Secret Army
- टीवी सीरीज़
- 1977–1979
- 50 मि
IMDb रेटिंग
8.5/10
1.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंDuring World War II, a Belgian resistance movement called Lifeline, based in Brussels, organises the return of Allied airmen who have been shot down by the Luftwaffe to the United Kingdom.During World War II, a Belgian resistance movement called Lifeline, based in Brussels, organises the return of Allied airmen who have been shot down by the Luftwaffe to the United Kingdom.During World War II, a Belgian resistance movement called Lifeline, based in Brussels, organises the return of Allied airmen who have been shot down by the Luftwaffe to the United Kingdom.
- 1 BAFTA अवार्ड जीते गए
- 2 जीत और कुल 1 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
After seeing Secret Army recently for the first time on UK Drama, I was blown away by it's brilliance. I had read lots about it, but never realised that the show was as impressive as it is.
The characters are all very well drawn and the series views World War II from many angles. We don't only get to see the heroic and valiant efforts of the allies and resistance - the Germans, the Belgian police and ordinary citizens of the Low Countries are all represented, and more than anything else the series shows that the war affected different people in vastly differing ways. Nothing is black and white. Albert, our hero in the series, is a flawed hero: he can be greedy, dominating and possessive (Albert is a far cry from Hepton's role as a Nazi Commandant in Colditz, some years earlier). Major Brandt of the Luftwaffe is a German but not like Kessler, a Nazi. Brandt is simply a member of the armed forces who is only doing his job. Secret Army can be commended for not presenting the heroes and "villains" as mere stereotypes. Special mention must also go to Clifford Rose who play the head of the Gestapo in Belgium, Ludwig Kessler - the inspiration for Herr Flick in the spoof series Allo Allo. Rose is magnificent as Kessler and the character is written as a man who is completely and utterly devoted to the Fatherland and the Fuhrer.
Secret Army, along with other greats like Colditz and I, Claudius is an example of the great drama serials that the BBC no longer produce. These days we seem to be stuck in a never-ending cycle of police and hospital drama serials. Secret Army was transmitted at prime-time on BBC1 when it was first shown: how many period dramas do we ever see on our screens these days? At very best we get a Jane Austin type adaptation, and that would only ever be broadcast on a Sunday night.
Why don't the BBC take the chance to make something as daring as Secret Army? I'm sure that a viewing public tired of the same old shows would thank them for it.
I hope that UK Drama will show the spin-off series Kessler now!
The characters are all very well drawn and the series views World War II from many angles. We don't only get to see the heroic and valiant efforts of the allies and resistance - the Germans, the Belgian police and ordinary citizens of the Low Countries are all represented, and more than anything else the series shows that the war affected different people in vastly differing ways. Nothing is black and white. Albert, our hero in the series, is a flawed hero: he can be greedy, dominating and possessive (Albert is a far cry from Hepton's role as a Nazi Commandant in Colditz, some years earlier). Major Brandt of the Luftwaffe is a German but not like Kessler, a Nazi. Brandt is simply a member of the armed forces who is only doing his job. Secret Army can be commended for not presenting the heroes and "villains" as mere stereotypes. Special mention must also go to Clifford Rose who play the head of the Gestapo in Belgium, Ludwig Kessler - the inspiration for Herr Flick in the spoof series Allo Allo. Rose is magnificent as Kessler and the character is written as a man who is completely and utterly devoted to the Fatherland and the Fuhrer.
Secret Army, along with other greats like Colditz and I, Claudius is an example of the great drama serials that the BBC no longer produce. These days we seem to be stuck in a never-ending cycle of police and hospital drama serials. Secret Army was transmitted at prime-time on BBC1 when it was first shown: how many period dramas do we ever see on our screens these days? At very best we get a Jane Austin type adaptation, and that would only ever be broadcast on a Sunday night.
Why don't the BBC take the chance to make something as daring as Secret Army? I'm sure that a viewing public tired of the same old shows would thank them for it.
I hope that UK Drama will show the spin-off series Kessler now!
This programme is a true masterpiece; possibly the best television series ever made by the BBC.
When I watched it as a young teenager, it was totally memorable and gripping. It is probably the only TV series of its kind from which I could recall every character and many of the plots some 25 or 30 years later. Some of the episodes toward the end of the final series were utterly gripping. The acting was outstanding; the writing fantastic, and the music and intro/credits I recall to this day with total clarity.
