आइज़ ऑफ़ लौरा मार्स

This 1978 chiller directed by Irvin Kerschner (RoboCop 2) and based on a story by John Carpenter, has Faye Dunaway as a fashion photographer who suddenly discovers that she has the ability to "see" through the eyes of a serial killer. All her premonitions of the murders are very accurate, and the victims are all people she knows. Soon it becomes apparent the killer is coming after her. Tommy Lee Jones is great as the police lieutenant/love interest (back when his face wasn't pockmarked with age), and the supporting cast (Raul Julia, Brad Dourif) is excellent. The movie's depictions of the murders were quite shocking for it's day, and it manages to keep us scared and in suspense throughout, though some of the scenes border on grotesque. Direction by Kirschner is tight, music is suitably eery, and the performances are overall impressive. A winner

Eyes of Laura Mars -- Horror/Thriller -- 1978

This is an old supernatural thriller of sorts from way back in the 70s'. It revolves around a female fashion/glamour photographer who lives to make crude photographic nudie art that sepcializes in scenes of violence. Some people find her "art" to be rather disturbing and horribly offensive. So someone decides to go around killing her friends and acquaintances. To make matters worse, Laura Mars can see the murders happening--through her own eyes!

Here's the breakdown:

The Good:

--Clever story, and fairly original. Adds a nice twist to the usual cops-hunting-murderer story.

--Good acting all around. Brad Dourif is creepy, Tommy Lee Jones is cool, Raul Julia is... kinda weird...

--Good atmosphere and cinematography all around, with some strong direction. The tense moments are generally pretty well done.

--Some nice, genuine, surprises throughout the film. It does manage to successfully keep you guessing just who the killer is.

Didn't Hurt It, Didn't Help:

--Contains a decent amount of fairly well-known actors including Faye Dunaway, Tommy Lee Jones, Brad Dourif (better known as Chucky from the Child's Play series), Raul Julia, and Rene Auberjonois (famous for his Star Trek: Deep Space Nine role). It was also co-written by John "Halloween" Carpenter.

--Quite a bit of nudity. She is taking pictures of naked "victims of violence" after all.

--Somewhat grotesque 70's music permeates here and there.

--Some decent character development and depth.

The Bad:

--Not quite as scary or riveting as I'm sure it was back in '78. This review being written in 2006.

--Some "logic" problems every now and then. For instance, when Laura Mars sees someone being murdered, that's all she sees--yet there are times when she seems to be able to move around, once even driving a car, with more competence than one would expect from someone who just instantly "went blind."

--Occasional dips in the quality of the atmosphere and writing.

The Ugly:

--The make-up used on the models in the 70's. Holy crap!

Memorable Scene:

--Nice climax to the film.

Fun Fact:

--The photographic art in the film is actually from professional "glamour" photographer Helmut Newton.

Acting: 8/10 , Story: 8/10 , Atmosphere: 7/10 , Cinematography: 8/10 , Character Development: 7/10 , Special Effects/Make-up: 7/10 , Dialog: 7/10 , Music: 6/10 , Direction: 9/10

Nudity/Sexuality: 5/10 , Violence: 6/10 , Gore: 3/10

Cheesiness: 2/10 , Crappiness: 0/10

Overall: 7/10

Finally, I would recommend this to hardcore horror/thriller fans or film buffs. John Carpenter or Tommy Lee Jones fans will likely enjoy it. The movie is not without its problems, small though they are, but may not be enjoyed all that well by many modern viewers.

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A 1970's supernatural thriller in which most of the positives for me had to do with its setting and time period. The on-location footage in the dirty streets of New York, the peek behind the scenes at fashion shows, and all the hair on these actors held some appeal. Tommy Lee Jones and Faye Dunaway are both reasonably good in their roles, and filling in a solid supporting cast are Brad Dourif and Raul Julia. It was fun hearing "Boogie Nights" by Heatwave and "(Shake Shake Shake) Shake Your Booty by KC and the Sunshine Band, though I didn't think the track from Barbra Streisand fit in as well.

The premise of a woman who suddenly develops the ability to see through the eyes of a serial killer was a pretty good one, and it was amusing guessing what was going, but the film got weaker as it went, leading to a disappointing payoff. The murder mystery is rather tepid (and a far cry from giallo if you ask me), and then a howlingly cheesy romance develops between the two leads. There is never a hint about what might be the cause of the clairvoyant ability, and the big twist doesn't jive very well with the actions of the characters beforehand. It's not terrible as a little window into the 70's, but it's not very good either.

Sure.... Compared to the thrillers of today - it just can't compare. It seems low budget and 3rd world in quality. But it's got so much more beneath the surface.

The plot is simple - a 'High Fashion' photographer (Laura Mars) begins to have visions of brutal murders - both when sleeping and while awake. Some of these visions begin to seep into her work and her images. But soon, the visions begin to include many of her friends, acquaintances and co-workers. A homicide detective (John Neville) assigned to the case begins hanging around and trying to solve the case, including the murders involving Laura's friends. Many of Laura's friends & acquaintances get killed along the way, leaving her emotionally bereft and open to Neville's advances. I won't blow the end of the film (as others may) by giving away the twists and turns.

There are a few decent performances in the movie - including Rene Auberjunois as Laura's 'flamboyantly flaming' manager, assistant and best friend. And, how he can wear a dress....

This stylish & sometimes sexy thriller is an 8 of 10 when the age of the flick comes into consideration. Decent plot, decent acting and decent twists. And, I am sorry, but Barbara Streisand's opening song still stands as one of my all time favorite songs.... Speaking of the opening, the opening credits of the film are kinda creepy and chilling. Go rent it and decide for yourself!

Laura Mars is a very successful fashion photographer who one day starts to get visions of brutal murders being carried out. Troubled and in fear for her sanity, Laura turns to the police for help. But this only adds to her problems as Detective Neville points out to her that the murder scenes bare similarities to some of her staged photographs. The pair of them must figure it out quickly because the murderer is closing in on Laura and those close to her.

In 1978, John Carpenter thrilled horror fans with his baby sitting terror piece, Halloween. Also released was this mystery/thriller/horror film, written by Carpenter and directed by Irvin Kershner {The Empire Strikes Back} which is a film that has been called anything from innovative to outright rubbish. The truth is that where Halloween is a horror film of no character substance, Eyes Of Laura Mars is a completely different animal. It's bright blending of 70s fashion photography with Carpenter's dastardly tale {tho the final draft was tampered by many}, is a success. This is a psychological thriller first and foremost, yes horror elements are there {it's a done deal with a serial killer on the loose}, but running alongside a clever romantic angle, the film gains an intensity that few other 70s psychological thrillers can boast.

The cast, other than an insipidly hammy Raul Julia, also come out rather well. Faye Dunaway {Mars}, Tommy Lee Jones {Neville}, Brad Dourif {horror staple that he is} and Rene Auberjonois give credit to well formed characters. Technically it's a fine picture as well, Irvin Kershner and his cinematographer Victor J. Kemper excellently utilise the New York City location. Especially during the fashion shoot sequences, where the 70s and its glamour is fully realised. "Innovated" blurred corridor shots to portray Laura's terrible visions are creepy and highly effective, while i would be surprised if anyone doubted the impact of a mirror shot in the glorious finale.

Thought by many to have not aged well, Eyes Of Laura Mars is often consigned to the cupboard marked "dated", that's unfair because good thrillers are good thrillers, regardless of age. Emotionally strong and pulsing with imminent terror, this is a badly undervalued, and forgotten picture. 8/10