रॉय नियरी, एक इंडियाना इलेक्ट्रिक लाइनमैन, एक यूएफओ के साथ घनिष्ठ मुठभेड़ के बाद अपने शांत और साधारण दैनिक जीवन को उल्टा पाता है।रॉय नियरी, एक इंडियाना इलेक्ट्रिक लाइनमैन, एक यूएफओ के साथ घनिष्ठ मुठभेड़ के बाद अपने शांत और साधारण दैनिक जीवन को उल्टा पाता है।रॉय नियरी, एक इंडियाना इलेक्ट्रिक लाइनमैन, एक यूएफओ के साथ घनिष्ठ मुठभेड़ के बाद अपने शांत और साधारण दैनिक जीवन को उल्टा पाता है।
- 1 ऑस्कर जीते
- 16 जीत और कुल 40 नामांकन
François Truffaut
- Claude Lacombe
- (as Francois Truffaut)
Warren J. Kemmerling
- Wild Bill
- (as Warren Kemmerling)
फ़ीचर्ड समीक्षाएं
An amazing film, one of my favorites. I watch this regularly, especially at times when the reality of life is overwhelming, just to refocus and regain some sense of perspective.
Everything in this film works toward one end: to transform the adult sense of fear back into the childlike sense of wonder at the world. From the very opening moments of the film, designed to create confusion and startlement, this movie creates a sensation of dread and foreboding. The dissonance of the soundtrack, the juxtaposition of images, they all are working to build into the viewer a feeling that something just isn't right, that something out of the ordinary is taking place, and underscoring this all with a sense that this is something to resist, to pull away from, to not allow it to affect one's "ordinary life."
But as the movie progresses, the tone begins to shift, and the true intent of the film begins to peek through. This isn't about being afraid of the unknown, but rather embracing it. Paying attention to the "subliminal images" in life, allowing them to lead you into something unknown and perhaps dangerous, only then can one be open to wonder and experience the world through the magical eyes of a child.
Dreyfuss' character takes us on this journey, met with resistance all along the way. His wife, his neighbors, his job, his community, all are working against him, and it's only when he's reached his craziest that he truly gives in and begins to stop trying to understand and instead embraces the experiences in store for him. The scientific community is seeking to understand, but without having any personal calling to be involved. Only Barry is truly able to throw himself into the strangeness that is taking place, and his enthusiasm is greeted by both the characters and the audience as somehow alien and threatening.
The ending of this film, when all the fear is finally stripped away and the sense of amazed wonder overtakes everyone on the screen and in the audience, brings about an amazing catharsis. Discarding all the "adult" sensibilities and being able to approach life once again with a sense of innocent amazement for the Strange hidden amongst the Ordinary, one can begin again to approach life from a fresh vantage point.
Powerful, mystifying, and rejuvenating. I highly recommend this film for anyone jaded with life and seeking a sense of renewal.
Everything in this film works toward one end: to transform the adult sense of fear back into the childlike sense of wonder at the world. From the very opening moments of the film, designed to create confusion and startlement, this movie creates a sensation of dread and foreboding. The dissonance of the soundtrack, the juxtaposition of images, they all are working to build into the viewer a feeling that something just isn't right, that something out of the ordinary is taking place, and underscoring this all with a sense that this is something to resist, to pull away from, to not allow it to affect one's "ordinary life."
But as the movie progresses, the tone begins to shift, and the true intent of the film begins to peek through. This isn't about being afraid of the unknown, but rather embracing it. Paying attention to the "subliminal images" in life, allowing them to lead you into something unknown and perhaps dangerous, only then can one be open to wonder and experience the world through the magical eyes of a child.
Dreyfuss' character takes us on this journey, met with resistance all along the way. His wife, his neighbors, his job, his community, all are working against him, and it's only when he's reached his craziest that he truly gives in and begins to stop trying to understand and instead embraces the experiences in store for him. The scientific community is seeking to understand, but without having any personal calling to be involved. Only Barry is truly able to throw himself into the strangeness that is taking place, and his enthusiasm is greeted by both the characters and the audience as somehow alien and threatening.
The ending of this film, when all the fear is finally stripped away and the sense of amazed wonder overtakes everyone on the screen and in the audience, brings about an amazing catharsis. Discarding all the "adult" sensibilities and being able to approach life once again with a sense of innocent amazement for the Strange hidden amongst the Ordinary, one can begin again to approach life from a fresh vantage point.
Powerful, mystifying, and rejuvenating. I highly recommend this film for anyone jaded with life and seeking a sense of renewal.
On one level, Close Encounters is an archetypal Spielberg film; breathless, thrilling and awe-inspiring. On another level, it carries a profundity and depth which is unparallelled even by some of his biggest cinematic wonders. One thing's for sure; its brilliant storytelling and a dazzling piece of film-making. The superb Richard Dreyfuss is the down-at-heel electrician who becomes obsessed with the UFOs that one night pop up all over his home town, embarking on a journey which takes him literally towards the unknown. Spielberg's childhood fascination with alien life keenly explains why a third-time director handles this epic with such bruava yet the director's own neuroses over his parents' divorce lends an understated but nonetheless effective layer to Dreyfuss' character. All this is tied into an old-fashioned mythical adventure plot line with many implications. Like Kubrick a decade earlier, Spielberg uses the liberty of science-fiction to deliver a visually stunning and three-dimensional piece of cinema.
