy directed by and starring Jack Nicholson. Filmed cheaply with a local crew down in Mexico, the film wasn't received well upon release. "Star Wars" had rendered westerns obsolete and screwball comedies were long out of date.

Still, "Goin' South" holds up pretty well. Nichsolson's performance is amazing and cinematographer Néstor Almendros equals his work on Terrence Malick's "Days of Heaven".

The film works more as a bizarre insight into Jack Nicholson, than a comedy. He turns what should be light slapstick, into a pretty nasty and mean spirited R rated comedy-drama. Watching his filmography from end to end, I'm surprised how consistently wicked and misogynistic his characters are. Here he players an outlaw who's hired by a sexually repressed woman to work in her gold mines. After tying her to a bed and giving her the hump of her life, she renounces her repressed ways and gradually begins to appreciate his animalistic masculinity.

The Jack Nicholson persona seems to constantly be seeking to dominate women. If he can't have his way, he breaks down. "Goin South" is like a happy version of his "Carnal Knowledge", only here he finally gets a girl who submits to his primal charm.

In terms of comedy, the film is similar in tone to the Coen Brothers' "O Brother Where Art Thou?" It's not as visually stylish, but the emphasis on wacky accents is the same. The cast includes Danny Devito, John Belushi and Christopher Lloyd, and many other comic faces pop up.

But it's Jack Nicholson's face that keeps us watching. He's manic, cartoonish, sadistic and riveting. Take a look at the IMDb photo of this film (the DVD cover). The guy looks like a bearded Saddam Hussein, laughing at his hang man's noose like a psychopath. Nicholson's face is a work of art. His eyebrows are constantly twitching, his eyes constantly mischievous, his teeth lighting up his face. Whether you enjoy the film will depend on whether you love his scenery chewing. He puts so much energy and skill into his performance here that he transcends everything else about this film.

6/10- Worth one viewing. I recommend fast forwarding all the exposition and simply watching Jack act. The guy's a pleasure to watch.

This movie is one of my all time favorites. I saw it when it first came out in the 1970's and thought it deserved more praise than it got. It is mostly an entertainment comedy with such lines as "You weren't that hard to find. You were standing in the middle of town with a rope around your neck." I read someplace where Mary Steenburgen had been working as a waitress in an Arizona dinner and Nicholson stopped in and thought she would be perfect for the part. I think there is some very touching scenes between Nicholson and Steenburgen that are well written and acted. Except for Christopher Lloyd the rest of the cast is wasted. I think the only reason John Belushi is in the movie is because Nicholson wanted to meet him. At that time Saturday Night Live was considered radical chic.

Released in 1978 and directed by Jack Nicholson, "Goin' South" is a Western comedy/romance starring Nicholson as a two-bit outlaw saved from hanging to marry a prim virgin (Mary Steenburgen) who uses him to (try to) strike gold on the mine located on her remote ranch, inherited from her dad. But the ex-outlaw's former gang might not let him strike it rich, whether with gold or love. The wannabe outlaws are played by Veronica Cartwright, Tracey Walter, Danny DeVito and Jeff Morris.

The tone is akin to 1976's "The Duchess and the Dirtwater Fox," but the movie's not as good. It's generally amusing, but sometimes a little boring; the script needed more work to further draw out its potential. Yet it's still worth catching if you like the cast. There are some chuckles. The best parts are the sequences in the town involving two deputies (Christopher Lloyd & John Belushi), the sheriff (Richard Bradford) and others.

This was one of only three films directed by Jack (if you don't count "The Terror," where he got his initial experience). It also marked the film debut of Steenburgen and was one of Belushi's first theatrical films (he did this and "Animal House" around the same time).

The film runs 108 minutes and was shot in Durango, Mexico.

GRADE: Borderline B-/C+

My late father and I always referred to this as the movie we "accidentally" watched on HBO late one night. We were hooked when the posse rode right across the Rio Grande into Mexico and "Ol' Speed" fainted! For the rest of his life he always greeted me in the morning with "Good mornin' Spot!" In much the same vein as another of his favorites (Evil Roy Slade), it is difficult to find two lines together from this movie that can be taken seriously ("Please wipe your feet." . . "I always do!")("I'll be outside running a reference test." . . "Why don't you run one on your skull while you're at it?"). I have watched my home-recorded VHS upwards of 25-30 times and now that the DVD has been released, I look forward to adding it to my collection once again because . . . . "I can do this all day long! I'm talking about . . All Day Long!" Give it a spin and give it a chance.