Gray Lady Down

Gray Lady Down is one of the better Seventies disaster films and it's also one of the better films that Charlton Heston did in the later part of his career starting in the Seventies. Heston like so many other of the stars of the studio era was finding fewer and fewer decent film properties to do. This was one of his better choices.

Heston plays the skipper of a nuclear powered submarine which goes down in a collision. Things get further complicated when the 'gray lady' is buried partially in an undersea mudslide, blocking the escape hatch.

The Naval Rescue service is on the job however, but this will prove a difficult task.

The film is divided evenly between Heston and his crew as Heston tries to keep morale up that the survivors will be rescued and on the surface rescue vessel where a conflict between two captains hampers the rescue effort. Stacy Keach is the captain of the rescue vessel and his conflict is with Keith Carradine also of captain's rank who's developed a special undersea two man vessel that can scoop the dirt off the gray lady.

Special mention should go to Ronny Cox who is Heston's number two and also not really getting along with him, but who steps up to the plate in a most heroic fashion.

In 1978 when Gray Lady Down came out there were still memories of the submarine U.S.S. Thresher which went down in 1963 with all hands lost in one of the U.S. Navy's worst disasters at sea. A lot of what you see in this film was developed because of that tragedy.

Gray Lady Down is a no nonsense sea rescue film with the impossible situations that characterized a lot of the films of this type kept out of the story. It's one of the best and yet most unsung of the disaster films of the decade. Should be seen more often. Charlton Heston and the rest of the cast do a fine job on this film.

One of the better disaster films of the 70s with fine performances by Charlton Heston and David Carradine, lending strong support are Stacy Keach, Stephen McHattie, Ronny Cox, Ned Beatty, and a cast of recognizable faces including Christopher Reeve in his film debut pre-Superman. Solid thrills and tension throughout with a tight script and believable story based on a real incident (supposedly). Solidly entertaining and holds up well. One of the best submarine films out there. Highly recommended.

Nice underwater drama film based on a real-life incident about pitting man and machine . It deals with an US Navy atomic submarine (commanded by Charlton Heston on his final voyage and as second in command Ronnie Cox) that has accidentally collided with Norway freighter and goes down into deep . The movie concerns upon an American sub , the complications originated for a nuclear scape and fight against time . But the submarine, and its crew, are ill prepared for the challenges they will face . A two-man rescue operation by means of an experimental driving craft (captained by David Carradine and Ned Beatty) try to find the victims , as many sailors will have to sacrifice themselves to save life of crew members. And a greatest ship based in San Diego California with an expert crew of ¨Submarine Rescue Unity¨ heads the sinking location.

Runtime film is overlong , the flick is slow moving and a little boring , though a bit monotonous is quite interesting. Tense and exciting at times and climatic ending , but lot of minutes are superfluous ,it has half hour of excess, however the movie is enough agreeable.

The yarn is interesting and based on real deeds as submarine U.S.S. Thresher that sank in 1963 in one of the worst catastrophes at sea. There are suspense ,thriller and action, though the scenario is mostly developed into submarines.

Charlton Heston's performance as commandant is excellent, he hands perfectly the role , Heston has gotten the best character along with David Carradine as valiant skipper . Ronny Cox's acting as the contender official is first rate. Facing off between two commanders is top-notch . And large support cast as Stephen McHattie, Dorian Harewood, Charles Cioffi, Rosemary Forsyth and look for Christopher Reeve and Michael O'Keefe .

David Greene direction is fine and cinematography is atmospheric and colorful . Jerry Fielding music is spectacular and adjusted to film.

The movie will appeal to disaster genre enthusiasts and action lovers . Rating : 6,5 , better than average .

I remember seeing this movie in the theater when it came out and the review in Time magazine. OK I remember one part of what was a positive review. It said that the movie avoids the bane of the disaster genre, the subplot. The best sentence in the review that I think describes the movie perfectly is," It is a job-oriented movie about job-oriented men." I can't think of a better way to describe it. The actors give there best professional naval officer performances (well maybe not Carradine...good performance...not sure about the naval officer part) and the movie sticks its subject, the rescue. An entertaining movie that delivers a straightforward story and there is nothing wrong with that.

Watching this rescue-of-a-sinking-sub film back in the day, it must have felt kind of redundant in the wake of THE POSEIDON ADVENTURE (1972) and AIRPORT’ 77 (1977); that said, it didn’t hinder movie mogul Lew Grade from financing a production not long after depicting the biggest (fictional) rescue operation of all time with RAISE THE TITANIC (1980) – which, incidentally, is a title I haven’t watched in some time!

In any case, GRAY LADY DOWN is as much a drama detailing the plight of the sub’s constantly diminishing crew, commandeered by the oh-so-stoic Charlton Heston, as a showcase for novel sea exploration/rescue techniques (in the form of a mini-sub armed with sonar and camera designed and maneuvered by David Carradine). The tension arises out of the fact that the damaged vessel is slipping ever downwards due to the water level inside and the unstable surface where it’s been lodged; added to this, however, is antagonism going on both above and below the surface (between Carradine and Stacy Keach, the officer in charge of the rescue operation, and between Heston and Ronny Cox, the man who was supposed to relieve him of duty, respectively). Also in the cast is Ned Beatty as Carradine’s long-suffering chubby pal and Christopher Reeve (in his film debut) as Keach’s young aide; interestingly, the two would be re-united soon after for SUPERMAN (1978)!

The film is aided by nice Widescreen photography and a serviceable score by Jerry Fielding, but let down somewhat by overlength (the repetitive and draggy nature of events tending towards a general dullness). However, as I said in reviews of some of the other disaster movies I’ve been watching of late, while most of these were pretty much dismissed when originally released, with time, have achieved an undeniable campy charm (amusingly, at one point the submerged crew choose to watch JAWS [1975] – conveniently, also a Universal production – as a means of respite from their current dilemma, but especially when Heston proclaims in desperation: “I feel like a one-legged man in an ass-kicking contest!”).