IMDb रेटिंग
4.8/10
1.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंPhotojournalist Emanuelle encounters a guru who claims to be capable of the ultimate orgasm, and later helps a fellow reporter pursue a global woman-trafficking ring.Photojournalist Emanuelle encounters a guru who claims to be capable of the ultimate orgasm, and later helps a fellow reporter pursue a global woman-trafficking ring.Photojournalist Emanuelle encounters a guru who claims to be capable of the ultimate orgasm, and later helps a fellow reporter pursue a global woman-trafficking ring.
फ़ीचर्ड समीक्षाएं
This is perhaps the most enjoyable of e Aristide Massaccesi's EMANUELLE movies, relatively free of the sadistic excesses of more extreme installments such as EMANUELLE IN America and EMANUELLE AND THE LAST CANNIBALS. As in the previous episode, EMANUELLE AND THE WHITE SLAVE TRADE (a/k/a VIA DELLA PROSTITUZIONE and at least half a dozen other titles), our intrepid girl reporter (still played by statuesque Laura Gemser who hails from the isle of Java in the former Dutch Indies) is hot on the trail of an international white slavery ring.
Having said thanks to the lorry driver (US adult superstar Paul Thomas) who picked her up naked in San Francisco harbor in her customary fashion, she bumps into old friend and colleague Cora Norman (German nudie starlet and later middle-aged Queen Mum of Spaghetti Hardcore Karin Schubert) who has found a lead to the gang's whereabouts in Rome. Before she can go check this out however, Emanuelle's editor demands that she'd do an exposé on some trendy Indian guru (exploitation mainstay George Eastman a/k/a Luigi Montefiori) in sunny Bombay instead. This makes for the best (and funniest) part of the movie as bored housewives from all over the world flock to the temple to experience the guru's heavily hyped "prolonged orgasm" techniques. Naturally, the guy turns out to be a fraud as Emanuelle soon learns when she makes love to him and he turns out to be a touch, well, premature !
In Rome, Cora gets beaten up and raped as her investigations start to turn up a bit too much in the way of damaging information as Emanuelle allows herself to be picked up by a pair of local lover boys who deliver her to the lair of the evildoers. Luckily, she had just met some virginal puppy dog (played by Claudio Alliotti who would go on to star in Masuo Ikeda's extraordinary DEDICATO AL MARE EGEO) mere minutes before and asked him to follow her on his Vespa and inform the cops.
Hong Kong and wicked Chinamen are next on the agenda, including some spectacularly tasteless (but hilarious) business involving strapped down naked women with various animal species, fortunately with appropriate comeuppance for their tormentor, before we're off again to downtown Teheran for sheiks and harems.
Capturing their target at this last stop, Emanuelle and Cora learn that women's rights are still trampled on their N.Y. home turf as well when they're invited along with an assortment of senators and their entourage for the humiliation of Miss Ohio (hardcore porn actress Juliet Graham) at the hands of homeless bums.
Even though most of the film's gorgeous female cast gets roughed up at some point, Massaccesi manages to keep the tone surprisingly light, helped by the furious pace with which he rushes through the often nonsensical proceedings, making this the cinematic equivalent of the sleazy adult comics that were quite popular at the time, in their own way unassuming precursors to much of today's manga output. Sex is quite strong for soft core with fleeting hardcore footage spicing up the orgy scenes, none of it involving Gemser though who acts as haughtily impervious to the tawdry shenanigans as ever, adding an arbitrary touch of class in the process. Italian exploitation veteran Ivan Rassimov is pretty much wasted as diplomat and do-gooder Malcolm Robertson who falls in love with our flighty heroine but never manages to get into her pants (on those rare occasions she's actually wearing them !) due to conflicting schedules which tend to find them at opposing sides of the world.
Good cinematography by Massaccesi supplies surface gloss (they were ripping off a "très chic" French sex series, after all) and Nico Fidenco's infernally groovy soundtrack bumps 'n' grinds along with the cast. So let me leave you with the lyrics to the unforgettable (resistance is futile) theme song, all together now : "Let's take a picture of love !"
Having said thanks to the lorry driver (US adult superstar Paul Thomas) who picked her up naked in San Francisco harbor in her customary fashion, she bumps into old friend and colleague Cora Norman (German nudie starlet and later middle-aged Queen Mum of Spaghetti Hardcore Karin Schubert) who has found a lead to the gang's whereabouts in Rome. Before she can go check this out however, Emanuelle's editor demands that she'd do an exposé on some trendy Indian guru (exploitation mainstay George Eastman a/k/a Luigi Montefiori) in sunny Bombay instead. This makes for the best (and funniest) part of the movie as bored housewives from all over the world flock to the temple to experience the guru's heavily hyped "prolonged orgasm" techniques. Naturally, the guy turns out to be a fraud as Emanuelle soon learns when she makes love to him and he turns out to be a touch, well, premature !
