The Good Life

I've always liked this BBC sitcom from the '70's, it was never uproariously funny in the same way as its channel contemporary Fawlty Towers was, but it was always pleasantly funny and always delivered. It was a genuine attempt to extract humour from a serious human decision, that of quitting the rat race and becoming self-sufficient in Surbiton. How the Good's managed it was the subject of about 30 half hour episodes, with a definite tapering off in story quality towards the end. They'd all proved their point: it could be seen to be possible and successful and once achieved could only repeat like the seasons of the year.

"Plough your own furrow" broadcast 4.4.75: This is where 40 year old Tom, with Barbara's considered support quits his job and they become self-sufficient. To celebrate their decision they dance around the goldfish pond at 3 in the morning much to their next door neighbours Jerry & Margot's disgust.

Tom, Jerry and Margot were all splendidly portrayed by Briers, Eddington and Keith, but as has been repeatedly pointed out in previous comments, it was Felicity Kendal who brought something extra to the shows. She provided a downbeat and downplayed realistic attitude that was at the time and still is completely beguiling and refreshing to watch. Those who couldn't get into it sure missed something! Sitcom was perhaps rather beneath her talents, and I always thought of Briers as a farceur, but they gelled together well in their opposition to the world.

8/10

I remember watching this show on PBS in the early 80's and loving it. However, I hadn't seen it in nearly 20 years, and wasn't sure how much of my "wonderful" memory was simply nostalgia.

So I was thrilled to discover that my local library has a few episodes on VHS, but it was with a bit of trepidation that I checked them out. Would the show be as good (unintentional pun) as I remembered? I can happily say that yes, this show stands the test of time. True, most of Jerry and Margo's wardrobe is horribly dated, and the typical American wouldn't get a few of the jokes. However, by and large this charming sitcom is still big on laughs, in a very family-friendly way (except for some light innuendo, and the occasional drink, there's virtually nothing to offend here).

Oh, and even wearing a raincoat and wellies, Felicity Kendal is still one of the loveliest ladies I've ever seen.

I wonder just how many people in the mid 1970s - anywhere in the world - would have realised just how visionary writers John Esmonde and Bob Larbey were with this marvellous tale of a happily married suburban couple who decide to give up their daily grind and revert to a subsistence existence. Richard Briers and Felicity Kendall are great in the roles of the optimistic and naive "Tom" and his stoic and determined wife "Barbara" as they scrap, save, cannibalise, economise and basically do just about anything to avoid needing/earning/spending money - not an easy task. For me, the best parts come from their loyal and wealthy neighbours "Jerry" (Paul Eddington) and "Margo" (Penelope Keith). The former, the long suffering husband to the loving but terribly snobbish wife who looks down with a mix of disbelief and disdain on the newly self-sufficient folks next door. It features hilarious scenarios that take the most basic of themes - heating oil, vegetable patches, making your own clothes or cheese or wine and turns them into genuine laugh out loud comedy. It is simple and hugely effective, the humour working on many levels as the underpinning principles of love, loyalty and obstinacy marry well with sheer bloody mindedness and, on occasion, downright stupidity - but not just from the same side of their garden fence each time. It probably helps, as with the contemporaneous "Fawlty Towers" series that there was a very limited run. It clearly has an environmentalist aspect to the narrative, but it not delivered in the preachy, puritanical fashion that is so often the style used now - it successfully uses humour as a conduit for a message that is both potent and, frequently, laugh out loud. The writers don't flog the heart out of the joke, and the characters are given plenty of space to develop and shine. Great stuff well worth a watch.

Neither as acerbic as FAWLTY TOWERS or ABSOLUTELY FABULOUS or as radical as THE YOUNG ONES, THE GOOD LIFE remains cosily stuck in a middle-class time-warp but happens to be blessed with terrific scripts (by Bob Larbey and John Esmonde) and extremely strong characters, played to perfection by the four principle actors. Originally airing 1975-1978, the series managed to maintain a very high standard despite a slight air of exhaustion that crept into the fourth final series. It was decided to quit while they were ahead, at the peak of the series popularity, with a final episode filmed in front of the Queen.

The basic set-up concerns Tom and Barbara Good (Richard Briers and Felicity Kendal) who decide to opt-out of the rat race and try self-sufficiency in Surbiton. On this slender premise hung all kinds of imaginative plots farmyard animals (and their excretory processes), generators, rotary cultivators (and contraptions of all kinds) as well as political machinations in the local music society headed up by the formidable Miss Mountshaft (often referred to, but never seen).

As the series progressed, the plots tended to depend upon situations guaranteed to cause maximum embarrassment to the Goods social-climbing fully paid-up member of the white middle-classes neighbour Margo Leadbetter (played marvellously by Penelope Keith). Margo's husband, Jerry (Paul Eddington) maintains just the right amount of total resigned bemusement throughout.

Stand-out episodes include 'The Windbreak War' (a feud erupts over the positioning of Margo's windbreak), 'A Tug Of The Forelock' (Tom and Barbara go into domestic service...for Margo), 'Silly...But It's Fun' (the Christmas 1977 episode in which Harrods fail to deliver Margo's Christmas), 'Mutiny' (in which Margo plays Maria in the local music society's production of The Sound Of Music) and 'The Thing In The Cellar' (Tom installs a methane generator which runs on something that comes out of pigs).

It's easy to forget the critical approval and the public appreciation the series gained during it's initial tenure, along with the fame that greeted the actors (especially Penelope Keith who memorably appeared on the Morecambe & Wise Christmas Show, the ultimate accolade at the time).

THE GOOD LIFE easily ranks up with the best TV comedies ever produced but, unfortunately, it is not remembered with quite the same fondness as DAD'S ARMY, STEPTOE & SON or the magnificent FAWLTY TOWERS. What is needed is some repeats to correct this shameful oversight.

This is one of those series that give Britcoms such a good name! "Good Neighbors" (as we know it here in the states) is intelligent, funny, and extremely endearing. And who can beat the cast? Richard Briers is a very respected veteran now -- he was nominated for a Tony last year for "The Chairs" -- and he was just as talented when he was younger! Felicity Kendall is absolutely precious as his wife (I *love* her scratchy little voice!), and Paul Eddington and Penelope Keith are terrific as the snooty next-door neighbors. "Good Neighbors"/"The Good Life" is dry, but in a good way... You'll laugh out loud at this one! And it has a heart -- you'll fall in love with the Goods, and enjoy following them through their ups and downs! Do yourself a favor and check out this series!