जूलिया

Fred Zinnemann's last great movie. Based on part of Lillian Hellman's memoir, the film stars Jane Fonda as Hellman as she recounts her friendship with the enigmatic JULIA, played by Vanessa Redgrave. Fonda is a bit too pretty to be entirely convincing as the homely Hellman, but she gives a gutsy performance, playing well with Redgrave and, to a greater degree, Jason Robards, who plays Dashell Hammett. Alvin Sargent's screenplay cleverly bends time, jumping back and forth as the story of Hellman's friendship with Julia is told. Zinnemann creates a melancholy feel that's sustained throughout. The movie has a deliberate pace not usually allowed in Hollywood. The excellent music by Georges Delerue is haunting and the cinematography by the under-appreciated Douglas Slocombe is beautiful. The supporting cast features Maximillian Schell, Cathleen Nesbitt as Julia's grandmother, Meryl Streep, Rosemary Murphy as Dorothy Parker and Hal Holbrook as Parker's husband Alan Campbell. They're all terrific with the exception of Holbrook, who tries to convey a witty raconteur, but only makes Campbell out to be a real jerk.

JULIA is a fine film. Fonda as Hellman is very good as is Robards as Dashell Hammett. But the real prize is the performance of Vanessa Redgrave as Julia. Though her part is small she is absolutely glowing as Julia. Her face is very radiant and she projects so much with her eyes. She is a great actress indeed.

A brilliantly acted masterpiece that thrives on a long time personal conflict many have with idealism versus self indulgence. Lillian Hellman, played by Jane Fonda, is unable to celebrate the thrill of her life time, success as a Broadway writer, as she looks at what's going on in the world, and attempts to ease her conscious by being drawn into European resistance by her longtime friend. Jason Robards plays Dashiell Hammett, her personal success encouragement. Vanessa Redgrave is her friend Julia, the other side of her personal dilemma. Also, the sets are exquisite. The acting is top notch.

"Lillian Hellman in her own mind owned half the Spanish Civil War, while Hemingway owned the other half. She would portray herself in situations that were not true. An extremely talented, brilliant writer, but she was a phony character, I'm sorry to say. My relations with her were very guarded and ended in pure hatred." This is a quote from Fred Zinneman--the man who directed "Julia" and who, apparently, was angry that this supposedly true story turned out to be a fabrication by Hellman. The story behind "Julia" is from "Pentimento"--a fictional memoir (how can you have a FICTIONAL memoir?) by Hellman which was published in 1973. This is because although Hellman described the events as having happened to her, according to several sources, they apparently occurred to another woman, Muriel Gardner.

Despite the story most likely being a lie, the film itself is quite well made. The location shooting was quite nice and Jane Fonda (as Hellman) and the director did very well. It's odd, then, that Oscars went to Jason Robards and Vanessa Redgrave (Julia), as both (particularly Redgrave) were barely in the film. Additionally, Maximillian Schell was nominated even though his role was minuscule in the film (as one reviewer said, he was nominated for 'eating eggs'). Overall, a taut and lovely story. Too bad it's just not real--especially since Hellman's story practically portrays her as a saint!!

Most remarkable, to me, about "Julia" is the understated acting of Vanessa Redgrave. For the amount of time she's on the screen, one would not assume her to be worthy of an Academy Award nomination, let alone the Oscar itself (1977, Best Supporting Actress). But there is something about that marvelous, tension-filled scene in the Berlin restaurant that comes across as nothing short of superior. Much the same can be said of Jason Robards as Dashiell Hammett, i.e. understated and short, and he, too, got the equivalent Oscar, rightfully outpointing co-star Maximillian Schell. What I had supposed would be a "chick flick" faux-biopic turned out to be a gripping drama on the highest order worth four stars from me.