One on One

How many popular teen heartthrob actors co-wrote a sports movie script about college basketball with their Dad, got the lead role in the movie and is so good at basketball that he doesn't need a double? The answer is probably only one and that was Robby Benson.

Robby stars as a short (5' 11" is short by basketball standards) but fast and feisty high school wunderkind called Henry Steele from a small town in Colorado who scores a full ride scholarship to Western University in LA replete with all the excess inducements like a sports car, sellable tickets and cash in an era before stricter NCAA enforcement. Henry arrives to start his freshmen season with the kind of doe-eyed innocence and gentle down home naïveté that characterized a number of roles Benson had previously played. Pretty soon he's thrown in the deep end of the seedier side of college professional sport including bribes, corruption, sexual favors, coach bullying, performance enhancing drugs and wild parties.

The WU Coach Smith is played brilliantly by GD Spradlen who is an amalgam of every hard assed demanding sports coach imaginable. He reacts negatively to Henry's hot dogging playing style and tries to force him to give up his scholarship. Here Benson assumes a familiar coming-of-age gritty determination that was a feature in many of the more than half dozen roles he played as a teenager as he refuses to be broken by the coaches. At first Benson's baby face looks and height well shorter than his fellow players means he looks like literally a boy amongst men (despite being 20 when the movie was filmed) but Benson's never-say-die attitude and his obvious intense athleticism gives an edge of realism to the intensity of the college basketball scenes and the realities of the bullying he faced.

The budding romance between Henry and his senior aged tutor Janet (ably played by Annette O'Toole) gives the movie a very touching and sweet counterbalance to the coaches' attempts to drive Henry out. At first Henry seems destined to be a typical jock in Janet's eyes but quickly he proves to be a more genuine scholar than Janet is used thus gradually endearing him to her. One of the movie's best acted scenes is a tutoring session in the presence of Janet's current professor boyfriend, an anti sport cynic, where Henry not only won't take the jock stereotyping lying down but he almost comes to blows with the man who held thrall over the woman he is falling for. His feisty determination to stand his ground leads Janet to dump the professor for her eager, younger pupil.

One on One also offers a real blast down a 1970's memory lane with tight flared pants, huge collars on flowery shirts and basketball shorts that were SHORT. Final bits of trivia: 19 year old Melanie Griffith makes an endearing cameo appearance and this movie was the first of three sporting movies Benson starred in, all with pretty demanding physical roles but throughout these roles, he nursed a shortness of breath due to a faulty aortic heart value eventually necessitating open heart surgery undertaken in his late 20's that effectively ended Benson's storied career in front of the camera.

G. D. Spradlin is a splendid actor. Between his role as the coach here, and in the same role in the great football flick, "North Dallas Forty" - he has undoubtedly won, hands-down, the prize for the best portrayal of the quintessential "total horse's-ass coach." As others have pointed-out, it is illogical that he would recruit Henry (Robby Benson) as heavily as he did, then not know who he was when he reports on campus. Also, he knew Henry was a small-school, small-in-stature, fast-break player, whose talents were speed, ball handling and shooting - and yet, he is non-plussed when this doesn't seem to fit with his slower, ball control, "big-team" offensive philosophy.

The gratuities furnished Henry (automobile, do-nothing job, alum booster buying his game tickets for exorbitant amount) are beyond the scope even the most "liberal" programs would furnish - at least in terms of their obviousness, with little intent to provide some sense of legitimacy to them. And the coach's decision regarding Henry's scholarship, and his measures to try to drive him off the team, are over-the-top, even for the heavy-handed character portrayed (and even bearing in mind that big-time college athletic programs are not as altruistic as the schools like to portray).

