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It may not be a cinematic masterpiece, but the 1978 movie FM has something going for it as, admittedly in its dated late 1970s way, it somehow foresaw the corporate turn that the radio media would take in years to come. And it does so with a wall-to-wall soundtrack of late 70s Top 40 memories that now fall under the rubric of Classic Rock. In essence, this is the classic rock response to the disco onslaught of Saturday NIGHT FEVER.

Michael Brandon is Jeff Dugan, the program director at QSKY radio in Los Angeles who oversees an on-air staff of wild and crazy disc jockeys (Alex Karras; Cleavon Little; Eileen Brennan; Cassie Yates; Martin Mull) that, through playing what the L.A. populace wants to hear and with limited commercial interruptions, has made the radio station Number One in the second largest media market in the nation. Things seem to be looking up, until "the boys upstairs" decide how much better things could be if more commercials were aired between blasts of Steely Dan, Queen, and Boston. Naturally, this doesn't sit well with Dugan and his merry band, but the top brass envision QSKY just becoming one big infomercial. This, however, leads to an insane backlash from the QSKY staff and, eventually, a takeover of the station that nearly results in rioting on the streets.

This is definitely pretty thin stuff for a film that was allegedly the inspiration for CBS-TV's fine sitcom "WKRP In Cincinnati" (though the pilot of that series was being filmed at the same time FM was being filmed, so the resemblance is only coincidental). But while this film is no NETWORK, in terms of films that attack the decay of the media, FM still works in getting its situations across. Maybe the idea that a radio station's staff would rail against corporate interference sounds a bit daft, but the notion that a big conglomerate (Clear Channel, for example) would turn a radio station into one big box in which the music is only the filler between attempts to part listeners from their hard-earned money isn't so easy to laugh at anymore.

FM has a lot going for it. For one, it was the only feature film directed by John A. Alonzo, one of Hollywood's premiere cinematographers; his credits include CHINATOWN, BLACK Sunday, SCARFACE, and parts of Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND. And for another, that wall-to-wall soundtrack of what we now call classic rock is enhanced by actual concert footage of Jimmy Buffett and Linda Ronstadt. Buffett's performance of "Livingston Saturday Night" reminds one of what he was decades before his Margaritaville was hijacked by Nashville pretenders like Kenny Chesney and Toby Keith. And Linda, normally a very stage-shy performer, asserts herself boldly on searing renditions of "Tumbling Dice" and "Poor, Poor, Pitiful Me", then pays a heartfelt tribute to Elvis by doing the King's 1956 classic "Love Me Tender."

I can't help but give FM a rating of "7" because it reminds one of what the radio was like before corporate interference and MTV began to slowly corrupt and destroy it, and because it is an interesting time capsule of life in Los Angeles at the end of the 1970s.

A film with a great soundtrack of the late 70's rock era although it belies the lyrics from the title song where Steely Dan sings about setting the mood for getting it on with a girl with funk and reggae because there is no funk or reggae in the movie. The film has a simple premise in the radio station staff rebels over the commercialization of what is a commercialized business to begin with. This is not a public or college station but regular commercial station but they take on the corporate world in a strike against the stations plans to be top 40 rock rather than free-form album rock with non-stop music and enlist their listeners help in their fight against the man. Despite this most of the songs in the movie aren't deep album cut album rock but mostly top 40 rock single releases. It does feature a great soundtrack in music by Steely Dan, The Eagles, Boston, Steve Miller, Boz Scaggs, Tom Petty, Bob Seger, Joe Walsh, The Doobie Brothers, Queen, Billy Joel, Walter Egan, Foreigner, Reo Speedwagon, and concert footage of Jimmy Buffett and Linda Ronstadt. A good cast which includes Eileen Brenna, Martin Mull, Clevon Little, Michael Brandon, Alex Karas and James Keach. There are some moments of good satirical comedy but kind of weak as a story but that's OK because it's fun ride in a rambling sort of way. David Myers is the film's cinematographer who compiled quite a resume in the 70's in music films and documentaries photographing Woodstock, Mads Dogs & Englishmen, The Grateful Dead, Soul to soul, Wattstax, Elvis on Tour and Renaldo & Clara. John Alonzo directs in his first and only theatrical film. He did go on to direct a couple of made-for TV movies but he had been a cinematographer and returned to photographing films. He had been a cinematographer on such films as Vanishing Point, Harold & Maude, sounder, Lady Sings the Blues and Chinatown and continued filming up until his death with such films as Scarface, Star Trek: Generations, Steel Magnolias and Cool World. although not a great film, this movie is worth a look. It debuted on screens in the spring of 1978 and is a great snapshot and soundtrack of the late 70's rock radio. I would give it a 7.0 out of 10.

