The Amsterdam Kill

Robert Mitchum is not one of my favorite actors. But here he plays a very cool role. The movie is very well done. You can recognise Robert Clouse's specialist footprint. Leslie Nielsen and Bradford Dillman both make two decent performances. The film is alert, full of action, we see a little Amsterdam, we see a little Hong Kong, there are some pursuits, many many shots, everything justified. What is missing? A beautiful girl! In fact, there are no female characters at all, it's an exclusively male film.

Waaaay after the golden age of hollywood, robert mitchum was still making films. Some good ones, and some clunkers. Here, he's quinlan, trying to stop the flow of drugs coming into amsterdam from hong kong, and points in the far east. Leslie nielsen is in hong kong, the public face of the dea. They are getting assistance from the locals; some of the information is accurate, and some is false, to set them up. It seems there's a leak... somewhere. It's pretty good. As we know, they can only stop so much from coming in; the rest face harsh jail time. Directed by robert clouse. He was nominated for two academy awards, for short films. It's okay. The story kind of marches along until the end, where all is explained.

At a time when Golden Harvest were trying new things, including a host of international productions, director Robert Clouse seemed to be the go-to-guy after the success of Enter The Dragon. That experience obviously gave him a taste for the Orient, following with films such as Black Belt Jones, Golden Needles, Game Of Death, The Big Brawl, and more...

Shot between Hong Kong, Amsterdam and England, The Amsterdam Kill, while a Golden Harvest production, is definitely one of his weakest - in terms of martial action and excitement. While I'm not a huge fan of his work, Clouse proved to be successful enough even though he was completely deaf, using assistant directors to help him get what he needed. Hal Schaefer joins him once again to complete a score that, honestly, I don't even remember hearing!

Although it features Hong Kong stars such as Yuen Biao, Yuen Wah, Lam Ching Ying and Chen Sing, these are only bit-part, bad guy roles at best. American actor George Cheung wins the role as Mitchum's sidekick. Talking about Robert Mitchum - the guy looks old, bored and totally uninteresting, although he does deliver lines wonderfully. I don't know what the appeal was, but he is the star and does become a bit more watchable as the story moves on. The great Leslie Nielsen co-stars (in a serious role of course), but all in all, this feels like a TV movie marred by the directors usually flat story-telling technique.

When the action comes about, its mainly shoot-outs (and not fun ones), with a car stunt into a canal, and a bizarre ending with Mitchum driving a bulldozer through a host of green-houses after setting free a pack of horses that trample the 2 Yuen's to death!

Overall: Watchable, if only once, The Amsterdam Kill isn't fantastic but it passes the time...

According to the trivia-section here, lead actors Robert Mitchum and Bradford Dillman both weren't very enthusiast to be starring in "The Amsterdam Kill". Well, if these men were still alive today, I would surely tell them they were wrong and that I had an awesome time watching this gritty and excessively violent late 70s action/thriller! It has a simple but engaging plot, a great cast & ditto director, outrageously violent scenes, and - most of all - lovely filming locations not too far from where yours truly lives. Amsterdam, that is... not Hong-Kong.

Robert Mitchum, as ex-DEA agent Quinlan, gets approached by Cantonese drug lord Chung Wei who wants out. He's willing to give a lot of incriminating information about the heroin trafficking activities between Hong-Kong and Amsterdam, but the DEA organization has more leaks than a teabag.

The plot seems confusing and unnecessarily convoluted at first, especially during the opening half hour and the constant switching between HK and Holland, but as soon as you figure out who's who and who's where, it becomes a very straightforward and undemanding action movie full of gunfire, chases, and executions. Two sequences are notably gruesome, with people tied to chairs or begging for their lives still getting mercilessly executed. The climax is also a blast, as Mitchum destroys a complete glasshouse farm with a bulldozer! Oh, next to Robert Mitchum and Bradford Dillman, "The Amsterdam Kill" also stars Leslie Nielsen. Since the film predates his slapstick-typecasting period, which began with "Police Squad" and lasted for the rest of his life, you might have to make a mental switch to take him serious as the stern (and most likely corrupt) head of DEA-Europe.

Although not listed among favourites of cinema critics, this work, filmed primarily in Hong Kong and Amsterdam, proves to be a very competently made affair, with good performances by such old hands as featured player Robert Mitchum and supporting actors Bradford Dillman, Richard Egan, and Keye Luke. Mitchum, as "Quinlan", a sullied former agent of the Drug Enforcement Agency, is hired by one of his erstwhile targeted criminals: Chung Wei (Luke), a leader of Amsterdam's major narcotics league, to discover who is murdering, on two continents, large scale heroin dealers. During the course of his investigation, Quinlan is re-hired by the DEA in return for supplying the agency, now under the aegis of his former boss "Odums" (Dillman), information concerning major supply locations serving Hong Kong's dope derby. As Quinlan attempts to assist both Chung Wei and the DEA, he discovers that sabotage of his operation stems from an unknown confederate, and he is made to realize that he remains less than popular with the drug enforcement administrators. The film is paced correctly by director Robert Clouse, who controls the many action scenes very well indeed, with his script spending exactly the proper amount of time filling gaps which might betray logic. It is a fair statement that dialogue is of above-average quality for an action production, with one remarkable monologue delivered by Mitchum in his character's Hong Kong hotel room as he propels the plot past a conundrum, a highly accomplished piece of acting. As there are no females in the cast other than extras, the complicated pickle in which Quinlan finds himself is not diluted by the normally obligatory romantic subplot, freeing an audience to concentrate upon a well-told scenario, incidentally marked by Dillman's strong performance and by the creative camerawork of Alan Humes.