God Told Me To

Trust something this darkly warped to come from the creative juices brewing from the mind of Larry Cohen. The 70s through to the mid 80s was the pinnacle for Cohen, and "God Told Me to" would have to be ranking at the top of his greatest achievements. With a limited budget, Cohen resourcefully constructs a fascinatingly chilling, bewildering and off-kilter little winner. Talk about the strangest film Cohen has ever done, and probably his most ambitiously versatile in the story's ever-changing format of genres! Subtexts aplenty. And they manage some depth too.

The cryptic story is cleverly utilized, as the mystery holds together and the fearful psychological undercurrents of repressed faith make it rather interesting. Though it's so hard to follow due to that fractured story-telling. It shifts from grounded reality to utter weirdness, which has you totally feeling the confusion and frustration that the main protagonist would be going through trying to come to terms with what's going on. So does it make sense? I'm not quite sure, but hell it's entertaining and bizarre. Too much for me to worry about thinking of the bigger picture. But hey it makes great for repeat viewings! Some sequences can unsettle, while others thoughtfully delve into the characters at hand. A compact, but involving script is complicatedly put together and drives hard with an audaciously literal sense. Some of the dialogues actually raise most of the tension than some visual set-pieces involving violence and shocks. Cohen's capably understated direction is well presented and shines with his own distinctive personality, as he ably uses the authentic New York Locations with the use of intimately taut cinematography. He manages to install a haunting air throughout the whole feature, and Frank Cordell's dreamily sombre music score largely complements the atmospheric awe.

A quality cast lend solid performances. Tony Lo Bianco is undeniably excellent in the lead role of a religious NYPD detective. Sandy Dennis and Sylvia Sidney offer strong support. Sam Levene, Al Fann and James Dixon (a Cohen favourite) are also good. Richard Lynch appears in a small, but unusually striking part and Andy Kauffman in an out-of-the-ordinary performance.

Cohen's "God Told Me To" is a loopy, but challenging b-grade exploitation of the highest order. An unforgettable cult gem!

Very fine and spunky little movie that covers a lot of ground in a short time as it speeds along. Fourteen people die in the opening minutes as a sniper does what he is 'told' in his head. Some of the smaller parts are a bit wooden, but then they may be amateur or near amateur and Tony Lo Bianco is excellent in the difficult central role as first Police officer, then ex-cop investigating on his own and gradually discovering he too may be a son of God ready to go on a killing spree. We get everything from alien abduction and naked donors cast into the night to gory self stabbings. Cohen even has the audacity to show us his mutant Christ and get away with it. Unique, gutsy, on the run film making.

Demon aka God Told Me To is extremely strange and weird film by the legendary director/screenwriter. His films are always unique and have a message which has to be found in the core of the film. Some of his films are "easier" to understand (The Stuff, Blind Alley) while others, like Demon, are far more difficult to see through.

Strange killings committed by usual people start to take place, and all the killers have the same line/justification to say to police questioning. Policeman starts to investigate the cases and soon he's too deep in it to get safely back..

I'm not sure if I can actually say what the film's about because it has to be seen many times before it can be fully understood. Main themes are at least duality in everybody's personality (good/bad) and the question that which part is the dominating one. Cohen wants people to stop and think and it is great that that kind of directors exist. He would never do just entertainment without brain. The weirdness of this film comes close to Lynch, but Cohen's work isn't as surrealistic as Lynch's. Demon and other Cohen flicks are highly recommended if you like independent cinema and intelligent and "difficult" films which are not so often produced nowadays.

7 out of 10.

"God Told Me To" is in many ways Larry Cohen's best picture, which probably isn't saying all that much to people unaccustomed to the confines of schlock cinema. Viewers who never watch anything that doesn't play at the local Cineplex will look upon this picture with a sense of mounting dread over the low production values and haphazard plot lines. I, however, am the Queen of Bad Cinema, and my realm contains a round table where Sir Cohen sits with Lord Herschell Gordon Lewis, Baron William Castle, and Sir Roger Corman of New Concorde. I can take the offering that is "God Told Me To" and pronounce it good and godly. And I will, because Michael Moriarty appears nowhere in this film. Cohen seems to have a thing for the squirrelly actor of "Law & Order" fame, casting him in at least three of his major works--"The Stuff," "Q: The Winged Serpent," and "It's Alive." After anxiously looking around for Moriarty's name anywhere near this film and not seeing it, I settled in for what I hoped would become a wonderful experience.

