Fingers

Why do we want to spend the hour and a half that it takes to watch this movie in the company of a character so loathsome that we would do anything to avoid him if we met him in real life? Jimmy Fingers is arrogant, self-obsessed, sexually violent and just plain creepy. O.K., there are moments in which we get to see that he has a better side, when he comforts a destitute women who is crying in a doorway, or when he sticks by his small time hoodlum father, in spite of the fact that he is even more repellent than Fingers himself. There is so much in this movie to make you squirm from the no-holds barred, bloody violence and a painful proctological exam to the scenes in which Fingers annoys everyone in earshot by playing loud doo-wop music on his portable tape player and threatening violence towards anyone who objects. With its fine acting and totally unpredictable story-line, this film is undeniable entertaining, but it's appeal is a rather masochistic one.

Harvey Keitel indeed does his best work here, as lil' Jimmy "Fingers", a prodigy concert pianist turned debt collector, who works for his domineering father. Shot in cruel hues by cinematographer Michael Chapman, and excellently directed by the obsessive James Toback, this film is a rare gem of a find. Even football great Jim Brown has never been better. And you know what, this is one of Jean-Luc Goddard's favourite movies of all time!! Enough said.

Obscuro-a-go-go seventies flick. Seems to be a self portrait of the director himself, how he sees himself. And by all accounts (including his own) it's an accurate portrait. He sees himself as an artist and artists are also gangsters outside the petty mores of straight society. He is vain and selfish and of course women dig him like crazy and get off on being abused. A women in a toilet immediately has sex with his majesty although they've never met. He is just too irresistible. Said girl went on to star in 'Charlie's Angels'. A better class of toilet then. In a final bit of vanity, the artist goes mad as well. He wants to be Van Gough, nothing less will feed his ego. Final shot is Mr.Torbuck as the untamed savage, music can no longer soothe the beast within, etc. One long love letter to himself. Went on to make some nonsense with Rudolf Nureyev and Nastassia Kinski.

Film is a sort of omnibus of seventies attitudes and cinematic style. Bit of second hand Scorcese here and there. Lurches wildly into self parody.

This early movie of actor Harvey Keitel is still rather unknown and was always overshadowed by the successful Keitel and de Niro movies like Scorsese's "Mean Streets" and "Taxi Driver". With Scorsese and di Niro being absent in this production, it was Keitel's time for a leading part.

He plays the schizophrenic character "Fingers", a brutal repo man who is dreaming of a classical piano player career in a distant future beyond violence. He falls in love with an ignorant woman, tries to convince his father and mentor of his musical talents, but also has to take any dirty job to survive. Finally he takes his famous "last job" and tries to get a large amount of money from a brutal Mafia youngster, but has to face his biggest enemy - and his last big showdown.

"Fingers" is a rather calm movie which leaves enough place for Keitel to show the different personalities of "Fingers". There are dirty back roads, a bloody showdown and the tristesse of other sad New York stories, but not the glam and the roaring action of the Scorsese movies. And there are always evidences of hope and love which are finally crushed by the wheels of reality... Watch out for "Fingers", one of Harvey Keitel's best performances ever.

"Fingers" is the offbeat, intriguing study of one dysfunctional character, Jimmy (Harvey Keitel), a man who straddles two distinct worlds. In one, he's the reluctant debt collector for his mobster father Ben (Michael V. Gazzo), and a man who won't hesitate to use violence to get the job done. However, he's also an obsessive music lover, and talented pianist with the lofty ambition of performing at Carnegie Hall. He puts off what will prove to be a brutal confrontation at the end to pursue the spaced-out Carol (Tisa Farrow). Writer / director James Toback's unique little movie is more than just the typical NYC gangster picture. It does feature excellent use of NYC locations, and it does have some very brutal moments, but is a decidedly laid back rather than intense experience, with deliberate pacing. The movie is marked by a very erotic quality, whether Jimmy is making the acquaintance of the sexually charged club owner Dreems (Jim Brown, in a captivating low key portrayal), or having an encounter with Julie (Tanya Roberts). We even get a glimpse of Keitel nudity, 14 years before he bared all in Abel Ferrara's "Bad Lieutenant". The movie has a serious, somber mood, yet at the same time is not without some humour. It's a very good vehicle for Keitel, who really throws himself into the twisted main role; other familiar faces such as Danny Aiello, Ed Marinaro, Marian Seldes, Lenny Montana, Tom Signorelli, Frank Pesce, and Zack Norman comprise the supporting cast, and the movie is now notable for co-starring two future 'Sopranos' regulars, Tony Sirico as young mobster Riccamonza and Dominic Chianese as Arthur Fox. But Keitel is truly the one to watch playing an obviously flawed, yet compelling individual with more than his fair share of psycho sexual problems, a certain arrogance, and a tendency towards explosive behaviour who also wants something more out of life. Film fans looking for something a little off the beaten path and deserving of more attention are advised to check out "Fingers", as it refrains from ever being too predictable and tells its story in a very straightforward manner. It's gritty and provocative and rather memorable as well; it's not for all tastes but is rewarding for those who seek it out. Seven out of 10.