Joyride

(1977) Joyride DRAMA/ ADVENTURE

Co-written and directed by Joseph Ruben that has three friends of Scott (Desi Arnaz Jr.), Susie (Melanie Griffith) and John Lerner (Robert Carradine) quitting their current jobs to drive up to Alaska to purchase themselves their own fish boat. And of course, things does not go accordingly, as there car got broken into, leaving them with much money, forcing them to seek other means of employment at the pipeline. And when that did not work, forced them to do things they would not necessarily do such as rob the pipeline office, before abducting an employer, Cindy Young (Anne Lockhart) to which Scott coincidentally had met before. At this point, viewers have no idea how they are going to end up, or whether they are going to remain with each other at all. In other words, this is an exploitation movie as it has nudity and action to robbery in the most unusual of circumstances as each event or choice they turn to is unexpected.

As I watch this movie, it's one of those movies where the characters have a lot of good intentions but appear to experience a lot of bad luck, such as by the time they arrive to Alaska, their car gets broken into with their hard earned money left in the car, before their own boss, Frank Sanders (Tom Ligon) was caught stealing from the pipeline company, and he retaliates by forcing them to quit the jobs he landed for them after Scott wanted to do the right thing. And if that wasn't enough, Scott gets physically assaulted by the pipeline workers from orders by Frank Sanders. Placing them with one unfortunate circumstance after the next, motivating them into a situation to steal their groceries from a super market as they do not get paid enough, rigging cars, while Susie continues to get harassed by her employer while waitressing at a diner. Yep, that was what it was like during the 1970's and more no matter what city they reside to. In other words, they are the anti-hero's of society itself, and put into circumstances they are incapable to foresee themselves which is why I was rooting for them until the very end. As I liked the way the movie had ended unlike other films that consist of a similar theme, such as "Thunderbolt and Lightfoot" for instance. This movie gets 70%.

Two guys and a girl, all apparently in their early twenties, leave their dreary jobs in the lower forty-eight and head north to Alaska in their hearse, in search of adventure and freedom from "the system". It's a weak script. The main characters are shallow and rather generic. We never learn enough about their back-stories to empathize with them.

The plot trends repetitive and aimless. Some of the sex scenes seem gratuitous, and included to extend the runtime. I couldn't find much of a theme, apart from the obvious idea that youthful dreams, sans pragmatism, lead nowhere but to disappointment. Much of the script's dialogue is too on-the-nose.

Color cinematography is conventional. There's a tendency toward dull, grayish, dreary visuals, which is fine, given the geographic setting. Casting is acceptable, except for Melanie Griffith, whose childish face and extremely weak voice seem out of place. Overall acting is below average. Probably the best element is the music of Electric Light Orchestra.

"Joyride" looks and feels very much like a 1970s film, with its emphasis on free-spirited youth and cheap visuals. It's not an awful film. It's just that the story lacks substance.

This is a difficult video to find which is just as well. I had searched for 15 years wanting to view the film I saw in 1977 with a soundtrack from ELO (Electric Light Orchestra). When I recently found a video store that specializes in obscure videos, I rented it and Vestron Video (now out of business) had released this road-pic as "Joyride-special video edition"...now that sounded to me like it was going to better than the original. What it meant was that they had removed all of the ELO music from the soundtrack, then cheaply dubbed a new soundtrack. The story in a word is boring. It would only be worth renting if (like me) you wanted to hear the ELO soundtrack again. It was interesting to see Melanie Griffith and Robert Carradine in their younger days. The clerk at the video store said this title hadn't been rented in five years!

HOWEVER, a few years later....I have found a copy of the video (thanks to ebay)that was intact with the ORIGINAL soundtrack as released on video in the U.K. Seeing the movie again with its original soundtrack made it a pleasure.

"Joyride" captures the malaise of the 70's so much better than many films of the era. Think of it as a perfect antidote to "Saturday Night Fever" on many levels. Watch for the Pacific Northwest cinematic quirkiness that comes through later in everything from "Twin Peaks" to "Napoleon Dynamite" and many more. There are many northwest talents that went on to other endeavors in this movie as well - surprising it has not been celebrated a bit more for that. I recommend it highly to college sociology students and Melanie Griffith groupies (get a life!). Truth be told, I've always held a candle for Anne Lockhart. We could have been very happy together, the restraining order was so uncool. Psyche! She's great.

Nothing to see here in this poor attempt at a car chase/on-the-lamb drama, which plays more like a wannabe produced by Columbia Picture's heir Bruce Curtis, and starring 4 children of Hollywood stars. Dezi Arnaz Jr., Robert Carradine, Melanie Griffith, and Anne Lockhart. Film has a run-of-the-mill opening with catchy Electric Light Orchestra tunes introducing us to the uneventful lives of some 3 uninteresting late teen/early 20 somethings longing for something more (Arnaz Jr. Carradine, Griffith). They hatch a rather vague plan to head north to Alaska, something about owning a fishing boat. After landing less-than-desirable blue collar jobs in the cold North, these three upset the wrong people and end up on the lamb with an employee of the top corporation around (Lockhart...the only interesting cast member/character). The film flies south from it's already low standing by this point and there is never an absolution to what these brats want, nor is there any tact in how they go about trying to achieve it. The writing is terribly unmemorable, and the story is never completely clear. Director Ruben has no style in how he captures this uneventful series of even more so pedestrian events. Producer Curtis pulls out all the stops to deliver a product with car chases, sex, drugs, and rock n roll. SNORE. It is simply an afterthought cocktail of left-over iconographic elements which fit so awkwardly into it's own bowl of dry, tasteless crumbs. PASS.