Oh, God!

Oh God!, is a smart and funny film. It is truthful, without being condescending. It talks about religion without being religious. It also showcases George Burns' finest screen appearance aside from The Sunshine Boys.

As, God, Burns is astonishing. Whenever John Denver asks questions that every being would ask if confronted by God, Burns replies with a certain, common sense, matter of fact response. There is no grandiose answer. One of my favorite lines is when John Denver's character asks "Why me?", God says, "Why not you? You know those supermarket things, every one millionth customer. Or whoever crosses the bridge at a certain time. Well you're the one millionth customer."

Speaking of Denver, he also is great, playing Jerry, not as a crazed man, but as an average grocery market assistant manager who is suddenly faced with the fact that God has chosen him to carry a message. He plays his character with a certain warmth, and naturalness.

Carl Reiner directed this film, and with a great eye. Notice how Jerry's everyday life is just that, everyday. The way he is with his wife, and kids, and people around him. I've seen it a dozen times, because that's how people actually act. Reiner brought a sense of realness to this movie, which in effect brought with it believability.

Before Morgan Freeman was God, George Burns was God, and actually there's something very appealing about God being played by a short, elderly man with a soft voice and a gentle sense of humour. Not that this was what God looked like, of course. God explained that this was just the way he chose to appear to Jerry Landers (played by John Denver) - the Tarzana, California supermarket assistant manager through whom God chose to speak a word to the world. God couldn't appear as he really was, it was explained, because Landers (and presumably the rest of us) just couldn't handle that. Point taken. That actually reminded me a bit of John's Gospel, in speaking of Jesus: "no one has ever seen God, but God the one and only, who is at the Father's side, has made him known."

This is a very low-key movie for the most part about God choosing to make an appearance basically to plead - through Jerry - for people to start getting along with each other and to stop hurting each other; an appeal to set aside all the things that divide us and start to focus on being the human family. Not a bad message - but, as the film portrays, a message not received well at all. Instead of embracing the message, those who heard it chose to either attack or ridicule the messenger - surely a warning for those who claim to bring a word from God. Through Burns, God isn't portrayed as a being of great power, breathing fire and brimstone and anxiously waiting to bring judgement upon us. God is frustrated with us, disappointed in us, amused by us, but not especially angry. It's hard to imagine God as portrayed here being angry.

The movie breaks out of its low key feel very briefly for a scene involving the Reverend Willie Williams (played by Paul Sorvino.) One of a panel of religious "experts" called upon to pass judgement on whether or not Jerry's experience of God was real, Sorvino's portrayal of Williams - a corrupt and greedy evangelist - was very well done; a spark of real energy in an otherwise sedate movie. Williams and the others on the panel, of course, are all convinced that God would only speak through them (or at least through their various religions) and not through a lowly supermarket assistant manager. But God chose the humble and unknown Jerry. There's a theological point being made there - an important one actually, and such theological points are made throughout the movie, although never in a hard-sell, in your face sort of way. Teri Garr (who seems to me to have been everywhere in the 70's) was also cast in this as Jerry's devoted but doubtful wife.

Some compare this movie to "Bruce Almighty." It actually has more in common I think with "Evan Almighty" - the idea of God choosing a person to speak through and having him rejected as either insane or a fraud. Jerry wasn't given God's powers, after all - just a message for the world. Low key and sedate, this movie won't get your heart pounding or cause outrageous laughter. It's just gently thought- provoking and mildly amusing. A pleasant viewing experience. (6/10)

This is a warm, inclusive film. Maybe there's a bit of nostalgia in my comments, but I appreciate this movie's approach to faith.

God comes in a form that our modern society seems to enjoy dismissing-- the elderly. It's a delight to George Burns, who really does have all that mileage on him, and John Denver, whom no one will mistake for Laurence Olivier, create this relationship between the mundane and the spiritual that is relatable, relaxed and relevant.

In our culture, we already know about the forbidding and the punishing, and the hostility between faiths.

But here's a God who says, paraphrasing here, "Jesus was my son. Moses was my son. Mohammed was my son. Buddah was my son. And so are you. And so is the guy who's charging you 18.50 for a piece of room service roast beef."

Inclusive, with gentle humor. Burns' performance suggests a being who has seen a lot of the world, and doesn't expect anything of importance to happen quickly.

It's a loving and practical relationship between the everyday and the sacred.

And the old hands, Barnard Hughes and Paul Sorvino, and the whole gang of great character actors, make this a treat to watch. And gee, having Teri Garr play exasperated. That's like asking Pavarotti if maybe he'd like to sing something.

Maybe a bit sweet for your taste, I don't know. For me, I can actually watch it whenever it comes on and enjoy every moment of it. (Like Paul Sorvino as a money grubbing preacher, protesting, "And I PERSONALLY have been invited, to give the benediction.....at the SUPER BOWL!!!!"

