Il gatto dagli occhi di giada

After the murder of a pharmacist, a series of follow-up murders to those around her forces a woman to turn to her boyfriend to help get her out of the situation, and when he realizes that there's a far-reaching motivation for the crime spree races to stop it in order to protect her.

This one here was a generally enjoyable genre entry. Among the film's brighter aspects is the actual mystery at play that's pretty intricate and allows for great time uncovering its purpose. From the seemingly random attack on the pharmacist followed-up by the failed attack on the witness, there's a worthwhile lead in that makes it curious about the need to decipher the recorded message left on the phone filled with dogs barking and the threatening message. Likewise, the unraveling mystery about the criminal case all the main players are involved in makes this one interesting as the film generates the kind of grand connection that's fully revealing in a shocking finale. As well, the film also manages to ge a lot to like with the stalking scenes featured throughout here. The initial attack in the store is a fine shock, as is the aborted stalking attempt in the girls' house where the killer gets scared off before doing anything are rather fun scenes that give this some enjoyable thrills. The other attacks, ranging from the stellar sequence of the girl being attacked in the wardrobe department, the bathroom ambush in the hotel or the final confrontation in the house give this some rousing action along the way as well. These here give the film a lot to like overall. This one does have a few minor flaws. The main problem is the fact that this one really feels underwhelming with a lot of the stock genre tropes that are in play. The investigation manages to forsake a lot of rational thought from the leads as the fact that bodies have been piling up with no interaction from the authorities. The attacks that happen here should warrant police protection or more of a presence here, yet it's all dismissed due to a one-line writer-off thinking the police would rather throw the party in jail rather than protect them for what they know about the crimes, a fact brought up after several bodies have turned up and one attack on their lives which is completely ridiculous to believe it would play as such. That also ties in marginally with the other flaw in that there's a pretty sluggish pace here. The central investigation here tends to rely much more on sudden realizations about clues and sheer coincidences about the various events which are told in excruciatingly long conversations. The meeting with the pharmacists' widow or the tile salesman are filled with fine informational leads that just lead to some overlong scenes, much like the final half which consists mainly of him running around the small-town by himself collecting the final pieces to the puzzle alone while she's alone at the house with no protection. This should've been carried out together instead of setting her up for the killer to attack, another feature from the earlier segment and are what holds this one back.

Rated Unrated/R: Graphic Language and Violence.

Directorial debut for Antonio Bido and it is quite good for being that. Here in this late 70s Italian Giallo we see a pharmacist is killed, but Mara (Paola Tedesco) witnesses the murderer leaving the scene. Soon she believes she is being stalked by the murderer. Good thing her chain-smoking, cigar chomping boyfriend (well played by Corrado Pani) is there to help investigate.

I found quite early in my viewing that this was influenced heavily by Dario Argento's work from the 70s. Right down to the music is heavily influenced by Goblin (most notably the DEEP RED soundtrack). Music is done by Trans Europa Express and it is quite good. One problem I found is that it is a somewhat talky film. When there should be action happening sometimes the actors start firing out dialogue. But, in the end you do get your delicious twist to cap the film off. There is one quite interesting murder I found being committed in a bath tub. Worth seeing if you can find and if you are into giallo films chances are you will enjoy.

A young woman Mara(Paola Tedesco) accidentally stumbles into a murder in progress of a pharmacist in his store, she then finds that she is now being sought be the killer. Instead of notifying the police, she intrusts the services of an old cigar chomping friend Lukas (Corrado Pani, Secrets of a Call Girl, Gambling City ) to help investigate the killing and prevent the killer from killing her. Lukas investigation gets progressively more confusing and frustrating as people he looks to for information turn up dead or are none to helpful.

Bido of The Bloodstained Shadow fame, has a reputation for approaching his films differently and here again the film hides its dark secret until the finale of the film. The film suffers a little as the print available is very dark and grainy, a fact that might lead some to believe the film has no merit, but it does and it also has a message that the past comes back to haunt everyone. There are also some gruesome killings to keep the gorehounds happy. Pani puts in a fine performance, despite some dodgy dubbing and the score by Trans Europa Express is powerful and memorable and much in the vein of a Goblin opus.

A series of brutal and bizarre killings takes place.When Mara witnesses one of the murders the black-gloved killer starts terrorizing her-she turns to her boyfriend Lukas for assistance.But will he be able to uncover the culprit before his girlfriend becomes the next victim?Antonio Bido's "Watch Me When I Kill" is an enjoyable giallo,albeit heavily influenced by Dario Argento's works,especially "Deep Red".The film is an above-average effort filled with enough suspense and shocks to satisfy fans of Italian horror.Surprisingly effective murder scenes are another reason to check this film out-in particular,the muder of Fernando Cerulli in a bathtub,set to opera music,would make Dario Argento proud.The performances are pretty good and it's nice to see Fulci's veteran Paolo Malco in one of the main roles.8 out of 10.

Watch Me When I Kill really, desperately wants to be Deep Red. It is not. Still, few films are and Watch Me When I Kill has enough going for it to make it worth a watch. What other giallo film can claim that the killer's motivation involves their family being killed by Nazis. That's not a bad reason for a murder spree if you ask me. It does leave the film on a sour, somber note, but there's still some fun to be had before the big climax. It's never as suspenseful or brutal as some of its giallo brothers and sisters, but it tries so hard you want to give it point for trying.

One thing that does work - the score by Trans Europa Express. It has a distinct Goblin-esque feel to it that works incredibly well.