Death Dimension

Pure comedy. I hired this film from a video store as a kid in the late 80's. Along with brothers and friends we were looking for dodgy 70's films with afro's, car chases, gun fights and most importantly a 'twangy' 70s soundtrack. We were not disappointed. We still talk about this film today. There is one scene where a character called 'The Pig' holds a turtle above a woman's breast and declares 'one bight of your tit and you have to cut head off before he let go'!!! (Said in dodgy Chinese accent - same guy who played Odd Job in Bond movie). If you are looking for laughs, get this film. Terrible plot, awful acting, hilarious fights and an amazing script!! I just want to get my hands on this again!!!

There is something about this Z grade martial arts flick that might make you want to take a shower after you watch it. A seedy, sleazy feel pervades every frame, and if you know about the LA scene of the 70's, and what was going on at the time, it feels even sleazier. Iconic martial arts master, and the "King of Cool," Jim Kelly made a handful of these movies, after his appearance in the very successful "Enter the Dragon," starring Bruce Lee. A lot of fans were disappointed that Kelly's ultra-cool character is killed off so early into that film, because we wanted more of this guy. And movies like "Death Dimension" give Jim Kelly a chance to show his stuff. Among these films, all of which are memorable and great in their own way, "Death Dimension" stands out as one of the cheapest of the lot. Filmed in the Nevada desert, and the glitzy Reno casino strip, on a very small budget, the movie still manages to be atmospheric and entertaining. Featuring a cast of cheap looking women who look like they were borrowed from a hardcore porn movie, as well as some truly mean looking men. There is an evil Haitian thug with a scarred face that will make your skin crawl. He likes to beat women and slice people's throats with his razor-like pinky ring. And the king pin scumbag is just called "The Pig," and he is truly a pig, in his skin tight polyester shirts bursting under the strain of his sweaty, big body. when Jim Kelly is on screen though, everything comes together, and we are reminded just why we are watching. Kelly's martial arts skills are finely tuned and hyper-energetic; the man is truly incredible to watch. Here he is partnered with Myron Lee, a Chinese undercover agent, and the two work very well off each other, kind of like the pairing of Conan and Subotai in "Conan the Barbaian." Some highlights include scenes of Jim Kelly walking around the neon-saturated Reno strip at night. The man is just so cool in everything he does. As far as the plot goes, well it concerns some evil bastards trying to get their hands on a machine that can freeze the weather in a concentrated area. It sounds a bit like the plot from "Black Samurai," another Kelly film that is actually better than this film. Anyway we don't watch these films for their brilliant story lines, do we? I recommend this movie for fans of exploit cinema and martial arts movies of the 1970's. It's good, sleazy fun.

Despite the ratings I found this to be the second best "Jim Kelly" movie I have watched. (And by that I mean one where he is top of the bill, so not the likes of "Enter The Dragon" or "Three The Hard Way"). In other words better than "Black Belt Jones", "Hot Potato" or "Black Samurai".

Why? Mainly because the action is for the most part competently choreographed and shot when compared with the others. The cutting and camera angles make for better movie action viewing.

The second thing which makes this more fun is the novelty cast, which include, George "James Bond" Lazenby, Harold "Odd Job" Sakata, Aldo Ray, the ever reliable Bob Minor and Myron "Bruce" Lee" (Myron? Really?). Lazenby, contrary to his reputation, can act quite adequately, but he can't fight convincingly in this company, which is where the competent use of cutting and camera angles come in. Sakata can't act, but he is the most iconic Bond villain of the Connery era, "Odd Job", so it doesn't really matter. Turns out he can't fight convincingly either and on this occasion the action Director doesn't come to his rescue for some reason, which is disappointing. Aldo Ray's career peaked early, around 1955 when he was in "We're No Angels" with Bogart and Ustinov, and his acting channels all the grumpy frustration that he must have been feeling by this time;- finding himself down among the B movie bottom feeders. Meanwhile Jim himself is in as good form as I've ever seen him.

The plot premise is ridiculous but barely explored, used merely as a "McGuffen" to set the ball rolling, the plot structure is routine but serviceable and the dialogue banal, but in the World of Jim Kelly movies that is all par for the course.

More than one dimension, possibly two dimensions, but not three.

Well, the cast of this movie certainly has great cult value: Jim Kelly, George Lazenby, Harold Sakata. The movie itself, however, is not as much fun as it could have been. Kelly still has the moves, but while some of his fighting isn't bad, it is spoiled by the unslick presentation (lighting, framing, etc.). Sakata is, for me and many others, an iconic presence: his Oddjob is arguably the best henchman in the entire Bond series. However, his role here adds nothing to his stature, in fact it probably detracts from it. Lazenby's participation is minor. The film is poorly directed, and obviously drawn-out at the climax. Worth a look for its cast, but don't expect too much. (*1/2)

Death Dimension aka The Black Eliminator is one of two films that Jim Kelly made with infamous schockmeister Al Adamson. Both of these movies are really bad, this is the worst of the two. Black Samurai was the better of the two, it was just as poorly made as this. However, it was more over the top and entertaining. This has a lame plot that has Jim Kelly go after a villain named "The Pig" and has to save a woman from getting killed by a freeze bomb. The only reason to watch this movie is Jim Kelly, who really deserved better. There are a few decent karate fights and Jim Kelly still is a cool hero. I would have rather Jim Kelly fired his agent to get him better projects, but doing crap like this you can't really blame the guy for his exit from the film industry to pursue a career in tennis.