Amore, piombo e furore

This one comes very late in the Spaghetti Western timeline, is directed by an American, and plays out like a love story. It's different to say the least.

Fabio Testi is Clayton, a condemned man who is reprieved at the last minute, as long as he tracks down Warren Oates and kills him. Oates used to work for the Railroad and they don't like loose ends, so Clayton has to take him out. A problem arises in the form of Jenny Agutter, Warren's much younger, hot wife whom Clayton first spies skinny dipping. Clayton shacks up at the Oates/Agutter household under the pretence that he's passing through, but Oates is no fool, and Agutter starts making goo-goo eyes at the hunky Clayton.

Not a shot is fired in anger for the first fifty minutes of this film, as Clayton decides he can't kill Oates by he can get it on with Agutter, which leads to Oates attacked her and Agutter retaliating in a surprisingly violent way (she stabs him in the back and brains him with a rolling pin). Clayton and Agutter think Oates is dead and they can be a couple, but Oates wakes up and gathers his numerous brothers for some revenge...as does the Railroad when they find out Oates isn't dead...

As this is a late era Spaghetti Western, the pacing isn't exactly full throttle, but I was surprised to see that the violence was very realistic - people get shot and fall over instead of clutching themselves and spinning around the place, and the violence is very abrupt and sudden, like the accidental shooting of a hooker through a window or two corpses being shot over and over again.

Plus, Testi stands out as the lightening fast Clayton, made weak through his love for Agutter. Apart from her dodgy Irish accent, Agutter does well too and spends a lot of time naked with Testi (I actually gave birth to Testi's child just by watching this film!). Warren Oates stands out too, with his mumbly, tired character.

This must be one of the very last Spaghetti Westerns, and it's worth tracking down if you can find an uncut version of it. Sam Peckinpah makes a surreal cameo too, just to add to the sense of weirdness.

Condemned gunman Clayton Drumm (Fabio Testi) , a pistolero in a Tom Mix hat , is given a last minute by a railway company chief (Luis Prendes) for reprieve freedom on condition he kills rancher Matthew (Warren Oates) . Visiting Matthew's ranch, Clayton is really stalked by Matthew , holding out against the advancing railroad with his trusted rifle and his less than trusty Anglo-Irish spouse .Clayton is unable to bring himself to kill Matthew and leaves, but Matthew's wife, Catherine (Jenny Agutter) , believing she has murdered Matthew during an argument joins Clayton. Then , there takes place the deadliest crossroad as Matthew, still alive, and mad as hell joins Clayton's equally angered partners (Franco Interlenghi , Charly Bravo , Romano Puppo) to hunt down Clayton and wife who has escaped with him .

The plot is usual in Spaghetti Western genre : a merciless vendetta , as a killer is contracted to murder , but the assassin fails to deliver, prompting a revenger to go after him instead . It delivers an absurd parallel within the stereotyped framework of the European Western , and revealing the sheer gratuitousness of traditional roles-types and ordinary mechanisms to create an uproarious genre critique . It provides an acceptable main and support cast . Fabio Testi gives a passable acting as a condemned killer who is hired by a railroad boss to murder an uncooperative rancher . While the gorgeous Jenny Agutter shows his beauty and charming face . As always , Warren Oates , Monte Hellman's regular , steals the show as the relentless avenger hubby . Support cast is formed by notorious secondaries as director Sam Peckinpah , SidneyLassick , Isabel Mestres , and familar faces from Spaghetti or Paella Western as Luis Prendes , Charly Bravo , Luis Barboo, Rafael Albaicin , Romano Puppo , and Helga Line .