Was SOOOOOO excited to see this as a kid, with my friends and big sister (who got us in, since it was a PG movie) and it was AMAZING!!! We lived in New Mexico and would stay out late trying to spot UFO's . Ha hahaha Loved Crazy Richard Dreyfuss. That ship reveal was mind boggling to all us kids. ;D Ahhhhh Good Times!
When I saw this movie for the first time I was barely six or seven years old in former Yugoslavia.
It has left a huge impact on my childhood world , I was so consumed and mesmerized. That much I wanted to become an astronaut for a long time afterwards .
Now , as a 50 year old I feel pretty much the same. And , I didn't become an astronaut unfortunately.
I don't know what more to say . It is as realistic, as magical and feel good movie about benevolent aliens as it could be.
I hope one day it will become true , so that we all know there is something beyond this world, but not something bad.
For everyone who wants to dive into beauty with depth , I can only recommend it.
It has left a huge impact on my childhood world , I was so consumed and mesmerized. That much I wanted to become an astronaut for a long time afterwards .
Now , as a 50 year old I feel pretty much the same. And , I didn't become an astronaut unfortunately.
I don't know what more to say . It is as realistic, as magical and feel good movie about benevolent aliens as it could be.
I hope one day it will become true , so that we all know there is something beyond this world, but not something bad.
For everyone who wants to dive into beauty with depth , I can only recommend it.
Aged forty, and there are many films I should have watched, and haven't, I will be rectifying that as soon as I can.
First up, Close encounters of the third kind, I can only imagine what it would have been like for someone seeing this at a cinema in 1977, I imagine it was epic. Watching this on a big screen in the dark, if is a spectacle lights.
Yes it's dated somewhat, of course it has, but the special effects are decent, but the story remains wonderful.
This showcases the art of storytelling, a movie that relies on the narrative, script and journey, as opposed to just special effects. It's an exciting, uplifting, wondrous affair, one I totally enjoyed.
Someone dismissing this out of hand, clearly has no concept of movies of any kind. When I'm bored with a film (Wonderwoman 1984) I twiddle on my phone, I didn't pick it up.
A wonderful movie. 8/10.
First up, Close encounters of the third kind, I can only imagine what it would have been like for someone seeing this at a cinema in 1977, I imagine it was epic. Watching this on a big screen in the dark, if is a spectacle lights.
Yes it's dated somewhat, of course it has, but the special effects are decent, but the story remains wonderful.
This showcases the art of storytelling, a movie that relies on the narrative, script and journey, as opposed to just special effects. It's an exciting, uplifting, wondrous affair, one I totally enjoyed.
Someone dismissing this out of hand, clearly has no concept of movies of any kind. When I'm bored with a film (Wonderwoman 1984) I twiddle on my phone, I didn't pick it up.
A wonderful movie. 8/10.
क्या आपको पता है
- ट्रिवियाDuring the Neary dinner scene, just before Roy piles on the mashed potatoes, the little girl Silvia (Adrienne Campbell) says: "There's a dead fly in my potatoes." This was unscripted and almost caused the rest of the cast to laugh. The scene was kept as-is.
- गूफ़The coordinates received by the scientists (40°36'10" N, 104°44'30" W) aren't very close to Devils Tower at all. The coordinates are actually in a farm paddock about 200 yards east of hwy 85, half way between the towns of Pierce and Ault, Colorado (17mi [27km] east of Ft. Collins, Colorado), 276 miles (444 km) due south from the Devils Tower monument (they got the north latitude wrong by 4 degrees, it SHOULD have been 44°35'25"N. In addition the longitude is incorrect, it should be 104°42'54"W)
- भाव
Project Leader: If everything's ready here on the Dark Side of the Moon... play the five tones.
- क्रेज़ी क्रेडिटNear the end of the credits it starts to reads as follows: "During the filming of all animal sequences, H.L. EDWARDS, Veterinarian of Gillette, Wyoming, was in attendance at all times to aid the filmmakers and the anesthetist in proper treatment of the animals used, and at no time were the animals harmed or mistreated in any way."
- इसके अलावा अन्य वर्जनA print of the film screened at the American Cinematheque (Los Angeles) several times features most of the Special Edition's edits, but also includes the Roy's tree-tossing sequence and his climb through the window. What's missing from this version is all of the footage from inside the spaceship.
- साउंडट्रैकChances Are
Words and Music by Al Stillman and Robert Allen
Performed by Johnny Mathis
Published by International Korwin Corp.
from the Columbia Records album "Johnny Mathis' All-Time Greatest Hits"
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Close Encounters of the Third Kind?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Thard Kaind Yokka Enkauntarlanu Musiveyandi
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $13,51,89,114
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $17,67,758
- 3 सित॰ 2017
- दुनिया भर में सकल
- $30,68,89,114
- चलने की अवधि2 घंटे 18 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें