Gates of Heaven

I saw this film for the first time about 2 years ago on IFC and thankfully I videotaped it. Since then, I've watched it 10 or 11 times and it always fascinates me. I especially like the last third of the film in which we meet the harberts family who own the Bubbling Well Pet Cemetary in Nappa Valley. They all seem so sincere and at the same time they crack me up. Errol Morris just has a way of letting real life people go on and on about a subject without it ever becoming boring...

At first glance, Gates of Heaven appears to be a documentary about the lives of people that run pet cemetaries. On second glance, you realize you are witnessing a visual essay on the subject of death and dying, and how these average folk deal with it.

There are esesentially three parts to the film. All deal with either the struggle to build a pet cemetery or maintaining a pet cemetery. The most interesting segment is with a family who runs a successful cemetery in the desert of California. You see generations of a family that has done nothing but run this business. They explain the philosophy behind why they choose to bury pets, and why pets deserve burial just as humans do.

Morris lets the camera do all the work. With the exception of two shots every other one is static. A talking head documentary that could probably fit the definition exactly. Morris knows when exactly to inject humor into the film, just enough to keep you interested.

If you saw this film nowadays, you would expect it to be on Lifetime or some other obscure cable channel. With a third glance and possibly a fourth, you can see the message Morris is trying to get across. Everyone has a way of dealing with death. It is just how you deal with it that determines how comfortable you are with it.

Ebert put this film on his top 10 films of all time list. Now for this film to be up there with Citizen Kane and The Third Man, I was expecting to be thrown from my seat... that didn't happen.

I don't know how to rate this film. All throughout the doc, I didn't know what to make of it. The people were strangely saying very, very profound things, but I had to try hard to discard their appearance and mannerisms. I have a fear that the antics of Christopher Guest among others mocking simple people puts this film as a disadvantage. Halfway though I asked myself "Is this a comedy that I'm just not getting?" It had a Guffman air to it, which is to simply let the people talk and expect you to laugh. But is wasn't. I listened extra hard and started to see that it clearly did not show any comedic elements, but I still didn't know what to make of it. This film requires multiple viewings, but I don't really wanna see it again.

Ebert is right, this film is about much, much, much more than a Pet Cemetary. However, it is no where near one of the 10 greatest films of all time. Ebert must have lost a lot or pets or have a fixation on that movie theater in the sky.

As an animal lover I found many poignant moments here. The woman who would sometimes forget her dog was dead--I went through that myself in my teens with my beloved childhood dog, so I know how painful it is. And the cemetery owner's theory that pets are more important now because of the pill makes a lot of sense. Nevertheless, I feel certain Christopher Guest MUST have had this film in mind when he made "Best in Show"! Oh my god there is some unintended hilarity here. On the part of the interviewees, that is; I'm sure Morris knew what he had. The cemetery family, the rendering plant manager...hoo boy! The overall feeling, though, is that we love our animals and they are indeed very special and precious.

The elderly woman talking about her ungrateful bum of a son was very sad...I'm going to go call my mother right now.

GATES OF HEAVEN is one of those fascinating films that no matter how many times you see, the mysteries contained in it only get deeper. The film is a documentary about pet cemeteries, but what may have turned into a freak show- a movie about people who value pets so much they pay thousands of dollars to bury them- becomes an inspection of the human soul. The film is a deep, dark chasm of human emotion. Errol Morris starts his famous documentary style of just letting people talk. Unlike Michael Moore or Nick Broomfield, who are as much the subject of their own documentaries as their directors, we never see or even hear Morris' voice. He just lets the people tell their story their way. The film is haunting and will stay with the viewer long after it's over. It truly is a landmark film in movie history. Roger Ebert was not overstating this movies genius when he named it one of the ten best films of all time. My Grade: 10/10