Fight for Your Life

Fight For Your Life (FFYL) is a hugely misunderstood film. Pretty much every low budget film with any kind of violent content was labelled a "video nasty" in the 80s but FFYL's notoriety even stands out from the rest of the "video nasty" crowd.

FFYL's bad reputation mostly stems from the film's rape/revenge scenario, which has resulted in comparisons with films like "I Spit On Your Grave" and "The Last House On The Left". While I greatly admire both of those films, they really have little in common with FFYL as far as tone and context are concerned. They all share a rape/revenge plot twist but the sexual assault in FFYL plays a relatively minor role in the film and is less graphically presented than rape scenes in mainstream fare such as "The Accused", let alone "Irreversible".

The other main aspect of FFYL's notoriety is the accusation of racism. The use of racist terminology is confronting and the scene in which Kane makes Ted dance and sing is, in my opinion, more shocking than any of the violence. However, the film is never less than sympathetic with the plight of the Turner family and the way in which their revenge is presented excludes the presence of any kind of racist agenda as far as I'm concerned.

Overlooking the controversy, what remains is a tightly constructed and expertly paced thriller. The film is quite brilliantly scripted. The characters ring true and the dialogue is sharp and often funny. The actors, with the exception of the ham who plays Lt. Reilly, all give great performances. William Sanderson, in particular, is magnificently vile as Kane.

Don't let this film's unjust reputation put you off. FFYL is a very good movie that deserves a wider audience.

This is a pretty nasty piece of work that is nevertheless well made and effective. Race, rape and revenge but much more too when a modest God fearing black family are set upon by three escaped convicts who don't seem to like each other much more than do their captives. Much racist abuse and humiliation, though this all gets reversed as the family regain the upper hand and the 'by the book' cop makes an exception and allows the revenge to run it's course. Vile, exciting, hateful and touching by turns this is a very unusual, though non the more likable piece of exploitation cinema. Absolutely no way this film would be even considered today let alone be made and yet, in its own way it draws attention to that unspeakable prejudice within us all.

FIGHT FOR YOUR LIFE is a mediocre and mean-spirited rape/revenge film that's full of more colorful derogatory epithets than a KKK vs. Black Panthers street fight. I personally don't get offended by this type of dialogue...but FIGHT relies so heavily on the racist aspect of the characters that it's hard to see the actually semi-decent performances that are going on...

FIGHT is about three inmates, a white guy (the "leader" of the group who is also the guy that played "Larry" on the NEWHART TV show (!?!)), a Hispanic guy, and an Asian guy (sounds like the beginning of a bad joke, huh???), who break out of jail during a botched prison transfer. The three go on a short robbery and murder spree before kidnapping a black woman at a liquor store, and deciding to hole-up at her home until dark. At the home are also the woman's little brother, mother, father, and grandmother. "Larry" is a racist piece of white-trash sh!t and does nothing but hurl racial insults and make the family members say and do degrading things for his own entertainment (although I gotta admit, the "dance" scene IS kinda funny...). This goes on for about 80% of the films run-time, until the three convicts decide to rape the daughter. After that, the balance of power is shifted back and forth between the family and the convicts in a few uneven scenes where the lone gun that was initially handled by "Larry" changes hands a few times during some goofy fight scenes. The conclusion comes between "Larry" and the father of the family, in a "tense" stand-off in front of the cops.

First off...FIGHT FOR YOUR LIFE is a very mediocre rape/revenge film to begin with. I like this genre as a whole - but this one doesn't bring anything new to the genre, other than an uninteresting racist angle that wears itself thin after the first few amusing insults are hurled. The performances are pretty believable and the "action" is tense at moments - but my other big problem with FIGHT is that the revenge pay-off is way too quick and unfulfilling. Half of the reason to watch these films is to see the victims exact brutal and bloody revenge on their assailants - and this one doesn't deliver. Worth a look to the hardcore exploit fan - others will find FIGHT boring and/or offensive. 6/10

The promotional gallery of posters, lobby cards, and stills on Blue Underground's DVD release of "Fight for Your Life" give one the impression that it's merely the umpteenth addition to the pile of exploitative revengers inspired by Wes Craven's landmark "Last House on the Left"; even the trailers (a 'white' and 'black' version) depict the money shots in what promises to be another parade of cruelty for cruelty's sake, accompanied by '70s soul music.