FM is kind of silly and broad... the characters are two-dimensional weirdos out of a TV sitcom, and the plot feels paint-by-numbers. Despite this, the movie is quite charming and for me, poignant, because it manages to capture something about the now-departed era when rock music and FM radio were a cultural force to be reckoned with. In a time when music listeners are far more likely to be isolated in their iPod headphones, it's somewhat painful to realize what has been lost in music in terms of the communal listening experience that a locally-run, idiosyncratic radio station provided. When the plot briefly passes through the Tower Records on Sunset Boulevard --- now as lost to the ages as the library at Alexandria --- you are confronted with the fact that the entire culture of rock n' roll that many of us grew up with at the center of our lives -- radio, record stores, and arena concerts -- is essentially a thing of the past. Even though this isn't a great movie, it does a great job of taking you back in time to that era.

The soundtrack is pretty middle of the road, but it's good to hear songs that the years have ground into mush briefly re-contextualized into their natural habitat. I can't think of a better way to hear a lot of late 70's radio fodder ("Baby Come Back"; Billy Joel) than within the confines of this movie.

I was in radio in the area the movie took place in the late 1970's, most of my friends felt the movie was molded after 94.7 KMET, "The Mighty Met" which at the time was king, with KLOS always nipping at their heels. Sadly, corporate money won out, the MET went "NEW AGE" and KLOS survived. Remember Paraquat, Ace "Space" Young, "The Gonzer" and Jim Ladd to mention a few Met Cats! None of us even thought about "WKRP in Cincinnatti" as a off shoot to "FM" although it was a great show. Myself and many others worked at a station much like "WKRP" at one time or another! "FM" was excellent and reflected a wild time in radio, when there was some pretty weird music out there and some great ones too!

This movie was very popular in 1978, largely on the strength of it's soundtrack. FM radio itself was just busting out in many smaller towns and the idea of this whole new spectrum of radio sound was a very new thing. This movie is the story of one LA FM station, they play cool music, promote cool concerts and take over the station when things go wrong for them. The story is largely forgettable, but in all actuality, it was all a promotion for the double-LP soundtrack ( now to be found in almost any thrift shop in the US ). Steely Dan make a good showing as does Linda Ronstadt. Jimmy Buffett does well also, this was just before he started becoming just a parody of himself as he began catering more to an audience of drunken yuppie "parrotheads". It's hard to want to recommend this movie, if you are interested in the time and the music back then, definately go see this. If you are a fan of "WKRP in Cincinatti", and heard that that TV show was based on this one, don't go in expecting a movie version of WKRP.

Hindsight beings what it is now some 27 years after it's release, FM fore tells the impending doom of commercial radio! If you're in the radio business you'll get the meaning of that for sure. FM also spawned the first multi artist soundtrack album that sold very well. The Movie can be a bit slow in places, but it chillingly fore tells the coming doom of radio under corporate control, over commercialization, and the stripping of the Jocks influence and power. Nice musical performances from Linda Ronstadt who was actually played on Rock Radio then, and Jimmy Buffett. Good lightweight entertainment. Tune in turn on, and never come down to earth with Q Sky!

Absolutely void of any semblance to a comedy, FM fails to deliver anything more than than the soundtrack offers. A weak plot, a pathetic climax, and cardboard characters force this career-killing turkey of a movie to the discount rack. To enjoy this movie, just think of it as a time capsule. Linda Ronstadt was thin and at her peak. Tom Petty was just breaking out with Breakdown. REO Speedwagon had yet to be accused of High Infidelity. There is a certain novelty in viewing a snapshot of 1978 with endless shelves of vinyl albums and tape cartridges. The FM soundtrack was and still is one of the best 70's pop/rock compilation albums. Due to legal bickering between record labels, the soundtrack has only recently made its way to compact disc. Save your money by renting the movie and buying the soundtrack, preferably on vinyl.

This little gem is one of the most under-appreciated movies of the late 1970s. It's an episodic comedy with serious undertones. The film perfectly captures the feel of the late 1970s. The casting is great, with a passionate performance by Michael Brandon and a very funny one by Martin Mull. The background music is just right and the concert appearances of Jimmy Buffett and Linda Ronstadt add to the late 1970s atmosphere. Despite what other reviews have stated, Tom Petty does NOT appear in concert, he's being interviewed at the radio station. REO Speedwagon also appears at a record store signing. If you're a fan of WKRP, then check out this movie.

70's time capsule is chock full of fantastic music, the soundtrack is justly famous, and excellent actors. The basic story line is David vs. Goliath but is entertainingly played and provides a look at what FM radio used to be and shows what's been lost by the homogenization of the airwaves, at least the non satellite airwaves.

Good concert footage of Jimmy Buffet and Linda Ronstadt give a sense of what live concerts were at the time. Of the performers while all are good a few stand out. Martin Mull is a hoot as the egotistical and somewhat child like disc jockey Eric Swan and the great Eileen Brennan makes a lot out of her small part as the world weary DJ Mother. No one did world weary as well as Eileen Brennan. Not a great picture but for any music lover unmissable.

