The End

Burt Reynolds was one of the great action and dramatic stars of the 20th Century. He was also hysterically funny. This movie about a very serious topic-a man dying and coming to terms with the Knowledge-is very funny. Dom Deluise is hysterical and a great partner for Reynolds. Sally Field plus the straight role with Grace. The supporting cast is very good-Norman Fell as the Dr and Robby Benson as the young priest. The comedic direction is masterful in the underrated, now classic comedy. This holds up well.

I saw this about twenty years ago and remembered liking it. Came across a negative mention of it online recently which led me to looking at reviews and seeing the general opinion of it isn't that high. But the same is true for most Burt Reynolds movies I like so I decided to give it a shot and see if my opinion had changed since the first viewing. The short answer is no, it hasn't. I enjoyed the movie still but I can see why others might not. It's a particular style of humor that Reynolds is arguably not suited for. Think more Albert Brooks or Elliott Gould. But it's got plenty going for it, if you can make it past the first ten or fifteen minutes where Reynolds' character's whining is very annoying. The biggest plus is that the supporting cast full of recognizable faces is good. There are also bits of weirdness that keep it interesting like Robby Benson's childish priest or the bizarre scene where the camera lingers on Sally Field's body double's cleavage. Reynolds directed by the way. It's a dark comedy about an unlikable neurotic facing death starring an actor most known for "good old boy" comedies. But it's not the disaster you might think. Ringing endorsement!

Burt Reynolds throws himself in front of and behind the camera in this 1978 gem of a comedy. Not the best comedy that year, but far from the worse. Reynolds may have bit off more than he could chew by directing and acting all in one, but the final product was funny enough for cinemas. Still, without Dom DeLuise, this movie would be far from watchable. It is DeLuise that saves this movie. At sometimes dark, The End mixes mild comedy which delivers this Woody Allen (who wrote the original script) type story. DeLuise is nothing but brilliant as the lovable, yet crazy friend of Reynolds. This movie is nothing but fun. Not the best movie, but a nice story with an interesting cast of characters. However, if this movie was re-edited the movie would have been better told. The movie changes once Dom DeLuise is introduced. The first half of the movie has its funny moments, but it is not until the second half do we start to truly laugh. A better Editor could have saved this movie by cutting the timeline up to have most of the first half as a flash back. For starters, I would have started the movie at the half way point where we find Reynolds waking up from attempted suicide. Then have his character going back in time to reflect on what occurred following up to his arrival in the nut house. That way, we could welcome Deluise earlier to the movie and give the Reynolds character more of an appreciated back story before we arrive at the central transition. Before Reynolds arrives to the beach, i would have his final flashback be of his daughter where we get to the climax of his final decision. All in all, a good movie worth watching.

Death is serious business, no doubt. No moreso than the people who come in contact with it. In fact, is there ANYTHING funny about dying?

If you're Burt Reynolds and you find out you only have a few months left to live, then YES. And the evidence is in one of his maiden directing efforts, "The End".

As a terminally-ill man, Reynolds practically drives himself crazy trying to get his life in order and end it at the same time. However, he has to deal with an inattentive ex-wife (Woodward), flaky parents (Loy and O'Brien), an even-flakier girlfriend (Field), an overly-mature daughter (MacNicol), a dense lawyer (Steinberg), a novice priest (Benson) and a schizophrenic mental patient (DeLuise) who wants to help Reynolds reach his end goal in the worst way.

The topic is morbid, to be sure, but there are indeed (dark) laughs here. Reynolds' hand never falters and he makes the most of every scene he's in as a man who's at the end of his rope (literally, in one case) and can find no solace even in chasing down a funeral procession to find out what the guy in the hearse died of.

To say that DeLuise steals the movie isn't enough; he steals it, runs for the border, makes a clean getaway and never looks back. There is more bad taste to be had when we discover his character is Polish and Dom then rattles off a few bad Polish jokes to Reynolds. "Kids can be cruel", Reynolds consoles. "What kids", DeLuise responds, "I heard these from my parents!" How inspiringly nasty. My one favorite scene has to be where Dom tries to help Burt jump out of the bell tower in the mental institution he is incarcerated in (You're right: it's not high enough!"). It's great and there's a lot more scenes like that, sprinkled throughout.

For some of us, though, it's hard to laugh at suicide, let alone death. But the morbid, gallows humor here doesn't celebrate death like a lot of bigger-budget movies do - this is a movie about life, living and doing everything you can while you have the chance. And THAT is really what "The End" is about - not the end but everything you do before the end gets here. And in that respect, Burt succeeds.

Eight stars and a golden noose for "The End" - the movie that'll make you love life...and think twice about coming near Dom DeLuise with a Polish joke. Ever.

For a guy diagnosed with a terminal disease, Burt Reynolds sure pumped a lot of life into this film.

This is the ultimate in black comedies, a man is told he's got a little over a year to live. We would all react in different ways. Burt Reynolds gets this cheerful bit of news and goes immediately berserk and starts acting all kinds of crazy.

Of course everyone around him sees him differently. Wife Joanne Woodward, girl friend Sally Field, parents Pat O'Brien and Myrna Loy. Burt pushes all their buttons except O'Brien who seems oblivious to all.

Reynolds always had a marvelous gift for comedy that in his prime period of the seventies was utilized rather well. His career seemed to go in the same path as Tom Selleck's, I think they could have played a lot of each other's parts.

Of course it was nice to see two veterans of old Hollywood, Myrna Loy and Pat O'Brien in support. They never disappoint.

My favorites though are Strother Martin as the officious head of a mental institution where Reynolds gets committed after some bizarrely unsuccessful suicide attempts and Dom DeLuise as another patient there.

DeLuise when he gets going approaches Robin Williams kind of zaniness and he was working on all cylinders in this film. He's ready to offer all kinds of help to Burt to fulfill his mission.