But these contrivances are also what make the movie more interesting, and sometimes characterizations which are exaggerated help as much as they hinder the plot - and they do so here. I remember seeing Burt Reynolds with Johnny Carson on a show, discussing a movie in which Benson had appeared with him. He laughed about winning bets from others when Benson was able to do 100 sit-ups in about a minute. With some of the performances in sports movies, where the principals can be made to look like they can perform only by using trick photography or stunt doubles - it is a pleasure to watch Benson, who obviously is physically capable, and knows how to handle, pass and shoot a basketball. Annette O'Toole is engaging in the female lead, and together they make an attractive, appealing young couple.

Henry Steele grows up playing basketball in small town USA, doing well at his high school he is soon signed by a college. There he enjoys easy money and special treatment in many ways. However when he begins to fall for Janet, who is teaching him extra classes, he loses his focus on the basketball. This causes his coach to regret his pick and ask Henry to resign his scholarship. When Henry refuses it begins a war of attrition between the two.

At heart this is a tale of a little guy who overcomes obstacles in his attempt to do well in life and in sport. When I taped it all I knew was that it was a basketball movie, so I thought I'd give it a try. At the start I thought it was going to be all innocent as opposed to sports movies now that focus on the real side of it as well as the game (Any Given Sunday, Blue Chips etc), however this had layers of brutality, drugs, money being `given' to students etc. The story at core is one of Henry battling against his coach and it is quite good, but the added layers add more too.

It may never be excellent but it is better than expected and was quite enjoyable (even if the basketball is played at a bit slower pace than now!). Benson is a bit too innocent and whiney at times as Steele but once you get used to him it's ok – he also co-wrote, not bad for a 21 year old! O'Toole is OK but isn't really anything other than a device for moving the plot on. Spradlin is good – but for the first 20 minutes I could hear his voice giving better lines in a better film – it bugged me until I placed him in Apocalypse Now. An almost unrecognisably young Melanie Griffith makes a brief appearance – but overall the cast is good enough to keep this just above the level of a TVM.

Overall it may seem a little naive compared to modern college sports films but it's actually quite enjoyable, even if it won't change your life!

Robby Benson and Annette O'Toole have good enough chemistry to make their unlikely pairing a crowd pleaser nonetheless. Benson is very good as the jock who is first coddled, then spurned, stirring the man within him. The movie has a great deal of fun with the special treatment given Jocks. Benson's work-study job is to turn the sprinklers on and off, but the sprinklers work automatically. Gail Strickland and (Director) Lamont Johnson are marvelous in small but hilarious supporting bits.

But the true star of the movie is G.D. Spradlin as the humorless and amoral hard-nosed basketball coach. Best exchange is when Benson says: "You're a great molder of character, coach" and Spradlin retorts, "You never asked me to mold your character." Spradlin is 100% true to his character as a John-Wooden-type of basketball coach. All in all, One on One shouldn't be taken too seriously but is quite enjoyable on its own terms.

Perfect? No. Rewatchable? Yes. I liked the movie when it came out and I can still watch it. Sure, Steele makes some bonehead mistakes and reacts to things awkwardly like a young inexperienced noob. I felt like this when I first joined the football team, some of those players were men! Yeah, I got head butted by a samoan during non-contact practice but I learned from that and dodged him the next time he came around but my inexperienced noob friend Gary wasn't as lucky as he got jacked off the ground by the same guy. Yeah, I blew it on a few girls when I didn't know what to do with them in my younger days. These are all why I feel this movie is real to me. Of course, the coach bloodying Steele's face is overdone but I remember my first coach calling me by the wrong name and showing a little disrespect. Steele's roommate reminds me of my friend George Devaney, who helped me while I was trying to make the team (No he didn't give me drugs). He ended up starting while I quit (but I ended up starting both ways the next year elsewhere). This movie hits close to home for me. And didn't we all just hate that snooty hippie and enjoy it as Steele finally stood up to him. Some of the lines in this movie are corny but that's how the 70s were. "Justice" by Seales and Croft adds some nice emotion to the film. BTW, in Spike Lee's opinion this is the worst sport movie ever. Spike who? I've seen much worse.