डेमियन: ओमेन II

This sequel to THE OMEN is a "fun" film. It continues the story of the anti-Christ Damien into his teenage years and his years in military school. Now adopted into the family of his father's brother, an unsuspecting Damien is unwittingly at the centre of a plot to bring Satan's son to the threshold of power. Everyone around him is at risk as the secret of Damien's birth is under threat of exposure by forces emerging from around the world - and at the root of this threat are the mad depictions painted on an ancient wall that reveal the very face of evil.

Jonathon Scott-Taylor gives a commanding and creepy performance as the ultimate misfit son. Looking particularly significant in his military outfit, Scott-Taylor captures - as much as the script allows him - the torment of self-discovery as the truth of his existence is revealed to him. The script could have demanded more from such a fascinating scenario, and tried to make Damien more of a Miltonic Satanic Hero, but the film chooses to go for as much shock value whenever it can. Mysterious and violent accidents - linked by the ever-present shadow of a raven of death - dominate this movie from beginning to end. The scene involving an ill-fated lady on a deserted country road is one of its most grotesque. As death and destruction mount, Damien goes from self-possessed orphan to self-recognized supreme power in the span of two hours.

William Holden and Lee Grant play Damien's surrogate parents, Richard and Ann Thorn. They are not really allowed to display their incredible talents in this film, but Holden does fine trying to duplicate Peck's memorable performance in the original. Grant does what she can with this supporting role, but has a great moment in the film that proves worthy to wait for. The always wonderful Sylvia Sidney makes a memorable appearance as one of Damien's greatest "thorns" - the troublemaking menace Aunt Marion. And the ending is a bit of a shock if you watch the film closely, particularly if you listen to the exposition early on in the film about "The Whore of Babylon."

Another highlight is Jerry Goldsmith's title score - empowering, commanding and downright evil, the opening score is one of my favorites.

Although not as creepy as the first film, DAMIEN: OMEN II has its moments, and is worth seeing for anyone who likes to have a fun time with all this biblical stuff.

"She pollutes the air with her craziness", gotta love that line near the film's beginning. Damien:Omen II is an ambitious and entertaining sequel to the classic Omen. This film is an almost perfect stepping stone in the Omen trilogy, focusing on Damien Thorn becoming a teenager. The film obviously lacks the fresh originality of the first film but it still deserves credit for maintaining a sense of dread and menace when somebody crosses the young Damien Thorn. The death scenes are both chilling and creative and the film's trademark score is brilliant. As far as sequels go, Omen II is a solid effort, leading the pathway clearly open for the third chapter. In terms of comparison Omen II doesn't surpass the original but if you enjoyed the Omen then Damien:Omen II shouldn't disappoint.

Well, it wasn't great, but I have to admit that the second Omen was pretty good and in some ways just necessary. Necessary, I mean because this story is of course not finished. Before seeing "The Hills have Eyes" on Friday night, they had trailers, and one was *shudder* a remake to the Omen. Another one, another remake! Oh, well, this just isn't going to stop. So, anyways, I saw The Omen last year and figured I should finish the trilogy. I am curious and frankly, a bit creeped out that the new Omen is being released on 06-06-2006, "666", get it?

The story itself is pretty good actually, now that Damien has been under the care of his aunt and uncle, strange things are happening again. It seems like anyone who is getting to close to finding out the truth about Damien is getting killed in some freak accident. This is a very good sequel that should be given a second chance.

6/10

This entertaining movie is a pretty good example of big budget mainstream horror. It is, of course, a sequel to The Omen; a film that had tapped into the 70's thirst for religious themed horror and had went on to be a big smash hit. Damien: Omen II, perhaps unsurprisingly, doesn't have the originality of that first film but it maintains the story very well in my opinion. It's the one film in the franchise where the action has moved from the UK to the USA. It focuses on the now 13 year old antichrist Damien Thorn, who is being schooled in a military academy. It's also the part where he becomes aware of who he really is.

In many ways its story arc follows quite close to the original template but with the addition of more frequent, inventive and gory death scenes involving the poor unfortunates who get too close to the truth. In effect, this movie plays out like a series of elaborate set-pieces strung together over a fairly basic plot-line. This isn't such a terrible thing though because these macabre moments are all really executed very well. In particular are three notable death sequences – on a deserted road a woman is attacked by a raven who pecks her eyes out, she is then finished off by being hit full force by a truck; a man is cut in half by a falling elevator cable; during a game of hockey on a frozen lake, the ice breaks and a man falls under resulting in the disturbing scenario where we see him helplessly floating just below the ice. These set-pieces, along with several others, constitute the highlight of the movie and they are all well-conceived and give the film its definite draw. Because the film is neither a beginning, nor an end to the story it allows this instalment to simply focus its attention on the macabre material in between and it's really not a bad thing.

There are other interesting changes though, such as the use of the raven as the creature of the devil, I thought it was a better choice than the Rottweiler from the first movie and it was very well integrated into the story. The acting too is more than decent with the likes of William Holden basically taking on the role Gregory Peck filled in the first movie, while Jonathan Scott-Taylor looks right as Damien, his thin features can look cold and ominous but he is never cartoonishly evil, which was a good thing. He has one particularly memorable and original scene too where he knows the answer to every single question his history teacher throws at him. It's one of the less gruesome more subtly sinister moments that really stands out. Some things remain the same though and once again there is a really good score from Jerry Goldsmith. It's very dramatic with that ominous choir sound that is just perfect for this subject matter.

"Damien Omen II" should of been in reality the third film in the "Omen Series". The producers for some reason decided to age up Damien which proved problematic for this film.

David Seltzer, who wrote the first film's screenplay, was asked by the producers to write the second. Seltzer refused as he had no interest in writing sequels. Years later, Seltzer commented that had he written the story for the second Omen, he would have set it the day after the first movie, with Damien a child living in The White House. With Seltzer turning down Omen II, producer Harvey Bernhard duly outlined the story himself, and Stanley Mann was hired to write the screenplay.

This film is a little slow. The original director (Mike Hodge) was replaced. Now how much material that he shot that ended up in the final film is unknown to me.

This film main problem is that there is almost no element of surprise discovery for the audience. The death scenes however are still effective (Even to this day) and it does scare you but not as much as the original did.

The film is worth watching because the film is has Adult Actors that know how to act.