Un autre homme, une autre chance

I am studying sound design and this movie blew me away. Watched it late night only because of the excellent James C. The most striking thing is when ever there is a violent scene, the director choose to fade out and loose all natural sound and simply play a simple but striking piece of piano. It distances you from the horror of the violence, it seemed to me to be as if I was being sheltered from the full effect. Powerful and poetic this was a revisionist western way ahead of its peers and only to be matched by Clint Eastwood's High plains drifter and Beguiled.

Photographer Francis Huster convinces Genevieve Bujold to abandon their native Paris and make a new life in the American west. They get married on the wagon train and settle in a small but growing city; he is shot because of his incessant picture taking. Meanwhile, veterinarian James Caan has a nagging wife, who wants they to move from their ranch. She dies in childbirth.

Director Claude Lelouch is the most unabashedly romantic director since Frank Borzage. As a result, you keep wondering when Caan and Mlle Bujold are going to stop mourning and start living again. There's no sign of the ineluctable workings of fate here, just the chance of a rebirth in the New World, with Caan at his most masculine, and Mlle Bujold indescribably cute.

Veteran cinematographer Stanley Cortez has his last credit here, capturing, along with Jacques Lefrancois, Lelouch's wide-eyed view of the beauties and weirdnesses of the Old West.

Frenchman and his wife come to Old West America circa 1870 in search of new lives for themselves, but he is soon killed and she becomes acquainted with a shy, gentle widower. US-French co-production from writer-director Claude Lelouch, who has keen eyes and stirs up an appropriately dusty, windswept scenario. Unfortunately, the film (in English, French and Spanish) is lumbering and overlong at 130mns. The casting of James Caan and Genevieve Bujold seems promising at the outset, but their characters generate little interest. Fascinatingly detailed, however, with beautiful cinematography by Stanley Cortez and Jacques Lefrançois, but a narrative that might've stood some tightening. ** from ****

Rediscovering Lelouch on DVD, not having seen his films since they were aired on TV in the 70s and 80s, I enjoy them even more than expected.

This is not a western, not a love story, not a historical picture... it is all of it and none of it, it is about how lifes cross depending on random changes of fate. If you like mindless action, down-to-earth westerns or tear-jerkers pass your way as you will not have the patience or the "gusto" to watch (just rent any mindless Stallone or Schwarzenegger movie, that should do). If on the other hand you can be moved by the little things of life and you want a real story, with lots of content and brought with great skill, this is definitely for you. This is not an artsy movie, it's a great movie!

Lelouche has a knack of developing his characters over the duration of his movies, so you feel like you are part of the environment and not someone peeking in on what happens or a distant spectator. In "Un autre homme, une autre chance" he bridges the ocean to tell us about a french woman and an American man that could not be more different. The way they both evolve and finally come together through ups and downs, is made very special exactly by the fact it is so common... a reality show without the voyeuristic element that often leaves a bitter after-taste. It is told with such ease and with great performance of the actors.

Definitely one of Lelouche's best movies and a must-see.

This is not a western, this is a dramatic love story set in the Old West. If you think Sergio Leone's "Once Upon A Time In The West" is slow and artsy you won't enjoy this film because it is even slower and more artistic. Good performances by Caan and Bujold can't help speed the pace of this drawn out love story. The only action takes place in the first 20 minutes of the film. The rest is pure love story which is okay but we've seen it all before in Lelouch's "A Man and a Woman."