The Fury

"The Fury" was a decent movie. It started off rather fast paced and I was somewhat clueless as to what was going on, but as the movie went on I got into it. Peter Sandza (Kirk Douglas) was going through great lengths to find his kidnapped son, all the while his son, Robin (Andrew Stevens) was under the watchful eye of a government official interested in Robin's psychic abilities. A collision course is set between Robin and another young lady with psychic abilities as well. The movie has a bit of suspense and a bit of spookiness to it as well. The ending was a total surprise and very um... bloody. I liked the movie, I thought the story was unique enough and the suspense and action wasn't half bad.

THE FURY

Aspect ratio: 1.85:1

Sound format: Mono

An ex-government agent (Kirk Douglas) enlists the help of a gifted psychic (Amy Irving) in the search for his equally gifted son (Andrew Stevens), who has been kidnapped by a sinister cartel for nefarious purposes.

Dismissed at the time of its release as a mishmash of themes and genres, Brian De Palma's dazzling thriller encompasses Middle Eastern terrorism, government conspiracies, psychic horror, and a series of Grand Guignol set-pieces, orchestrated with pulp grandeur by a director flexing his creative muscles. Highlighted by John Williams' magnificent score (a genuinely eerie composition, one of the best of his career), the film builds slowly and surely to an explosive climax which closes proceedings on a note of absolute screaming hysteria (celebrated and vilified in equal measure by fans and critics alike!). The supporting cast includes John Cassavetes, Charles Durning and Carrie Snodgress, all of whom add gravitas to the material. Look fast for Daryl Hannah in an early pre-stardom role.

A man discovers that his telekinatic son has been kidnapped and is being exploited for his powers. He seeks the help of a young woman who has similar powers to help him locate his son, but it might be too late, because with each growing day he becomes more violent and out of control.

Ambitious horror/suspense film is perhaps one of the scariest, most disturbing and violent films ever released into mainstream America. It reaches tremondous heights for a film in this genre, because of the terrific performances from everybody in the entire cast, top notch direction, superb score, and sensational editing that keeps things tight and never lets the suspense to ever lag. A masterpiece for the horror genre and one of De Palma's best.

Rated R; Extreme Graphic Violence, and Profanity.

Suspense, thrills and grisly killings by imitative director Brian De Palma . This scary triller is plenty of mystery , intrigue , suspenseful and creepy scenes . It is a potentially brilliant and ingenious chiller that concerns about a government agent , Peter Sandza , (Kirk Douglas , he was aged around sixty-one years of age , Kirk was cast as the lead because director had felt that his previous picture had suffered at the box-office without a name draw-card) determined to come to his son's (first major cinema movie role of actor Andrew Stevens) rescue , when a sinister official (John Cassavetes) kidnaps him to harbor his extremely powerful psychic abilities . As he is forced to take on a super-powerful government agency called MORG (it stands for the Multiphasic Operations Research Group) which has kidnapped his son with psychokinetic skills . The intrepid father is helped by a good friend called Hester (Carrie Snodgress) . And then things really get worse . Meanwhile , a young girl (Amy Irving who married Spielberg , she attended a biofeedback clinic to learn about different levels of consciousness, as she had a better sense to play) who personally experiencing psychic changes is taken in a strange Institute of supernatural forces . Peter uses desperate attempts to save hid gifted son from being used or destryed . At the end takes place the ultimate revenge story .

This stylish chiller contains long-drawn-out tension , flash violent scenes and shock effects with the accent on gas-provoking , but on most occasion without finesse . Adding special characteristics techniques as ominous camera movements and wide screen . This flick was made and released about two years after its source novel of the same name by John Farris was first published in 1976 ; Farris also wrote the screenplay for the film . It is is a contemporary thrilling tale that utilizes the average man against the unknown approach that made Hitchcock 's suspense films so effective . All this said , the mechanics of suspense are worked quite well and may frighten the easily scared quite badly , but De Palma has made a habit of dwelling on their more sordid shoots . Director 'Brian de Palma''s second movie featuring Telekinesis, his first had been Carrie (1976) , as actress Amy Irving appears in both films . In fact , this picture has often been described as a cross between The Omen (1976) and a peculiar follow-up to Carrie (1976) . Very good cast plenty of familiar faces such as John Cassavetes , Charles Durning , Rutanya Alda , Fiona Lewis , Carrie Snodgres and William Finley who played for De Palma , Phantom of paradise . Being the first film for both Daryl Hannah, Laura Innes and look fast James Belushi as an extra , as you can see him in a pair of dark trunks a few steps behind Irving . The film displays a great and haunting musical score by John Williams , previous his fruitful collaboration to Steven Spielberg ; he composed in the style of a Bernard Herrmann score from an Alfred Hitchcock movie . Furthermore , appropriate and colorful cinematography by excellent cameraman Richard H Kline .

The picture was brilliantly directed by Brian De Palma , adding special characteristics techniques and special camera movements . The movie was realized during his period when Brian made outwardly odes to Hitchcock , such as ¨Obsession¨ , ¨Sisters¨, ¨Dresssed to Kill¨ and ¨Blow out¨ . Rating : Above average , as it gets some riveting basic ideas and fascinating images. Essential and indispensable watching for Brian De Palma buffs and Kirk Douglas fans .

Fortunately, De Palma's hyperbolic, visually compelling, science fiction occult espionage thriller moves so fast that the ludicrous dialog, indifferent performances, and Swiss cheese plot don't spoil the fun. The Fury starts from an interesting premise, but De Palma is clearly more interested in the spectacular set pieces than logic or characterization. The potentially most interesting character Robin is off screen for too long and instead we get low comedy relief with Mother Knuckles and the off duty cops in the Caddilac. Also, Gillian's mother and the students at the Paragon Institute seem to disappear. And where Sissy Spacek was touching as Carrie, Amy Irving and Andrew Stevens as psychic teens who unleash the fury are whiny and callow, and you don't really care about their fates. Though Douglas, Snodgress, Cassavetes and De Palma regular William Finley ( Raymond Dunwoodie) are always interesting, the rest of the cast is pretty bad. And a scene between Irving and Douglas on a bus is embarrassingly bad. Still, The Fury with its telepathic visions, its pulse pounding score by John Willams and Richard H. Kline's elegant deep focus cinematography is superior to junk like The Eyes of Laura Mars. De Palma pulls out all the stops and creates some spectacularly over-the-top scenes. Faults and all, The Fury is more entertaining, and less pretentious and derivative than most of De Palma's more recent efforts to say nothing of Dressed to Kill, Body Double, Obsession, Wise Guys, Carlito's Way, Raising Cain, and The Bonfire of the Vanities.