The People That Time Forgot

The Land That Time Forgot was a surprisingly decent entry into the lost world of cavemen / dinosaurs adventure genre of the 70s, but this paint- by-numbers follow-up is nothing special. Block of wood celebrity offspring Patrick Wayne leads a band of rescuers in search of first movie survivor Doug McClure. The resulting chases, fights, narrow escapes etc. are the usual stuff of adventure movies, but the stunt choreography comes off as ordinary and uninspired. Oh-so-British Sarah Douglas is along as one of Wayne's crew but she has little to do here other than stand around looking uncomfortable. And the Lost Land itself, an important and colorful presence in the first film, is less imaginatively conceived this time around. Not a bad time waster when you have nothing better to do for a couple of hours, but try not to expect too much in the way of visionary fantasy. It isn't here.

THE LAND THAT TIME FORGOT was supposed to have a happy ending. It wasn't happy but then again, it wasn't altogether sad either. It was an agonizing wait for this, the sequel, THE PEOPLE THAT TIME FORGOT.

Patrick Wayne is a big name and worthy as the brother of the Doug McClure character; however, they gave him the whole show. It was 40-45 minutes before we see Doug, then 10 minutes later he's gone. He gets to make a last statement and I hope to understand its actual meaning someday, if there is one, but right now I'm just trying to get over the shock. Yeah, we waited for the sequel why? Hoped for a better outcome the first movie and expected what outcome now? Why can't the ending of at least one dinosaur movie be pithy and predictable? The rest of it was fun, but you don't leave the theater with that feeling- it's ruined by the ending. Again.

Not bad at all, despite the flat performances by some members of an attractive cast and the familiarity of it all. "This island never sleeps," says the full-figured DANA GILLESPIE to PATRICK WAYNE...especially when it's crawling with prehistoric creatures. She's clad in an outfit that looks as though Frederick of Hollywood had a hand in the costuming.

Photographed in Spain, the color photography is excellent, the creatures look fairly realistic, and the opening sequence with the plane being attacked by a huge bird is bound to hook you into the story. It's rather like a poor man's "Jurassic Park", but it has its moments.

John Wayne's son, PATRICK WAYNE, is certainly a handsome male lead but has all the animation of one of the dinosaurs, never making us believe he's the leader of the dangerous expedition. Others in the largely unknown cast are pretty good and John Scott's music is effective in creating the necessary suspense.

It's a diverting enough adventure, very watchable and suitable for family viewing.

Summing up: Not bad at all, the sort of film that kiddie matinees were all about.

Best line after a native attack: "I'm sick and tired of running away from those dreadful people!"

American International made four low budget films starring Doug McClure based on books by Edgar Rice Burroughs, the author of the Tarzan books. THE LAND THAT TIME FORGOT and it's sequel THE PEOPLE THAT TIME FORGOT borrowed heavily from Arthur Conan Doyle's THE LOST WORLD but added it's own twists and turns. THE LAND THAT TIME FORGOT is a non-stop adventure in the Indiana Jones mode with Major Ben McBride (Patrick Wayne, son of the Duke) out to rescue shipwrecked Bowen Tyler (Doug McClure from the first film). Among those along for the adventure is Lady Charlotte Cunningham played by a beautiful Sarah Douglas (SUPERMAN II). Despite Amelia Earhart attire she is definately hot. She reminded me of Francesca Hunt in THE SECRET ADVENTURES OF JULES VERNE on the Sci-Fi Network. Along the way they meet Ajor (Dana Gillespie) friend of Bowen Tyler, who looks and dresses like Xena, Warrior Princess (so this is where Xena got that look). Dana Gillespie is stunning and like Xena and Sheena makes a great Jungle Girl (strong, smart, gorgeous, sexy...hey what else could one ask for?) Lady Charlotte and Major Ben create a romantic tension but when Ajor enters the scene Major Ben has eyes for Ajor and Lady Charlotte just goes with the flow chumming up with Ajor as well. I found that refreshing and glad to see the women in this film be more than just damsels in distress (there is a little of that toward the end but it all evens out with everyone being able to do something heroic). Jungle Girl films have been around for a long time (check out the serials!) and I truly love them because they show women to have strength, beauty, and brains. This film is a worthy member of that genre. Like the rest of the series the special effects are uneven but always entertaining (the vehicles and sets are always stunning but these guys never did know how to make a monster). The violence is very very low key, the frights are made funny by rubber puppets, and there is no swearing. Appropriate for the entire family for those into Xena and The Lost World.

The People That Time Forgot is directed by Kevin Connor and adapted to screenplay by Patrick Tilley from the novel of the same name written by Edgar Rice Burroughs. it stars Patrick Wayne, Sarah Douglas, Dana Gillespie, Thorley Walters, Shane Rimmer and Doug McClure. Music is scored by John Scott and cinematography by Alan Hume.

A sequel to The Land That Time Forgot, plot finds Wayne as Major Ben McBride who arranges a mission to go and search for his missing friend Bowen Tyler (McClure). As the party go beyond the Antartic wastes they find themselves in a world populated by prehistoric creatures and primitive tribes.

There are a group of film fans of a certain age that were exposed wilfully to the joys of Kevin Connor and Doug McClure Creature Features, the four pictures made with low budgets (see also The Land That Time Forgot 1975, At the Earth's Core 1976 & Warlords of Atlantis 1978) were simply put together with a standard structure of humans discovering an unknown land, who then encounter beasties and savage races and then try to escape said world of wonder. Back then in the 70s with youthful eyes these films were magnificent things, we didn't care about clunky animatronics and miniatures, staid dialogue and poorly constructed scenes of men grappling with a man in rubber make up. Nor did us boys pay any attention to the considerable heaving bosom factor, which is here supplied with a different kind of wonder by Dana Gillespie! But they are a group of films that once loved, is a love that lasts forever, yes, it's true love.

As it is, The People That Time Forgot is often thought of as the weakest of the four, yet it's every inch the equal of "Land", primarily because the cast attack the material with great spirit (Douglas is rather splendid and not just a posh girl with a pretty face), the film stock it's shot on is of better quality and John Scott's score is bursting with vitality. There's also a ripper of a finale here, with the pyrotechnics department creating merry hell. Explosives aplenty. While the Santa Cruz de la Palma location used for the world of Caprona is perfectly bereft of civilised leanings. As with the other's in the series, the ideas at the heart aren't fully realised because of the budget restrictions, so we basically get some talk between characters, then a fight with a beast, some more talk, another fight with a beast, a meeting with a uncivilised tribe, a fight with a beast, and on it goes until the derring-do escape. There will be peril and actually this one has a very noteworthy turn of events that might surprise a few of the uninitiated.

1977 of course was the year of Star Wars and Close Encounters of the Third Kind, which changed things considerably in the creature feature/sci-fi fantasy stakes. Thus the Connor/McClure movies were relegated to being antique relics of monster malarkey cinema. Yet still they retain a quaint uniqueness, they are able to continually imbue many of us with waves of nostalgia, taking us back to a time when the likes of Connor made fantasy films with love and basic tools. The Land That Time Forgot was badly adapted to film in 2009 (C. Thomas Howell directing and starring), which begs the question on why Burroughs' Caspak trilogy has not been taken on by a big studio? As yet the third part of the trilogy, Out of Time's Abyss, has not received a filmic adaptation, can you imagine what someone like Spileberg could do with Burroughs' wonderful source ideas?

Ah well, we can but dream, in the meantime we will happily make do with our cheesy antiquities. 7/10