Capricorn One

One of those movies I'm ashamed to admit that I love. The logic comes and goes in this roller-coaster ride of a film, but the emotional highs are most memorable. One of Elliot Gould's last starring roles. I particularly enjoyed Telly Savalas, who chews the scenery unmercifully but is fun to watch as he saves the day. Also James Brolin, who goes the extra mile and does things that some actors would balk at, such as eating a rattlesnake. When I saw this in the theatre, there were a couple of scenes that had the audience cheering, which is not something one sees very often. And how they ever got NASA to allow them to film has got to be a story in itself, one which I am eager to hear.

I thought this was a very well done, and intelligent thriller. A group of astronauts are about to launch to space, they soon find out that they do not have enough funding, so they must fake the mission anyway, somebody issues a report that the shuttle crashed, and left the men dead, this means that the public has to think that these men are really dead. This is the kind of thriller than they dont make anymore, and its too bad. Also includes a huge cast of famillar faces: James Brolin(Westworld), Telly Savalas(TV's Kojak), Hal Holbrook(Men Of Honor), David Huddleston(The Big Lebowski), and many more star in this first rate thriller. *** out of ****.

One of the all time great opening themes (by Jerry Goldsmith) pounds furiously over the credits. Then this conspiracy thriller settles in and a sense of unease is established almost immediately. A sterile controller announces information that is often ironically at odds with what's shown onscreen. Three astronauts are about to fly to Mars, but something is just not right despite everyone's enthusiasm. Sure enough, the mission is doomed to failure. However, some upper level governmental types have decided to stage the whole thing with cameras and a dusty set and force the astronauts to play along while the world watches what it believes is a real Mars landing. Unfortunately, when the actual module burns up in reentry, the astronauts realize that, technically, they are dead. Now they must fight for their lives as the conspirators, with all the U.S. military's resources, become determined to wipe them out. The astronauts are played by Brolin (sturdy and heroic if a touch wooden), Waterston (nerdish and fond of ice-breaking bad jokes) and Simpson (ill-defined and played very amateurishly.) The head of the conspiracy is played by Holbrook in the type of role that he excels at and no one else can play quite as effectively. He is given a showy monologue in the film. Gould stars as a reporter who senses something foul about the whole matter after his friend, a skeptical controller, disappears into thin air. Vaccaro scores as Brolin's worried, but stalwart wife. Peppered amongst these star roles is a series of cameos by known faces. Black (an actress who starred in seemingly half of all 1970's films and then completely dropped off the radar!) is a sarcastic reporter friend of Gould's. Huddleston spits out several snappy lines as a Congressman. Savalas turns in a surprisingly amusing, yet thankfully brief performance near the end. The whole thing is riddled with plot holes and illogic, but is so compelling and, at times exciting, that most first time viewers won't care. The atmosphere of dread and malice is strong, but is relieved by some really witty dialogue and some hair-raising action sequences. One flaw is the films overlength. Even just a few minutes of trimming would have tightened it up for even more impact. However, it remains a watchable, intriguing film. The aforementioned score is tremendous. The film also features pairs of black helicopters which are piloted by faceless hunters. These machines are given bird of prey-like qualities which render them quite menacing and memorable. TV addicts will note many actors in the cast with familiar faces including Sikking, Bosson, Doyle and Bryant (legendary for her work in "Airplane!") Finally, the film affords an amusing chance to see the former Mr. Streisand (Gould) run alongside the future Mr. Streisand (Brolin.) That alone, gives the movie a sort of camp, cult status.

America is excited by a new space launch; the mission to mars putting them past their 'space fatigue'. However, mere minutes before the launch, the astronauts are spirited away from the rocket while the mission goes ahead but unmanned – with the vast majority of NASA, the media, the politicians and the American people completely unaware that this has occurred. The astronauts are taken to a soundstage and informed that the mission would have failed, killing the space programme; however the plan is to fake the landing and keep the funding – a plan the astronauts begrudgingly agree to when they see their options are very limited. However when the rocket explodes on re-entry, the astronauts realize that the men in charge have only one way to keep their secret– killing them. Meanwhile journalist Robert Caulfield tries to follow a suspicious lead given to him by a man inside NASA only for the man to vanish and for Robert to be nearly killed when his brakes 'fail' – he investigates what he suspects but cannot believe.

The film opens with a blacked out screen with a man introducing the mission launch to gathering (unseen) journalists. This is a solid start and it continues in an aborted launch that immediately sets up a premise that is so simple and so effective that it promises a great film to come. However from the moment the astronauts escape the film has already taken a real dip from the good start. What spoils it is the writing; the start gives it the foundation to build on but it doesn't manage to build very much at all. Things happen but there is no consistent tension or excitement to speak of – the astronauts are forced into one-off moments of danger but that's about it; this leaves Caulfield as the main thread which, while enjoyable, still doesn't manage to cut it. The film should have been tighter, with a deeper conspiracy, a tangible threat and a real sense of it being a race against time – but it doesn't manage it. It still remains interesting and watchable but the word 'thriller' is not one that I would pick.

The film ends in a stronger final 20 minutes where we get a helicopter chase and some well shot scenes with a crop duster but even these are filled with the same lack of logic that the middle section of the film suffers from. Sadly even an exciting conclusion gives way to a rubbish final shot of slow-mo sentiment. The cast are part of the reason that the film is watchable as they are quite good even if the material lets many of them down. Gould is always watchable even though his section should have been much more dramatic. Of the astronauts, Brolin is OK, Waterson has an average character and Simpson is wisely given little opportunity to flex his acting muscles. Holbrook starts with a good sense of conspiratorial menace but the film practically forgets he is there and he just slips away. Black is wasted and she doesn't even look like she wants to be there, but the presence of Huddleston is always welcome. Savalas is good value even if he seems to have walked in from another film – but he is good fun and breathes quite a lot of life back into what was becoming a rather stale affair.

Overall this is watchable and quite enjoyable but it is frustrating to see the potential of the premise wasted. The opening 30 minutes is great and sets up a tense film that is sadly never forthcoming. The majority of the film after the rocket is destroyed goes gradually downhill as logic fails and it totally fails to ratchet up the tension in the manner it really should have. Watchable but it should have been loads better – I'm not a remake fan per se, but surely somebody can remake this film and make good on the potential.

This movie is indeed a noteworthy sci-fi/conspiracy flick, even after all these years.

Unmistakeably based on the real-life "moon hoax" pseudo-conspiracy, it takes the issue one step further and explores just how far your government might go to cover up its own incapacity and silence everyone who gets in its way (Ironically enough for that matter, the moon landings are portrayed in this movie as a non-hoax and really did take place).

When three would-be Mars astronauts are secretly pulled out of their capsule just minutes before liftoff due to a malfunctioning life support system that would have meant certain death, they are quickly transferred to an abandoned air force base out in the desert. Upon arrival, they are told that they'll have to play make-believe using the facility's very own "Mars" sound stage. It's got everything in place to fool the public about an actual Mars landing. Things go somewhat well and although the astronauts really begin to resent the big swindle they were drawn into, nobody really notices. That is, until their real-life landing capsule disintegrates while re-entering the earth's atmosphere. They figure that now that they're all supposed to be dead, the government will have them killed for real....

So much for the plot, the rest is yours to find out about. Definitely worth watching. One thing though, try to watch it in widescreen - somehow they showed the 4:3 full-frame version on TV here, which was a major drawback considering the movie's original 2.35:1 aspect ratio.

8 out of 10!