Bhumika

This movie stands the test of time because of how relevant it is till date. Usha is the way she is, partially because of her toxic childhood. Even the choices that she makes , especially regarding her partners , give her only partial happiness. In the end , she remains stuck in a loop ; she fails to understand her true worth and you feel like giving her a big hug. The role needs a lot of emotional maturity from the Late Smita Patil ji and she nails the character to the T. I need to watch Hansa Wadkar ji's films , on which the character is based on. Amol Palekar and Amrish Puri 's characters are so different yet toxic in their own way, loved the way they were potrayed.

Artistically, Bhumika is Benegal's seminal work. Storytelling is convincing, locations play a part and chronology is color coded. It's hailed as a study of feminism and 'male gaze', it's rather a character study of our impulsive protagonist, done impressively by Patil, surrounded by a pool of stereotypical antagonists who, for the length of the film, could have been used a bit better than mere shallow devices. 7/10!

With 'Bhumika: The Role', Shyam Benegal has created one of the finest character studies of Indian cinema. Based on the life of 40's Marathi actress Hansa Wadkar, is a biopic but very different from the conventional one. The film follows the life of a troubled actress who yearns to live a life of freedom where she can live the way she chooses. However, she only finds little satisfaction in her roles and while she has played a variety of characters in her films, she's stuck with the same role in life trapped in a man's world.

'Bhumika: The Role' is an exceptionally well-made film. Benegal is clearly influenced by Satyajit Ray. The black and white flashback sequences echo scenes from Ray's 'Nayak' and 'Patther Panchali'. His attention to detail is excellent as he adds subtle layers to the films (for example, notice how time is depicted through the news on the radio). The absence of a background score make the scenes raw and gritty. The remarkable cinematography deserves special mention and the lighting is superb.

But what would 'Bhumika: The Role' be without Smita Patil's tour-de-force performance? Patil was only in her very early 20s when she shot for the film and yet she's incredibly convincing as a bubbly teenager, a grown-up actress and a mother of a mother-to-be. Urvashi is a complex and demanding character with many shades and that cannot be easy for an ordinary actor to play but Patil does it with sheer ease and intensity. She dazzles the screen with a restrained and natural performance.

Patil is effectively supported by a strong cast that includes Sulabha Deshpande (notice the parallels between her role and Urvashi which hints that Usha's daughter may also repeat the sad cycle), Amol Palekar, Amrish Puri, Anant Nag, Naseeruddin Shah and Dina Pathak.

This is easily one of Benegal's best and it should serve as a prototype character study, biopic and even a textbook of acting (for upcoming actors). On different levels, it works as a social commentary, a historically accurate period piece, a study of relationships, provides an insight into the filmworld and a piece of thought-provoking cinema that makes one question the various roles humans have to play in life.

Well nothing much say except that the film really blew me away. What made this exceptionally brilliant is the amazing huge star cast but moreover their amazing appearance gradually.

Smitha Patil is breathtaking as the main protagonist, one of her ever best films on female centric characters. She will surely be remembered for this role. Supporting her is the amazing Amol Palekar who is brutal but human at the same time as Keshav.

Following them is a series of great performances from Anant, Naseer ,Agashe and Sulbha Deshpande. However the biggest surprise was Amrish Puri! Who was really really spellbinding as this calm gentle yet patriarchal man who is very much into his own principles.

Overall worth watching and a total 10 on 10 from my side.

Bhumika (1977) - A film by Shyam Benegal Sahab

'Bhumika - The Role' is probably the best role ever played by Smita Patil in her career. 'Usha' the character played by her is throughout her life seeking happiness but she never attains. She falls in love and romantic liaisons with a number of men each of whom ends up unsatisfying her emotionally. One is weak and lacks confidence, another is too over the top philosophically who even hates the concept of 'love', another one almost deceives her with charm and confidence only later letting her realize that she will be a prisoner of his family traditions and their culture which won't even allow a women to step outside his house after death.

In the end she is rescued by the man called Keshav, superbly played by Amol Palekar. He is in the first place the reason for all her misery to begin with. He has his own personal needs and agendas. He sees an opportunity to exploit young Usha's charm and abilities and gets her into the film business, convincing her mother with perhaps deceiving arguments and assurances. A young Usha was only supposed to be in the profession for three or fours years but we are introduced to her character when she is her late 30s or early 40s and still in the same business.

Shyam Benegals Sahab has made a brilliant film which for majority of its running time runs in the flashbacks. A shoot is taking place. A mild twisting of an ankle by one of the background dancers halts the shoot where Usha is the lead. Since the scene cannot be completed the director decides to call for packup.

Usha doesn't have any scenes so she can go home. From the this early moment in the film one can start to see her unhappiness. She was delightfully cheerful for the eyes and the mind while she was in front of the camera. As soon as she is back in the real world, she looks sad and disturbed and a bit gloomy. This is further established by an un- importantly tiny gesture that his fellow actor makes for her by giving her a lift back home which irritates Keshav, her much older husband.

It is at this moment in story when the character Keshav is introduced. By his very looks and super makeup and costume, and on top his brilliant performance by Amol Palekar, we can anticipate and predict that the forthcoming interaction between the two characters is not going to be pleasant.

Director Sahab doesn't waste any time in any illogical and unnecessary melodrama and instead take the story right to the point. After this brief interaction and her expression of angst and frustration we come to know that this is a common occurrence in her life. This leads to an argument which is followed by Usha walking out of the house and taking a refuge in hotel.

It is at this familiar hotel in her familiar room that the flashbacks start. The very first flashback is of Usha's childhood which is brilliantly shot in black and white. A much younger looking Amol Palekar and Sulabha Deshpande who plays Usha's mother and a young Usha played by little girl (sorry couldn't find her name) perform with such sheer brilliance and conviction that you are suddenly taken back in their times and you get a feeling of actually being there.

I can keep on going about this film with its wonderful cinematography, direction, editing and performances but I'll cut the chase out and get climax of my point!

JUST WATCH THIS FILM!!!! It's a MUST WATCH!!!

I feel like punching myself in face for not having seen this film earlier!

Hats off to Shyam Benegal Sahab, Smita Patil and a very brilliant Amol Palekar sahab.