The Dain Curse

Noting in the Wikipedia article on Dashiell Hammett only 3 of his 5 full length novels became motion pictures. But the three The Thin Man, The Glass Key and The Maltese Falcon became classic films all. The Maltese Falcon as we know was done 3 times as well.

A fourth one The Dain Curse was deliberately segmented into three self contained mysteries which for purposes of adaption fitted nicely into the television mini-series format.

James Coburn played our protagonist/cynical hero Hamilton Nash and I think Coburn should have done more detective stories, he was perfectly cast for the part.

It starts out as an investigation of a jewel robbery of a family the Leggetts. It's Coburn who deduces that he thinks the robbery story has a lot of holes in it. The Leggatts are Paul Harding, wife Beatrice Straight and her stepdaughter Nancy Addison. Straight is also Addison's blood aunt, Harding's first wife was Straight's sister. They are members of the Dain family upon which it is said there is a legendary curse.

One who tries hard to convince Nash there's something to this curse business is Jason Miller, Coburn's hard drinking novelist buddy. As this is 1928 and Prohibition rules the land that was some hard drinking indeed.

The Dain Curse might be the bloodiest novel Dashiell Hammett ever wrote. Several members of the Dain family die here including those who married into the family and those who had some involvement with them. Still Coburn thinks there's a guiding intelligence at work here and of course he's right.

A lot of expense went into this production and you really do think you're in 1928, cars and costumes definitely authentic.

Look for good performances by Jean Simmons as a cult church leader, Hector Elizondo as a hick sheriff, and the future Data from Star Trek, The Next Generation Brent Spiner as one of the cult members in good standing.

The Dain Curse is definitely worth watching for more than James Coburn and Dashiell Hammett fans.

James Coburn makes a wonderfully playful detective, somewhere between Nick Charles (The Thin Man) and Sam Spade. Like the movies of those characters, this is a complex story: actually 3 smaller mysteries wrapped in a larger one, which creates an odd tempo in the film. Normally a movie ends when the mystery is solved, but this movie keeps going onto another mystery like a rollercoaster. The version I saw was the 144 minute Anchor Bay video, which must have been abridged. This might account for a few scenes which faded inexplicably into others. Aside from that, the movie was quite entertaining. Though I was relieved when the entire mystery was really solved, I wanted to keep watching that wise, older, chivalrous, not-too-world-weary to be heartbroken detective.

Someone, back in the misty reaches of 1977-78, had a pretty good idea: Take Dashiell Hammett's "The Dain Curse" and turn it into a TV mini-series "event." The novel itself, after all, had started out as a serialization in "Black Mask" magazine, and a legion of readers had faithfully followed its plot convolutions there, so why -- or so the reasoning must have gone -- shouldn't it work equally well on the installment plan by spreading a TV dramatization out over several nights?

This, unfortunately, was the last good idea experienced by anybody in conjunction with the production.

Any number of object lessons can -- and should be --drawn from what wound up being presented as "Dashiell Hammett's The Dain Curse." (Presumably, to differentiate it from "Joe Blow's The Dain Curse," an important distinction.) Object lesson #1: If you're going to slavishly follow a plot that has enough twists and turns and old fashioned red herrings to make "The Canterbury Tales" read like "Dick And Jane Floss Their Teeth," then you'd best make sure you've at least got a director and cast who can maintain a pace that will keep your audience riveted. Otherwise, you run the risk of numerous viewers snapping awake simultaneously during a commercial break and saying "For THIS we missed 'Three's Company?'"

Similarly, if you're going to adhere to the plot (and its dialogue), it's generally a good idea to cast actors who can carry it off. The novel's short and fat, middle-aged (but extremely tough) protagonist happens to also be anonymous, all for a purpose; changing him into the tall and thin, dapper (but extremely sardonic) James Coburn and giving him a name like Hamilton Nash (sounds like Dashiell Hammett, get it? wink! wink!) may gain you a bit of star power, except that he hasn't a clue how to relate to his material.

Equally to the point, if you decide to change the story's setting from San Francisco and the central California coast to New York City and some generic seashore locale, keep in mind that any number of Hammett partisans -- whose teeth are already set in terminal-grind mode by this point -- are going to expect you to have a very good reason for doing so.

In fairness, it should be mentioned that all concerned appear to give it their best shot (Hector Elizondo, as small-town sheriff Ben Cotton, and Jason Miller, as Owen Fitzstephan, are both standouts) as this "event" lurches from situation to situation; unfortunately, best shots here have a tendency to fall short of the mark, rather like a trapeze artist who can never quite make that third midair somersault in time or a high-wire artist with chronic nosebleed. The end result is a traveling circus, gamely striking its tent and moving on but getting . . . you guessed it!

An odd collection of stars.. brent spiner from star trek. Jean simmons, star of a thousand old movies. James coburn, who has made films in every genre. Jason miller, who was father karras in excorcist. This started as a miniseries, shown over several nights, but is currently on tubi streaming channel, and clocks in at three hours. When ham nash, private eye, is hired to recover stolen diamonds, we go on a grand adventure. With some dead bodies. And addiction. And cults. Bombings. A little of everything! It rambles here and there, similar to the big sleep, but even the rambling is fun to watch. It's a murder mystery, broken into three parts. And no, it really didn't need to be this long; it easily could have been two, maybe two and a half hours. Lots of jazz, in between the action. Long pauses. There seemed to be some slow motion here and there. And if you're wondering why dain is spelled that way, it's someone's name. I'm a huge hammett fan, so i found it entertaining. Some might find the story too slow, but it all gets wrapped up neatly by the end.

This confusing story begins like a movie you came into after it began.The charactors all knew each other before, and make reference to things we don't see that appear to have something to do with all the strange goings on.

It involves a weird cult, a girl who is a drug addict and who may have killed her husband, and the detectives efforts to get the girl off drugs.

Mostly it's forgettable and sometimes laughable.

The stupidest mistake here is that the cast includes Jean Simmons and they made very poor use of her talents. She only had four scenes and only spoke in two of them (in one scene she is tied up on an altar and is in danger of becoming a human sacrifice).The film could have been better if they had made the female lead older and used Simmons in the part instead of in the supporting role. Even that however, could not have made this less confusing...just more watchable!