FM is a movie that I've always been aware of, but I never got around to seeing it. My best guess is that it was rushed into production in an attempt to cash in on the success of "Saturday Night Fever" and its best-selling soundtrack. They hit the mark on the latter (both albums were hits and became ubiquitous on the secondhand vinyl market), but it's easy to see why this one flopped and has been forgotten. It's like they had the outline of a story, but instead of taking the time to develop and script it, they went full-steam-ahead into shooting.

Although it's probably a coincidence, it's impossible not to draw comparisons to WKRP. The characters are just as likable, but they don't really say or do anything interesting. Basically, Martin Mull is Dr. Johnny Fever, Cleavon Little is Venus Flytrap, Michael Brandon is Andy Travis, Cassie Yates is Bailey Smithers, and Jay Fenichel is a younger, less awkward Les Nessman. Different in this version are Eileen Brennan as the sultry "Mother" of the airwaves, and Alex Karras as a DJ who exits the story way too quickly.

The film follows these characters and a few others as they work, attend concerts and a record store signing. It's nearly 40 minutes before we get to the catalyst for the plot -- James Keach broadly plays a military man pushing a hip new commercial campaign -- and then another 30 minutes of nothing before we head into the big finale.

The wall-to-wall music is great (TONS of Top 20 hits from the era), the cast did their best to make something out of nothing, the performances of Jimmy Buffet and Linda Ronstadt are a must for fans, there's a nice production design, fairly cinematic direction, and a rare glimpse inside of the legendary L. A. Tower Records store. It's just a shame that the attempts at humor mostly fell flat, Tom Petty's and REO Speedwagon's cameos were pointless, and that the movie rambled on longer than this review but had even less to say.

I have the movie on VHS, and share it with some of the younger generations. I had the opportunity to see FM in the theatre, during my Sr. year in High School. Awesome concert footage of Jimmy Buffet and Linda Ronstadt in their prime. In addition to the movie being enjoyable to those discovering FM Radio in its infancy, the Soundtrack was one of the best compilations I've heard. It was released as a two album set, well worth the experience. Martin Mull and Eileen Brennan, turn in wonderful performances, as well as Clevon Little as the Night DJ "The Prince of Darkness". If you want to take a step back in time to the beginnings of FM Radio, this is the ticket.

This movie, and its soundtrack is the history of late 70's classic rock 101. Taylor, Walsh, Steely Dan, Rondstat. They are all there. And behind the music portrayed a Los Angles radio station with a band of misfits, and its eccentric station manager who wanted to run the station with a college style and no commercials. Martin Mull in his movie debut takes the cheese with his portrayal of Eric Swan, an egotistical babe magnet with the heart of 10 year old child. The movie even shows some excellent concert footage from Linda Rondstat, and Jimmy Buffett.

This movie has been playing a lot on the Sundance Channel because this really was an indie movie. The movie did look a little low budget. It took a while for the VHS to come out, and now it is on DVD. This is truly one of my favorite movies of all time.

This is one of my favorite "Radio" themed films, mainly because I work in radio. The characters in this movie remind me of many of my fellow co-works, on many levels.

The film's plot centers on Station Manager and Morning Man Jeff Dugan. Dugan has the right idea, in keeping the station "Q-Sky" as uncommercial as possible. He LOVES playing GOOD music and so dislikes the idea of selling too much airtime to advertisers. Especially when it is the Army that wants to buy airtime, with high spot rotation in prime time hours.

That doesn't sit well with Dugan, and he tries his best to avoid "cashing in" on the deal. Wow, imagine that, a Station Manager who refuses good money! Dugan even attempts to ignore his corporate boss' desire to accept this package. Dugan finally gets so tired of saying "no, no, no!" to the Army and his boss, that he quits.

The rest of the on-air and support staff like Dugan a lot, and they dislike the fact that he quit. So they plot revenge against the same people Dugan was fighting with. Their idea of revenge is to go on strike, on the air. They dump all the commercials and go wall-to-wall music.

If you tried something like this in corporate radio today, kiss your job goodbye. So many radio stations today have taken the approach that Dugan so willingly and unselfishly fought against.