UDATE: Having just watched it again on DVD almost 30 years later, my view hasn't changed at all. No sense of disappointment here - this really is classic television at its very best. A clever, nuanced and absorbing series in every respect.
When I watched it as a young teenager, it was totally memorable and gripping. It is probably the only TV series of its kind from which I could recall every character and many of the plots some 25 or 30 years later. Some of the episodes toward the end of the final series were utterly gripping. The acting was outstanding; the writing fantastic, and the music and intro/credits I recall to this day with total clarity.
UDATE: Having just watched it again on DVD almost 30 years later, my view hasn't changed at all. No sense of disappointment here - this really is classic television at its very best. A clever, nuanced and absorbing series in every respect.
I first saw Secret Army in 1977 at the age of 12, it really opened my eyes to the potential for quality drama to be something more than just entertainment. The WWII evasion lines which enabled the escape of thousands of downed pilots is an heroic story of incredible bravery by the Belgium people involved and this series more than does the story justice. As someone with a passionate interest in history I usually prefer documentaries to historical drama but this series tells the story in so many ways better than any documentary could. The series really captures the dangers, the risks and emotions involved. The series is also notable for the way it shows the many character dimensions and dilemmas facing the German occupiers.
This was drama at it's best, great stories, wonderful performances, well written, produced and directed. The suspense and tension in just about every episode is quite remarkable. Sadly overshadowed by it's spoof imitation comedy, 'Allo Allo' (in a way an acknowledgement of how good the original was) but I've watched all the episodes several times in the many years since and it is always just as compelling, quality is timeless and Secret Army is highly recommended to anyone who hasn't seen it and wants to see drama at it's very best. The DVD box set of all 3 series is excellent, Andy Priestner's accompanying booklets are so informative, so I bought his excellent nearly 700(!) page book on the series which has helped me to appreciate the series even more. Modern viewers should not be put off by some of the studio sets which show the age of the series, it is the quality of the drama which shines through.
This series is so underrated and is one which should be constantly repeated for new generations to enjoy and never be forgotten or cast aside.
This was drama at it's best, great stories, wonderful performances, well written, produced and directed. The suspense and tension in just about every episode is quite remarkable. Sadly overshadowed by it's spoof imitation comedy, 'Allo Allo' (in a way an acknowledgement of how good the original was) but I've watched all the episodes several times in the many years since and it is always just as compelling, quality is timeless and Secret Army is highly recommended to anyone who hasn't seen it and wants to see drama at it's very best. The DVD box set of all 3 series is excellent, Andy Priestner's accompanying booklets are so informative, so I bought his excellent nearly 700(!) page book on the series which has helped me to appreciate the series even more. Modern viewers should not be put off by some of the studio sets which show the age of the series, it is the quality of the drama which shines through.
This series is so underrated and is one which should be constantly repeated for new generations to enjoy and never be forgotten or cast aside.
I've just finished watching Secret Army on UK Drama and, for me, it's BBC drama at its best. It might have seemed hard for the team that had produced the highly acclaimed 'Colditz' series to live up to its reputation but I believe that this highly popular classic surpassed it.
Colditz did have a distinct disadvantage, taking place mostly within the four walls of a POW camp, making the atmosphere at times rather claustrophobic and making the scope rather limited. Secret Army, on the other hand, was able to use and contrast a variety of places and situations. As well as this, it had more detailed analysis of the all the characters - something which was often lacking in its forerunner and also examined their motives. Using the setting of Brussels in World War II, the producers were able to capture perfectly the grim realities of life under German occupation with the distant hope of liberation. Everything from the sinister music to the camera angles, special effects and scenery was cleverly thought out. The varied plots, whose frequent twists kept everyone guessing, along with many clever subtleties and inferences, made each episode thoroughly enjoyable.
The central character of Albert Foiret was carefully scrutinised, his greed and ruthless determination to keep ownership of his beloved Candide at any cost coming out. Bernard Hepton seemed able to show an inexhaustible range of emotions, making his character something of a change from the German Kommandant he had played previously. In contrast, the virtually emotionless Kessler could show generosity, and great loyalty, albeit misguided, to his beloved country and Fuehrer. Clifford Rose was perfect as the bespectacled, ice-cold SS man with no sense of humour. Even the smaller parts, such as Alain and Dr. Keldermans were well played by Ron Pember and Valentine Dyall, along with Monique (Angela Richards) whose lovely singing in the seemingly happy atmosphere of the Candide was often made to contrast the often sinister goings on elsewhere.
