The Incredible Hulk

Dr.David Bruce Banner is looking for an inner strength that people get in times of peril. He is mad he didn't have it to save his wife when she died. He uses gamma radiation on himself. Which turns him into the superhuman monster The Incredible Hulk! Bill Bixby is perfect as Banner,and Ferringo is perfect as Hulk I loved this film,everything about it is great. It is a super hero film,but it reminded me of the old universal monster films. We get references to The Wolfman,and Frankenstein. I thought those were great. Also a very touching musical score. Much better than the new hulk!

4/4

This pre-series pilot was a good way to start off a TV saga based on a comic book superhero. To me, it is a TV-movie classic.

As you'll see in this pilot (as well as the series that followed it), our hero is really a reluctant hero. We have a man who changes into a seven-foot green creature, but he doesn't want to. All he wants is to be rid of the curse. Still, he has to give his alter-ego credit for having saved countless lives.

The three characters in the series are also ones that I can relate to because of various common traits, and they are as follows:

David Banner: he is a man looking for solace. In addition, I know what it's like to be close to obtaining certain goals, only to have them suddenly slip away. He's experienced that himself when he has thought that he would finally be cured of his problem, only to have something happen and ruin that chance.

The Incredible Hulk: he has experienced something we all experience in life: rejection. In his case, the rejections tend to result from some misunderstanding. Like the Frankenstein monster, the Hulk is misunderstood, and, therefore, people confuse his intentions. Few people will admit it, but I am sometimes misunderstood. And I suspect that other people's general misconceptions about me has often played a role in my being rejected.

Jack McGee: he is, of course, the newspaper reporter who chases the Hulk, thinking our hero is a killer. McGee is persistent in his goal to capture and expose the Hulk. Like McGee, I am very relentless when it comes to reaching certain objectives, and I tend not to give up until they are finally obtained.

The Hulk's first incarnation on TV was this made for television movie starring Bill Bixby as the green giant. I don't know Hulk's origins in the Marvel Comics series, but here Dr. David Banner (Bixby) is experimenting with gamma rays, trying desperately to figure out how people get an incredible flow of Adrenalin when faced with utter danger. Having recently lost his wife in a car crash and not being able to save her in his attempts to lift the vehicle, Banner is nothing short of obsessed with finding out why he failed where others succeeded in saving their loved ones. Once he starts injecting gamma rays into his body he turns into the green giant whenever he gets really mad.

This is no grandiose spectacle, it's rather cheap looking really, with that oh so 70's look and feel with special effects at a very minimum. It is however a very well written and totally involving story, well acted and ultimately very tragic. The scenes involving the Hulk aren't spectacular visually speaking but they are powerful, especially his first appearance on that rainy thunderstorm night when Banner gets mad while changing his tier. The love story here, between Banner and a fellow scientist, is very well played out and makes for a strong ending for the film.

This film was the starting block for a long running TV series, but on it's own the film is very satisfying, definitely won't entertain younger viewers who're used to such visual extravaganza's as most modern superhero films are these days. I however like it very much, it takes it's time in establishing the character, it's a very human story that doesn't go overboard despite it's subject matter and it has a bitter ending that makes it all the more memorable.

This cheap looking made for TV film is also a lot better than the 2003 version which I found simply terrible.

Riding high on the success of his excellent 1976 TV creation "The Bionic Woman", writer/director Kenneth Johnson embarked on perhaps his most ambitious project ever: bringing to the screen for the first time the story of The Incredible Hulk.

The result is the best TV pilot I've ever seen in my life. Even if you're not a hulk fan, you must see this episode for its expert presentation, unparalleled acting, sublime poetry and iconic music (the "Lonely Man" piano themesong has the power to make people weep instantly).

There is not a lot of action in this episode, but it's far from boring. In the opening scene, Bill Bixby brings to life the character of David Banner in a way that no one will ever be able to touch. His portrayal brings to mind the line from Thoreau: "The mass of men lead lives of quiet desperation." Only David Banner gets the opportunity to be not-so-quiet. Enter Lou Ferrigno 1973-1974 Mr. Universe, who needed no cgi, special effects or prosthetics to portray the hulk: the personification of raw, primeval rage. Ferrigno's roaring mass of muscles contrasted sharply against Bixby's quiet desperation to create a perfect balance of extremes.

I love the entire series and the 3 TV movies that followed. But this 100 minute pilot is the best of the lot. It was a cut above the rest back in '77 and to this day it's still a cut above.

Joseph Harnell was the composer, and his music will burn itself into your brain. The melody of "Lonely Man" reappears in the heart-pumping action pieces as well as the heart-wrenching piano sonata. In between we have distinct themes that are equally memorable, such as Mr. McGee's theme (which is instantly recognizable by its bass drum and hi-hat rhythm). At times Harnell mixes separate themes and moods together into one piece, perfectly in tune with the bipolar nature of the story. You'll hear trombones "fighting" with violins the same way David Banner fights with the monster within him. This is one of the cases where the music brings as much to the table as the directing, cinematography & acting.

And back to the subject of acting, we get stellar performances from everyone. Not just Bixby & Ferrigno as I mentioned, but Susan Sullivan (Banner's research partner and best friend), Jack Colvin (the antagonistic reporter McGee, who is wonderfully fleshed out in subsequent episodes) and even the minor actors doing bit parts are brilliant.

In terms of directing & cinematography, there was no equal in the 1970s. Kenneth Johnson made extreme use of shadows, darkness, hazy lighting and wide camera shots to create an indescribable feeling of loneliness and isolation. Back in the 70s, TV was very bright and fast paced (think "Love Boat", "Charlie's Angels", etc). But here in "The Incredible Hulk" we get a journey into darkness for the first time I had seen on network TV. Think of the way the 2003 Battlestar Galactica remake plunged us into darkness for the first time, and that is what Kenneth Johnson did for the 1970s crowd. (By the way, the 2003 BSG is my pick for 2nd greatest TV pilot in the history of time & space, don't miss it either!) I can't speak highly enough of this show. Watch it a few times. Absorb its full spectrum of human emotion: sadness, rage, love. And tip your hat to the amazingly talented individuals, particularly the great Mr. Bixby, who made this possible for us to experience.

Forget the recent laughable FX travesty starring Eric Bana, watch this gripping TV movie which was the pilot for the long-running series. Credit must be given to Kenny Johnson for straying from the comics (which featured the Hulk fighting mutant super-villains) and bringing in a more believable premise. Despite the slight name change, David Bruce Banner is just as tormented a character as his comic book namesake. As Bruce Banner in the comics is haunted by the abuse he suffered from his father, David Banner is disturbed by the fact that he could not save his wife in a car crash, which drives him into investigating what factors can trigger human strength at times of stress. Of course, he injects himself with too much gamma radiation, and whenever angered, his body and muscles expand, his clothes rip and he turns into Lou Ferrigno, wearing a bushy wig and painted green. After he first becomes the Hulk, David wants to find out why and how it happened, with the help of a scientist friend. He sets about finding a cure, only to be hindered by nosy reporter Jack McGee.

The Incredible Hulk certainly has its moments. Bill Bixby gives intensity and emotion to his beleaguered character, and Susan Sullivan is solid as his only friend Dr. Elaina Marks. But the best sequences involve the presence of the Big Green Man. In terms of physical shape, Ferrigno was at his peak here and he was excellent as The Hulk. Unlike the bloated, badly drawn movie Hulk, this Hulk is mean, convincingly hard and capable of violence, but he also has a heart and tries to save innocent people.