So if you like films about radio, or if you want to get a glimpse of how radio really "should be" today, you might find this film worth watching. This movie includes a good musical soundtrack, with bits of songs that were big in the 70's

Jeff (Michael Brandon) is the manager for a very popular radio station in Los Angeles. He has an arsenal of great disc jockeys: Mother (Eileen Brennan), Swan (Martin Mull), Prince (Cleavon Little) and Doc (Alex Karras). In addition, the station's motto is as little advertising as possible, resulting in more songs played. But, the middle management may be out to change this. They want Jeff to honor a proposal with the US Army to run quite a few recruitment spots. Also, the station endures personal problems in breakups, breakdowns, agent loss, and rival attacks. For his part, Jeff pulls off quite a feat by airing a Linda Ronstadt concert live which was sponsored by a different radio station! Finally, push comes to shove. If Jeff doesn't cooperate, he's gone. Will his loyal staff take this sitting down? This obviously dated but nice flick from 1978 has a sensational cast, a great soundtrack, and live performances by Ronstadt and Buffet. What a treat! Yes, the hair styles, costumes, and sets look "lost in the seventies" but the script has universal truths which never grow old. The direction is capable, too. FM is a fine curiosity piece especially given the musical appearances. Sound good?

Bottom line: FM was a mediocre movie with a great soundtrack. I enjoyed all of the concert footage in the film (mostly Linda Ronstadt and Jimmy Buffet), but the comedy wasn't good, and the story was just plain awful.

You've probably already read the synopsis so I'll spare you the details. The setting and situation were ripe for big laughs, but they never came. In fact, WKRP (which was being created at the same time as the movie FM) made much better comedy from virtually the same raw material.

As for the premise, I found it patently hypocritical that FM station employees would be so offended at the idea of commercializing their station with ads, when that's in fact exactly what they do for a living. Radio exists because it sells records and concerts. It is by nature a commercial enterprise. DJs are the basically used car salesmen of the recording industry.

Now I don't think there's anything wrong with this arrangement. In fact, I think it's a great deal for the radio audience; we get to sample the songs, and even fall in love with them before we decide to buy the recording.

But the holier-than-thou attitude displayed in this movie is very disappointing. At one point in the film, Tom Petty (whom I love) is brought into the booth to be interviewed by the DJ while they play tracks from his latest album, "Damn the Torpedoes." Meanwhile, the station manager is trying his hardest to prevent commercials from airing on "his" radio station.

I wanted to shout, "Hey, dude! There's a commercial for Tom Petty's album playing on your station right now! Hello! Kids are going to pay $10 for the record and Tom's going to get $1. The rest goes to some giant recording industry mega-corp." Basically, the screenwriters wrote the DJ's as self-indulgent children, the station manager as a self-centered prick, and the owners as pure evil assholes. This made it hard for me to root for anyone.

The movie would have been sharper if the screenwriters had made the station manager more reasonable to contrast with the owners. Instead of objecting to all advertising, for example, the manager could have told the owners he was willing to do 20% more ads at 10% higher rates. Then have the owners shoot back at him with something like "you'll do it our way or you're out on your ass." Then I would have rooted for the station manager a lot more.

Of course, I would have forgiven any flaws in the premise if the movie had just been funnier.

By the way, if you want to read a contemporary review, there still one available at the NY Times website written by veteran critic Jane Maslin (http://movies2.nytimes.com/gst/movies/movie.html?v_id=16493).

Skip the movie and just listen to the album. The good reviews are coming from nostalgia lane. The script is terrible, most of the acting amateurish and cringeworthy. The story is boring, silly and just an excuse for the fantastic music. I really wanted to love the movie because I love the album but it was torture to watch. A waste of time

I have not seen this movie in many years but it shows how relevant it all is. Look at the state of radio today. It is no longer about the music then it is about the money. Maybe that is why satellite radio is taking off. Satellite radio is taking us back to the days when the music was the power. What more can I say. This movie hits home. I for one am glad there is Sirius Satellite Radio out there. Don't get sucked in to HD. It will go away just like Quadrophonic did in the early 70's. The movie also goes back to a time when the cost of seeing a live concert was well under $10. The acting in this movie is superb. The music takes me back to a better place.

Torpid comedy, a would-be free-for-all mired in a rabble-rousing rut, concerns radio disc-jockeys banding together to prevent the hostile takeover of their station by corporate suits. The trouble with these kinds of plots, where the good guys are goofy rebels and the bad guys are smarmy jerks in ties, is that the filmmakers have to give us something to go on in the way of character development in order to make us care--and most don't have the wit or the energy to do so. "FM" is all a contrivance; we're automatically supposed to be charmed by the hard-working DJs and hiss the big business bullies. I didn't particularly find the wacky DJs charming, while the live concert scenes with Tom Petty, Linda Ronstadt and Jimmy Buffett aren't anything special (they have nothing to do with the story, anyway). The film might appeal to fans of the TV sitcom "WKRP in Cincinnati" (which may have been inspired by this mess), but others should find comfort in a different station. * from ****

FM was pretty much standard fare for the era....but for what it is, liked it...come on Martin Mull? The soundtrack was 1978....i's not meant to be a documentary, it's fun nonsense along the lines of Mary Hartman, Mary Hartman and Fernwood Tonight.....