In Rome, Cora gets beaten up and raped as her investigations start to turn up a bit too much in the way of damaging information as Emanuelle allows herself to be picked up by a pair of local lover boys who deliver her to the lair of the evildoers. Luckily, she had just met some virginal puppy dog (played by Claudio Alliotti who would go on to star in Masuo Ikeda's extraordinary DEDICATO AL MARE EGEO) mere minutes before and asked him to follow her on his Vespa and inform the cops.
Hong Kong and wicked Chinamen are next on the agenda, including some spectacularly tasteless (but hilarious) business involving strapped down naked women with various animal species, fortunately with appropriate comeuppance for their tormentor, before we're off again to downtown Teheran for sheiks and harems.
Capturing their target at this last stop, Emanuelle and Cora learn that women's rights are still trampled on their N.Y. home turf as well when they're invited along with an assortment of senators and their entourage for the humiliation of Miss Ohio (hardcore porn actress Juliet Graham) at the hands of homeless bums.
Even though most of the film's gorgeous female cast gets roughed up at some point, Massaccesi manages to keep the tone surprisingly light, helped by the furious pace with which he rushes through the often nonsensical proceedings, making this the cinematic equivalent of the sleazy adult comics that were quite popular at the time, in their own way unassuming precursors to much of today's manga output. Sex is quite strong for soft core with fleeting hardcore footage spicing up the orgy scenes, none of it involving Gemser though who acts as haughtily impervious to the tawdry shenanigans as ever, adding an arbitrary touch of class in the process. Italian exploitation veteran Ivan Rassimov is pretty much wasted as diplomat and do-gooder Malcolm Robertson who falls in love with our flighty heroine but never manages to get into her pants (on those rare occasions she's actually wearing them !) due to conflicting schedules which tend to find them at opposing sides of the world.
Good cinematography by Massaccesi supplies surface gloss (they were ripping off a "très chic" French sex series, after all) and Nico Fidenco's infernally groovy soundtrack bumps 'n' grinds along with the cast. So let me leave you with the lyrics to the unforgettable (resistance is futile) theme song, all together now : "Let's take a picture of love !"
Certaintly not as sleazy as Emanuelle In America, but not as lightweight ad Emanulle In Bangkok. Similar to Emanuelle in America we have Emanuelle traversing the globe discovering sex scandals. The set peices range from fairly innocent romp in the back of a moving truck to rape and beastality (implied not explicit). Of course it all remains fairly softcore. D'Amato handles the cinematography masterfully, its easy to see why he's so at home in adult films. Hes a master at creating suspenceful erotic sex scenes. Watch for ol Joe himself in a quick cameo near the end of the film (hes the man being arrested at the very end).
The third (I think) installment in the Italian Emanuelle series starring the unearthly beautiful Laura Gemser, and simultaneously the final one that is somewhat classy and stylish. After this entry, the franchise became the prototype of total sleaze & obscenity with sex-insatiable Emanuelle invading women prisons and even a tribe of Amazonian cannibals. "The Degradation of Emanuelle" even ranks among Joe D'Amato's best films, since the screenplay is adequately written for a change and the erotic scenes are tasteful and tempting. After a brief encounter with the man of her life a congressman for the United Nations sleaze reporter Emanuelle wants to alter her writing style and battle the oppression of women all around the world. This noble mission brings her from India, where she unmasks a fake guru who supposedly re-invented the female orgasm, to Rome, where there's a whole network of girls that get kidnapped and deported to the Middle East as white sex slaves. But her biggest challenge lies in the United States, where eminent senators can still rape innocent girls without being punished for it. As a social allegory on Human Rights, this is a very meaningless effort but it remains a pretty decent exploitation film all together. The decors and costumes are beautiful and every large hole in the plot is neatly filled up with footage of Laura Gemser's stunningly ravishing body. Just like in all the other Black Emanuelle films, the absolute finest aspect is Nico Fidenco's brilliant music. The intro song "Picture of Love" should have won an Oscar! Ha!
Emanuelle travels the world once again on a crusading mission to report on the abuse and degradation of women at the hands of male-dominated organizations.At her first stop in India she meets up with George Eastman who plays a guru who has discovered the secret of prolonged sexual pleasure. While at the temple she also meets gorgeous Brigitte Petronio and it's not too long before both are having hot lesbian intercourse.While at her next stop in Rome she meets Karin Schubert who gives her a lead about a white-slavery ring...Joe D'Amato's "The Degradation of Emanuelle" is not as sleazy and shocking as infamous "Emanuelle in America",however there is enough sex and violence to bring the smile on the face of any self-respecting smut peddler.The erotic scenes are mostly soft core,but there is a bit of hard core sex added for a good measure.The film is nicely photographed and immensely enjoyable.Give it a look.
