Tarantulas: The Deadly Cargo

this movie isn't' total crap,but it's not great either.but you cant really expect much from these types of movies.there's almost no suspense and not very much excitement in this movie.it just sort of plods along to the end.it's entertaining,if nothing else.i mean,you get some horrid dialogue,sometimes delivered just as horridly.the acting isn't great,and some of the characters are as dumb as could be.i guess it's sort of in the category of so bad it's good.i thought the spiders were pretty good actors,at least.i've watched quite a few of these movies and this one is no better or worse than any other one of this type.i find this type of movie a good way to waste 90 minutes or so.besides,none of these movies come close to being the worst movie i have seen,so that's something.

Possibly one of the best and most suspenseful made-for-TV creature-feature flicks accomplished during the 70's decade, "The Deadly Cargo" nearly equals the menacing atmosphere of classic and more famous spider films like "Kingdom of the Spiders" and "Arachnophobia". Of course, you shouldn't expect a bloodbath, partly because it's a TV-production and partly because… well, tarantulas aren't exactly capable of tearing people to pieces. But hey, at least the suspense is constant and the plot moves forward at a satisfying pace. Two sleazy coffee smugglers, one of them being Tom Atkins of "Night of the Creeps" and "Maniac Cop", fly a cargo full of Ecuadorian coffee beans and political fugitives towards California and through a thunderstorm. The cargo is infested with "Banana Spiders"; the deadliest kind of tarantulas in the world. With the plane severely damaged by the storm and the pilot wounded, it crashes down in the fields surrounding the orange-producing & exporting town of Finleyville. The spiders escape, all hell breaks loose and pretty soon the entire town lives in a state of hysteria. The script is solidly penned down, partly courtesy of Guerdon Trueblood (director of 70's favorite "The Candy Snatchers") and Stuart Hagmann's direction is surefooted. At least during the first half, the plot contains a few surprising shock-elements and unlikely victims (that'll teach them to poke animals with sticks!) The second half is very muddled and particularly the unexciting climax is a letdown. Overall a decent film that deserves a slightly better rating around here.

I saw this thing when I was eleven, so I related most to Matthew Laborteaux who was not yet on Little House on the Prairie. I rooted for him when he was teasing the spider with a stick and was dismayed when he met his fate. My sister, who hates spiders, jumped constantly during this thing. I had to argue with my brother, who wanted to watch 'Charlies Angels in Hawaii' or something. I eventually saw this movie tho. Like some bad influence from Irwin Allen, the spiders, which were all over the small town, end up in the warehouse with the produce, the town's main source of income and major export. A truly strange plan for killing the spiders is hampered by a bad, bad man, which endangers those within the warehouse with the spiders. It's not one you would want to watch twice, but once would leave it stuck in your mind. Check out 'Kingdom of the Spiders' with William Shatner tho. It's better.

Released to TV 1977 and directed by Stuart Hagmann, "Tarantulas: The Deadly Cargo" stars Deborah Winters, Charles Frank (her fiancé) and Claude Akins as citizens of a small orange-producing town in Southern California who have to deal with an invasion of deadly banana spiders, which are unleashed when a cargo plane from Ecuador crash lands in the fields. Pat Hingle plays the doctor, Bert Remsen the mayor and Sandy McPeak the police chief. Howard Hesseman & Tom Atkins appear in the opening act as pilots of the doomed plane. Cutie Noelle North is also on hand.

I'm sure the filmmakers used tarantulas in replace of the similar-looking banana Spider (aka phoneutria or armed spiders), but they're close enough and, besides, this was the pre-CGI era and the producers had no other choice.

In any case, the first hour or so is surprisingly good, considering this is a TV-budgeted nature-runs-amok flick. The cinematography features numerous aerial shots of the shooting area, which is in the semi-arid sticks 20-25 miles NW of Los Angeles. Claude Akins is surprisingly effective as one of the protagonists while Deborah Winters and Noelle North shine on the female front, both in form-fitting jeans from beginning to end. While Noelle's character may seem to be around 16 she was actually 27 during filming. The movie works as a 70's period piece, showcasing a nice cross-selection of the demographics & styles of any Southern California town of that era. Also, there's a nigh-shocking death scene considering this was made in the mid-70s, which I wasn't expecting in a TV flick.

Unfortunately, the last act that revolves around extinguishing the spiders at an orange factory is decidedly dull compared to the first two acts. This portion is packed with filler to complete the overlong runtime. But at least Winters & North are there to somewhat hold the male viewer's attention, lol.

The film runs 95 minutes and was shot in Piru & Moorpark, California. WRITERS: Guerdon Trueblood & John Groves.

GRADE: C+ (5.5/10)

I have to admit, I was surprised by this movie. I bought it as part of a 2 DVD set with "Ants" for $5. Needless to say, I was expecting a "so bad it's good" movie along the lines of "Rockula". Instead, I found an interesting, if unspectacular... thriller? Horror movie? I really don't know what this is. It's not terribly scary, and the only really tense moments come at opposite ends of the film. Nevertheless, this is a good movie. It has a solid script, fairly god acting, (usually) and great music from Mundell Lowe. That's not to say it doesn't have it's flaws. The "cute kid" of the movie is less than competent, and I'm being nice. It also feels like the director doesn't use his full potential during the entire movie. During the climax, we see that he is a genuinely good director, capable of injecting tension into a scene, but just seems to be coasting through most of the movie. Hopefully, his other movies draw on that potential.