Yet when I got around to watching the movie itself, I was more than a little impressed by the frequency with which it ran contrary to my low expectations, to the point where I really did feel like applauding and cheering on the heroes. "Fight for Your Life" is more politically ambitious than the LHotL imitators it is commonly lumped in with, transposing the race roles of slave times (the 'master' is a moneyed man who cracks a mean whip; the 'slaves' are quietly obedient out of fear of abuse) into the late-1970s, after the Civil Rights movement, where blacks are only starting to find their place in an overwhelmingly white society. Robert Judd plays a pacifist minister whose family is taken hostage by a trio of thugs (led by the fantastically scummy Willaim Sanderson, whose dialog is a catalog of racial epithets) who get a perverse entertainment out of the torture, rape, and humiliation of their hostages. Of course the tables are turned in the third reel, but the film goes about it in a cleverly justified way. By making the criminals so unredeemable (and thankfully avoiding the clichéd comic relief some films gravitate toward), we are on the edge of our seats, waiting for their comeuppance; but "Fight for Your Life" also engenders multi-layered characters grappling with their own moral conflicts that makes the resulting graphic violence resonate on a deeper level.

The film contains some genuinely moving, even heartbreaking moments that would not carry such an impact if we didn't relate so strongly to the victims: the quiet aftermath of a rape (the details of which are not explicitly rendered); humiliation that unexpectedly turns to uplift (when Judd's character is forced to sing on a pedestal at gunpoint); the by-the-book police lieutenant who eavesdrops on the family's revenge, only to allow it to continue out of sympathy.

Though my review thus far might turn off those seeking a hard-edged revenge thriller, let it be known that "Fight for Your Life" is not a sentimental piece--quite the contrary, it is just as lurid and seedy as the best (worst) of the genre; the violence is vivid and unsettling, made all the more so by the reality of the characters and their situation. Though low-budget productions tend to be hampered by exaggerated acting and unconvincing effects by default, the whole cast is convincing in selling the premise, and reminding us that even genre pics can reach for high concepts and succeed.

Fight for Your Life (1977)

*** (out of 4)

Downright insane exploitation film has three convicts (a white, Asian and a Hispanic) breaking free from a van carrying them to prison where they're about to serve life sentences. They end up at the house of a black preacher and his family who they take hostage and abuse.

FIGHT FOR YOUR LIFE is the type of exploitation film that certainly wouldn't be made today and when you really think about it it's actually hard to believe that anyone would have produced this even in 1977. This film has a rather notorious reputation and this is one rare case where the film actually lives up to the hype. Many people have called this another cash-in on Wes Craven's THE LAST HOUSE ON THE LEFT and while there are a few minor connections there's no question that this thing takes on a life of its own.

This is without question one of the most racist movies that you're ever going to see. The white leader Kane (William Sanderson) is quite evil from start to finish but he gets a sadistic kick out of picking on the black family and making them feel less than human. There are countless racist names being thrown at the family but some of the harshest things to watch in the film isn't the violence but instead it's the father (Robert Judd) being humiliated in front of his family. Being forced to dance and call Kane "master" are just a few of the racist scenes that play out in front of your eyes. In all honesty, I'm really surprised that they were able to find actors willing to put up with this.

The performance are pretty much split down the line but none of them are horrible enough to take you out of the picture. Sanderson easily steals the picture as the racist nut who is constantly shouting and humiliating people at every move. There's not a single second where you feel like you're not watching a real wacko and this certainly helps sell the movie. Judd is also good in the movie and manages to present a very stern performance. Lela Small has some unintentional hilarious moments as the grandma in the wheelchair who is constantly getting fed up with the comments.

Is FIGHT FOR YOUR LIFE a good movie? I guess that will depend on your definition of what a good movie is. It's certainly not an Oscar-caliber picture but it wasn't meant to be. If you're looking for something trashy, downright dirty and sleazy then the film certainly succeeds at that. FIGHT FOR YOUR LIFE is one bizarre exploitation film that manages to entertain and shock.