Colorful and evocative cinematography by prestigious Giuseppe Rotunno , shot on location in desert of Tabernas , Almeria , andalucia , Spain . And sensitive as well as evocative musical score by Pino Donaggio . The picture was professionally directed by Monte Hellman , though it results to be slow-moving and has several flaws and gaps . After a few years directing in summer theater, Hellman hooked up with legendary "B" movie producer Roger Corman in the late 1950s. Corman helped finance Hellman's production of "Waiting For Godot", the the first time that Samuel Beckett's play had been staged in Los Angeles . Hellman made his film directorial debut with Beast from haunted cave (1959), and directed portions of Corman's The terror (1963). Hellman has directed a few films , some of them are deemed cult movies . As Monte has made : Back door to hell (1964) , Flight to fury (1964) , The shooting (1966) , Ride in the whilwind , Two-lane blacktop (1971) , Cockfighter (1974) , The Iguana and this Clayton Drumm or Catherine or China 9 Liberty 37 , among others .

China 9, Liberty 37 (1978)

** (out of 4)

Condemned gunman Clayton Drumm (Fabio Testi) is saved from the noose but he must track down farmer Matthew Sebanek (Warren Oates) and kill him since he refuses to sell his valuable land to the railroad company. Clayton goes to do the deed but ends up falling in love with the man's wife (Jenny Agutter), which just adds more problems. This Italian/Spanish co-production from cult director Hellman has a few decent moments but in the end this is a pretty boring affair from start to finish. I know Hellman has a strong cult following among some film fans but I can't say I'm one of them. This film here is yet another Spaghetti Western that tells a rather familiar story but Hellman puts his own spin on things and these spins actually hurt more than help. This film has a lot of problems including letting the viewer know who we should be cheering for. The film starts off with Testi being the bad guy and we're given Matthew to like. At around the thirty-minute mark we switch sides as it turns out Matthew is a real jerk who abuses his wife and the director has decided to put us in a love story. The love story between Testi and Agutter never works for several reasons. One reason is that the two have no chemistry and one can't help but roll their eyes at the love banter they give at each other. The screenplay mentions that Agutter is shy and "changes her clothes in the barn" but that doesn't keep her from being nude in this thing at least six different times. The nude scenes are only available in the R-rated cut (most boots are of the TV print) and are the main reasons to watch this thing. Agutter is an incredibly beautiful woman so seeing her nude is about the only thing that keeps this sucker moving. However, even the sex scenes are messed up by Hellman as he decides to film them in a slow-motion fashion with an incredibly bad score over them and a couple even has some sort of weak pop song. Why on Earth Hellman decided to do this is anyone's guess but it doesn't work. I also didn't believe Testi in his role too much but then again this could be due to the fact that Hellman seemed more interested in showing off his body than anything else. Oates is always dependable and he turns in a good performance even though the screenplay does him no favors. Agutter's role is pretty thankless but she gives it all she can. Look quick for Sam Peckinpah as a writer.

A somewhat odd spaghetti Western. I am not familiar with this Monte Hellman, but at first I thought he was trying to be Sergio Leone. Later, I thought he was trying to outdo Leone. I am not sure if the setting is supposed to be southeast Texas, even though there are towns named China and Liberty there, but the countryside there is wooded, and even a bit swampy. Excellent photography of the arid Spanish landscapes. The sound was awful, though, with score and background noise often drowning out dialog. Fabio Testi was the wooden anti-hero, with a serious Italian accent. Warren Oates was the only really well-developed character. Jenny Agutter was oh, so beautiful. But she was alternately reserved and wanton, so it was hard to figure out her character. (You really have to see the uncut version. It is available if you search hard enough for it.) There were a few anachronisms and plot holes but not terribly so. A pet peeve of mine is people suffering grievous wounds, like gunshots and stabbings, and seemingly having no ill effects after three days. I know it moves the narrative along, but sheesh. Anyway it was OK, and just a bit better due to Agutter.

One of the few (only?) westerns where sex is the main motivator, a wonderful spaghetti western with Fabio Testi and Jenny Agutter, with Warren Oates and a rare performance by Sam Peckingpaugh. An important film in the ouvre of Monte Hellman, quintessential 70's cult director; a man who has made more great films than Coppola yet remains mostly unknown in his home country. See "Two-Lane Blacktop," "Cockfighter," and "The Shooting."