Something tells me this film would work a lot better if it was shot today; and by that I don't mean a remake, but if somehow we could transport the cast and crew (Reiner, Burns, Denver, et al) to 2004, let them shoot the film, and release it, it would be the super sleeper smash hit of the decade. A remake would fall flat on its face.

The story is quasi-original. The notion of a higher or supreme being asking one of us mortals to do his bidding is nothing new, but to place the gentle and warm spin on it, and to take that legend out of its biblical era context, and place it in (what was then) contemporary times, is really a stroke of genius.

Burns plays a grandfatherly God who is concerned, though not wrathful. This God is not Cecil B. DeMille's fire-and-brimstone God from "The Ten Commandments." Nor is Burns' God the detached entity that is less hands on than God's foes in "The Exorcist" or "Omen" series. In "Oh God" we have a creator who wants to instill a little reassurement to Earthbound souls. Burns' character is one with a need that must be fulfilled. But Burns' God doesn't go about it by creating apocalyptic scenarios to threaten nor coax mankind into the task. Instead this God approaches the problem with a more thoughtful plan. Veteran Vaudevillian George Burns' does a superb job portraying the Almighty, and does so with sublime humor and grandfatherly frankness.

Denver portrays an honest grocery store manager whose sole purpose is to satisfy his customers. That is until George Burns beckons him hither. What's even more amazing is the fact that, to the best of my knowledge anyway, Denver gives us an exceptionally convincing performance but with little professional experience. The Jerry Landers character he portrays is honest, thoughtful, earnest and full of conviction. Denver lets his own character shine in this performance.

The real genius of this film is that the comedy is very sedate while still being funny. The film doesn't try to be something more than what it already is. A film with God as a character could've gone anywhere, but Reiner doesn't take too many liberties with the material at hand. Instead he keeps film focused and even keeled, while tossing in good humorous bits to keep up the levity. Even so, please be warned, the laughs are spaced out. This is not a film filled with wall to wall gags. Both humor and overall energy are kept low to drive home the storie's message.

This is in comparison to a recent "reincarnation" of the God theme/film in "Bruce Almighty," which has often been compared to Reiner's 1977 work by commentators on this website. I finally saw "Bruce Almighty" recently, and where I found sections of it humorous it really didn't hold a candle to "Oh God." The theme was selfish, the character was selfish, the overall feel was typical 90's corporate art, with Jim Carry's absurdities thrown in for poor measure. This is largely because "Bruce Almighty" is really a different film, with a different premise, and regrettably (though not unexpectedly) botches most of the affair. "Bruce Almighty" satisfies a juvenile curiosity. "Oh God" is a soothing uplift, and, by contrast, is the better film.

"Oh God" doesn't have any direct and explicit sexual references, there're no body function jokes, nor obvious and readable plot points nor plot holes, unlike a good number of today's films. There's no rap "song" at the end credits, nor cameo by some pop artist (other than Denver, who plays the lead), nor any product placement. Nor is there even any CGI (though it may've benefited from one or two CGI shots). "Oh God" a basic film with a timeless premise, and very simply message.

See "Oh God." It's food for the soul.

I was a little apprehensive renting the DVD of this movie after all of these years since its original release, but most of it holds up remarkably well.

On the DVD commentary tract, the makers of the film, looking back on it after 25 years, seem to be equally as surprised. The director, Carl Reiner, points to an eight-minute scene in which it is just Denver and Burns talking in a bathroom. There is no music, no fast cuts, no special effects, and the scene simply holds our attention on its own. Mr. Reiner indicates that there is no way that the scene would be made that way today.

Some scenes are timeless, such as Jerry's first encounter with the Almighty via intercom in the all-white room. Also classic is the infamous scene in the bathroom in which God first reveals himself in the flesh to a humbled and still somewhat disbelieving John Denver.

Unfortunately, not all of the movie holds up as well. Some things, especially exteriors, seem very dated. And even though it is quaint, it is hard to believe that an intelligent and capable husband and wife team would cherish a Supermarket Assistant Manager Job so much. Ah well, it was another time when people still believed in sticking with one company and working their way up through the ranks.

I wish that the film would explore some of the harder questions of religion a little more seriously, but one wonders if the film would collapse if taken out of its sweet, feel-good movie formula in which it is helplessly trapped forever.

If anything, rent it for the performances of the two leads. George Burns, playing the role at 83, is so good, that it is, (not to be cliched,) awesome. However, what is equally as unbelievable is the performance of John Denver in his first and only acting gig. He hits some of his notes perfectly, and it really shows a significant skill and timing to play straight man to a legend like Burns.