Emanuelle Around the World (1977) Soft version
* 1/2 (out of 4)
Joe D'Amato and Laura Gemser made this flick right over the notorious Emanuelle in America and really took a step back content wise. In the film Emanuelle travels around the world learning different sexual things while sleeping with as many people as possible. The company that released this film released a soft version and a XXX version. This is the soft version and it certainly is soft; meaning, there's very little nudity, which is somewhat shocking considering the subject matter. Not to mention the fact that the previous film went as far as to show a woman stroking a horse!!! I've heard the XXX version of this features some pretty wild stuff but I'll get to it later. Back to this version, it's pretty dull from start to finish, although there's a really bizarre moment with George Eastman (Rabid Dogs, Erotic Nights of the Living Dead) playing a character dressed up as Jesus. He bangs Emanuelle only to have her tell him that he came too quickly. I guess D'Amato isn't a fan of Jesus? The sex scenes aren't erotic, which is the main downfall here.
Emanuelle Around the World (1977) XXX version
* 1/2 (out of 4)
Alternate version of Joe D'Amato's Emanuelle film isn't any better or worse than the soft version I watched a few weeks ago. In the previous review I mentioned that the film's sexual content was rather low even for a softcore film but here's a more extreme version, which features three different scenes. The two orgy sequences are shown with some hardcore scenes here, which isn't anything new. The next added footage serves for the more shocking nature, which was explored in the previous film Emanuelle in America. There's a scene where two girls are sexually tortured with a snake and a German shepard. In the softcore version this was just hinted at but here we get to see a lot more action, which should turn anyone's stomach.
* 1/2 (out of 4)
Joe D'Amato and Laura Gemser made this flick right over the notorious Emanuelle in America and really took a step back content wise. In the film Emanuelle travels around the world learning different sexual things while sleeping with as many people as possible. The company that released this film released a soft version and a XXX version. This is the soft version and it certainly is soft; meaning, there's very little nudity, which is somewhat shocking considering the subject matter. Not to mention the fact that the previous film went as far as to show a woman stroking a horse!!! I've heard the XXX version of this features some pretty wild stuff but I'll get to it later. Back to this version, it's pretty dull from start to finish, although there's a really bizarre moment with George Eastman (Rabid Dogs, Erotic Nights of the Living Dead) playing a character dressed up as Jesus. He bangs Emanuelle only to have her tell him that he came too quickly. I guess D'Amato isn't a fan of Jesus? The sex scenes aren't erotic, which is the main downfall here.
Emanuelle Around the World (1977) XXX version
* 1/2 (out of 4)
Alternate version of Joe D'Amato's Emanuelle film isn't any better or worse than the soft version I watched a few weeks ago. In the previous review I mentioned that the film's sexual content was rather low even for a softcore film but here's a more extreme version, which features three different scenes. The two orgy sequences are shown with some hardcore scenes here, which isn't anything new. The next added footage serves for the more shocking nature, which was explored in the previous film Emanuelle in America. There's a scene where two girls are sexually tortured with a snake and a German shepard. In the softcore version this was just hinted at but here we get to see a lot more action, which should turn anyone's stomach.
क्या आपको पता है
- ट्रिवियाLaura Gemser said that in every film she made with director Joe D'Amato, he tried many times to make her film hardcore porn scenes, but she always gave him a resounding "No!."
- गूफ़Obvious body double for the hardcore scene featuring Emanuelle at the Guru's orgy.
- इसके अलावा अन्य वर्जनIn the television print, scenes of the Guru's "love lessons" are edited, eliminating male nudity. A scene in which one of the Guru's assistants is demonstrating women on the how-to's of pleasing their lovers is completely eliminated from the television print. When Emanuelle spies on the diplomatic "party" several shots are removed. Sensual encounters between Emanuelle and the truck driver, Emanuelle and Mary, and the scene of Emanuelle, Cora, and the Sheik are also edited. Several major cuts are made to the attack on Miss Ohio on the pier. In the television version, the beginning and end credits are scrolled over a black background, whereas in the theatrical and video versions, they are scrolled over a montage.
- कनेक्शनFeatured in The Best of Sex and Violence (1981)
- साउंडट्रैकEternal Anguish
Performed by Nico Fidenco
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Emanuelle Around the World
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 37 मि(97 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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