The series just seemed to go from strength to strength as the characters developed and plots became more complicated. The last few episodes produced a gripping climax as we were left wondering how all the ongoing issues were going to resolve themselves, and there was much irony when many did not end up the way you would have expected.
Unlike many of the older WW2 films this serial was certainly not biased towards the allies - airmen were often seen to act rather crassly and the resistance people could be less than scrupulous, sometimes killing innocent people and breaking promises for their own survival. It also addressed many issues which were not always fully appreciated, like the uneasy relationship the French and Belgian police had with the Germans, the contempt felt by the Wehrmacht for the SS and the bitter power struggle between the resistance and the communists. Being a product of the 70s there was none of the gratuitous violence or obligatory sex scenes which can sometimes mar the storylines of more contemporary works.
Secret Army was very much a true-to-life drama - even if there were many improbable coincidences and few factual errors with many memorable episodes. I'd certainly recommend it.
Colditz did have a distinct disadvantage, taking place mostly within the four walls of a POW camp, making the atmosphere at times rather claustrophobic and making the scope rather limited. Secret Army, on the other hand, was able to use and contrast a variety of places and situations. As well as this, it had more detailed analysis of the all the characters - something which was often lacking in its forerunner and also examined their motives. Using the setting of Brussels in World War II, the producers were able to capture perfectly the grim realities of life under German occupation with the distant hope of liberation. Everything from the sinister music to the camera angles, special effects and scenery was cleverly thought out. The varied plots, whose frequent twists kept everyone guessing, along with many clever subtleties and inferences, made each episode thoroughly enjoyable.
The central character of Albert Foiret was carefully scrutinised, his greed and ruthless determination to keep ownership of his beloved Candide at any cost coming out. Bernard Hepton seemed able to show an inexhaustible range of emotions, making his character something of a change from the German Kommandant he had played previously. In contrast, the virtually emotionless Kessler could show generosity, and great loyalty, albeit misguided, to his beloved country and Fuehrer. Clifford Rose was perfect as the bespectacled, ice-cold SS man with no sense of humour. Even the smaller parts, such as Alain and Dr. Keldermans were well played by Ron Pember and Valentine Dyall, along with Monique (Angela Richards) whose lovely singing in the seemingly happy atmosphere of the Candide was often made to contrast the often sinister goings on elsewhere.
The series just seemed to go from strength to strength as the characters developed and plots became more complicated. The last few episodes produced a gripping climax as we were left wondering how all the ongoing issues were going to resolve themselves, and there was much irony when many did not end up the way you would have expected.
Unlike many of the older WW2 films this serial was certainly not biased towards the allies - airmen were often seen to act rather crassly and the resistance people could be less than scrupulous, sometimes killing innocent people and breaking promises for their own survival. It also addressed many issues which were not always fully appreciated, like the uneasy relationship the French and Belgian police had with the Germans, the contempt felt by the Wehrmacht for the SS and the bitter power struggle between the resistance and the communists. Being a product of the 70s there was none of the gratuitous violence or obligatory sex scenes which can sometimes mar the storylines of more contemporary works.
Secret Army was very much a true-to-life drama - even if there were many improbable coincidences and few factual errors with many memorable episodes. I'd certainly recommend it.
Yes indeed. "Secret army", has to be my favourite series from the 70-ies. A classic in his own right. Very dramatic, very real! Even at this moment it's running again on Belgian TV, and every time it's a joy to watch! I got to mention, especially Kessler, played by Clifford rose, a great performance, even today! I wonder what happened to most of the actors, cause haven't heard or seen much about them after the series. One thing I did find very sorry is, why they had to make a comic version of it! Because the series is telling us of people who risked their lives to save that of others, when Europe, (Belgium), was going trough his most dark period in history! Peter.
क्या आपको पता है
- ट्रिवियाEach of the scripts were based on real events and thoroughly researched. On several occasions throughout the series's run, the BBC would reject a script as it was deemed too accurate and potentially upsetting to audiences or too politically sensitive.
- कनेक्शनFeatured in The Return of 'Allo 'Allo! (2007)
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