Jabberwocky

Terry Gilliam, in 1976, did something similar to a member of a rock band going off (while the 'band' not having yet broken up but on hiatus) and recording a solo album with his film adaptation of Lewis Carroll's poem Jabberwocky. However, like a solo effort, one expecting a full-on presentation of how the actual band plays together, might be disappointed. As it is with Jabberwocky, as Gilliam has said of it on the commentary on the DVD, "(Jabberwocky) was a transitional film, from Holy Grail to the other projects." This comes with pros and cons for certain viewers, some with more cons than pros.

The story is expanded upon from the original, surreal battle hymn of sorts from Carroll. The naturally funny Michael Palin stars (in only one role, following the narrative structure instead of the episodes of Python) as a son of a barrel-maker, who has to live on his own, wandering around for food. Meanwhile, a monster of demented, horrible proportions terrifies and slays the citizens, and the King (running his minions in a shamble), gets a tournament to decide who will kill the beast and marry the Princess. These two stories go side by side until the inevitable climax, when the silliness builds up to something very, very bizarre, but fun.

The thing about Jabberwocky is that there are so many jokes going on, visual puns, basic physical gags, trademark 'British' innuendo and irony, and the awesome, brash, curious style of Terry Gilliam (director, co-writer, and bit-player). Sometimes the biggest laughs come from unexpected places, sometimes not. And, unfortunately, a good number of jokes either fall flat or are not exactly laugh-out-loud funny. But one thing that is pulled-off well is a sort of cartoon-like approach to the film as a whole; one could imagine this same material, more or less, being translated to the kind of animation that came in The Hobbit. For its low budget, Gilliam and his cinematographer (who also implied a similar visual look on Holy Grail) make this world seem extremely real, and go for being appropriately stylish with many of the moves. In fact, it's a very serious-looking film, and that it's a comedy is almost an after-thought.

Jabberwocky at times is a mess, some of the story gets un-even in parts, and if you have any real taste in films it holds a facet akin to Monty Python in that it doesn't hold any real value intellectually. But it is also a medieval-fantasy-comedy, and it's also a display of a director testing the waters on his own. However, on some sort of gut level one was really struck by how the film moves, how it goes through its gags to the next best one even when a dud comes by or when Dennis is completely aloof. Even the monster is an inspired feat. And like Gilliam's other films, one may find more comic worth on a repeat viewing. B+

A Python spin-off, owing much to the earlier 'Monty Python and The Holy Grail', Jabberwocky is a fine film in its own right, featuring a tremendous cast of British stalwarts, a regrettably high percentage of whom have since died. Harry H Corbett, John Le Mesurier, Max Wall, Bernard Bresslaw and Brian Glover all feature and none is still with us.

Disinherited by his father and therefore unable to win the hand of the appalling Griselda Fishfinger, who snacks on raw potatoes, gormless but optimistic Dennis Cooper (Michael Palin) sets off for the city to make his fortune. The city is somewhat under siege by the vicious Jabberwock(y), a beast influenced by Lewis Carrol's doggerel poem of the same name. Dennis, in the time-honoured tradition, is ultimately required to rid the city of the threat and accordingly claim half of King Bruno the Questionable's creaking kingdom and the hand in marriage of his beautiful daughter, notwithstanding the dubious but apparently lingering attractions of 'Greasy' Griselda.

The riotous succession of eccentric characters encountered along the way is what it's all about, of course, with a memorable string of ridiculous situations and occurrences and liberal spattering of mud and gore to be undergone. This film rewards repeated viewing, when previously unappreciated subtleties emerge. The Fishfinger family's changing attitude to Dennis, according to his perceived fortunes, Dennis narrowly escaping death or serious injury on a regular basis, Gordon Kaye appearing briefly, dressed inexplicably as a nun, the kingdom by degrees collapsing, there's a beggar who attracts charity by means of auto-amputation, street-racing merchants, the King displaying only intermittent episodes of lucidity, characters who step out of line are suddenly and brutally eliminated - it's all great fun.

Jabberwocky is less well known than the pure Python films, but none the worse for that.

Terry Gilliam's fantasy satire (looks like a spoof, but it's a satire) is halfway between "Holy Grail" and "Time Bandits", and about half as good (which ain't bad). The wit is sardonic, and the story pretty well reverses every rule of the fantasy genre -- a dimwitted "champion", out to secure the hand of his 300+ lb. "princess" by killing the evil Jabberwocky that is making life tough for the local peasantry (but very pleasant for the merchants).

Great photography, decent production values. The direction is very good, and although the script's wit is shining, there are not enough really funny jokes (mostly it's stuff you'd have to think about to laugh at). I particularly like, though, how a lot of the good jokes come out of how the value of something is relative -- Palin carrying around a rotten potato discarded by "Griselda", which he prizes for sentiment, but which the townspeople want for food.

Superior medieval satire shows Gilliam was on the right track towards his masterpieces.

A hit-and-miss post-Python affair, directed by Terry Gilliam and featuring former teammates Terry Jones (briefly) and Michael Palin (throughout), alongside a Who's Who of British comedy including Max Wall, Bernard Bresslaw, Harry H Corbett, John Bird, Neil Innes, John Le Mesurier, Warren Mitchell, Graham Crowden, and others.

Jabberwocky starts off in a promising way, using the Lewis Carroll poem plus gory visuals as the monster claims its first victim. After that it meanders along with the story of Dennis the cooper (a caricature very like Python's Arthur Pewtey) as he goes to the big city in search of fame and fortune. Max Wall is delightfully funny as King Bruno the Questionable, but several of the gags fall flat and are just too silly to be funny.

All this aside, it was a fine idea, done on a shoe-string budget, and has a lot of good amongst the dross. Remembered with affection.

This film makes me laugh with every viewing. The extreme attention to detail of hygene and costumes is excellent. I have it on DVD and it's the only way to see it. Listen to Terry Gilliam's commentary with Michael Palin and it gives you a whole new outlook to the hardships of making these kinds of movies. And it tells you about some of the short cuts they used and they still are displeased with to this day. Gilliam's "Diamond Man" steals both scenes he's in. This is a forgotten movie. I don't know too many people who remember it, but everyone I've told to rent it, have told me they really liked it. It's not a Python movie, but it's got the Python humour and a couple of Python cameos. Look for them. It's a very funny movie and it's a blast to watch. A real gem from Gilliam and company.