Although far from perfect, "God Told Me To" is immensely entertaining. Did I mention I don't care much for Michael Moriarty? Here's a movie any B-movie fan can really sink his or her teeth into. Imagine New York City in the 1970s (I know, it's unpleasant, but do it anyway). The streets bustle with activity as people drive, walk, and ride their bikes to various destinations. Why, look there! Here comes a chap peddling along without a care in the world! Then we hear a shot ring out and the poor guy does a header into the pavement. Do angels ride bicycles? Anyway, more shots ring out and more people tumble to the pavement, presumably incapable of ever rising again. It looks like some guy channeling Charles Whitman is up on a wooden water tower playing target practice. Fortunately, tough cop Peter Nicholas (Tony Lo Bianco) assumes the highly dangerous task of talking the hunter down. He fails spectacularly, but before he does the gunman tells Nicholas that "God told me to" murder all of these people. This cop will continue to hear this phrase in the coming days after a devoted father slaughters his family, after a police officer (Andy Kaufman!) goes off the deep end during a parade, and after a few other highly unpleasant incidents unfold in the Big Apple. In other words, what we see happening here is just a typical day in New York City. What's the big deal? Well, Larry Cohen isn't content to merely let his movie founder in the degradation of the typical police thriller genre. No sir! What starts out as a series of seemingly unconnected crimes turns out to be something so sinister that the human mind boggles while attempting to conceive of it. Turns out Nicholas is a highly devote Catholic with a wife (Sandy Dennis) and a young girlfriend (Deborah Raffin) who feels as though he's different from everyone else. The whole "god told me to" thing finds the detective discovering exactly why he never seemed to fit in. His investigation into the crimes turns up reports of an immaculate conception years before, a shadowy cult that worships some nut named Bernard Phillips (Richard Lynch), and Mason Adams playing an obstetrician. Then things get really weird. Nicholas tracks down a woman who tells him a story he would rather not hear, complete with on screen flashbacks, about an alien abduction that took place years ago. Again, this type of stuff is par for the course in New York City, but you wouldn't know it by watching Detective Peter Nicholas's reaction. He races out of the building on a quest to track down the enigmatic Bernard Phillips, with good reason. The very future of the human race could well depend on our hero putting a stop to the supernatural shenanigans going on in his beloved city. Wow!

I'm not quite sure what to make of "God Told Me To." The film doesn't fit in any single cinematic genre, so I'm not sure it would appeal to fans of pure cop dramas, or pure science fiction, or pure apocalyptic films. You sort of need to transcend boundaries with this movie or you'll only end up liking chunks of it. I do think that Tony Lo Bianco did a wonderful job as the conflicted and tormented Detective Peter Nicholas. As proof of this assertion, I ask that you view closely the scene where he listens to the father talk about butchering his family. The rage slowly building in every fiber of Lo Bianco's being as he digests this string of spoken atrocities appears so genuine that I thought he was really going to deck that guy when he finally blows. So I guess you can say the acting isn't too bad. The special effects, on the other hand, ain't that great. You get a cheesy showdown between Phillips and Nicholas at the end involving a lot of camera shaking, collapsing walls, and flashing lights--hardly the stuff of big budget effects teams working with state of the art equipment. But ultimately, "God Told Me To" is entertaining because it's creepy and offbeat.

Cohen's films are seeing a big resurgence on DVD thanks in large part to Blue Underground. Included as extras on the disc are a commentary with Cohen, a poster and stills gallery, a trailer, a Cohen biography, and seven television spots. I learned by watching these extras that "God Told Me To" also went by the name of "Demon," which often means that the movie tanked under its original title so the distribution company slapped a new moniker on it in order to release it somewhere else. If you want to explore the Larry Cohen canon, this picture is a great place to start.

I surely won't say that I was disappointed with my long awaited viewing of Larry Cohen's "God Told Me To", but it wasn't quite what I was expecting. And I mean that as a compliment because the depth and storyline of this film was far more impressive than I hoped it to be. Cohen has always been an imaginative and versatile scriptwriter (It's Alive, Q – The Winged Serpent) but he really surpasses oneself here with this multifunctional shocker! It would be a disgrace to simply categorize "God Told Me To" as a shlock-horror film as it equally covers the fields of detective thriller, pseudo-religious drama and science fiction. The very engaging script starts from a dazzling basic idea (which truly encouraged me to purchase this movie no matter what…) but unexpectedly becomes an ambitious mystery that constantly keeps you guessing. We follow the deeply religious cop Peter Nicholas in his investigation on every day NY citizens that suddenly go wild and commit vile murders. Right before dying, they all confess that God himself ordered them to commit these crimes. In his search for clues, Det. Nicholas stumbles upon supernatural events and connections that are beyond belief. The story is compelling, although very VERY complex. It took me three viewings to really "get" the story and I still have questions to ponder on. Nevertheless, Cohen proves himself to be a master of plotting and even the tiniest sub plot (like the anti-hero cop being torn between his wife and mistress) are sublimely elaborated. I admit I more or less expected this to be a semi-absurd and violent cheapie (like Cohen delivered them before) but it turned out one of the most misunderstood exploitation films of the 70's. Although the film isn't really disturbing, there's a lot of suspense and intrigue. Cult lovers familiar with Cohen's repertoire will be pleased to see that he couldn't resist referring to his blaxploitation roots and that he takes every opportunity to severely criticize American society. The charismatic actor Tony Lo Bianco is terrific in portraying the spirited here and he's partly responsible for a climax you won't forget easily.