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Voskhozhdenie

  • 1977
  • 1 घं 51 मि
IMDb रेटिंग
8.2/10
11 हज़ार
आपकी रेटिंग
Voskhozhdenie (1977)
Excerpt: Hiding from the Nazis
trailer प्ले करें3:41
2 वीडियो
58 फ़ोटो
ड्रामामनोवैज्ञानिक ड्रामायुद्ध

भोजन इकट्ठा करने के मिशन पर दो सोवियत पक्षपाती सर्दियों की ठंड के साथ संघर्ष करते हैं।भोजन इकट्ठा करने के मिशन पर दो सोवियत पक्षपाती सर्दियों की ठंड के साथ संघर्ष करते हैं।भोजन इकट्ठा करने के मिशन पर दो सोवियत पक्षपाती सर्दियों की ठंड के साथ संघर्ष करते हैं।

  • निर्देशक
    • Larisa Shepitko
  • लेखक
    • Vasiliy Bykov
    • Yuri Klepikov
    • Larisa Shepitko
  • स्टार
    • Boris Plotnikov
    • Vladimir Gostyukhin
    • Sergey Yakovlev
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.2/10
    11 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Larisa Shepitko
    • लेखक
      • Vasiliy Bykov
      • Yuri Klepikov
      • Larisa Shepitko
    • स्टार
      • Boris Plotnikov
      • Vladimir Gostyukhin
      • Sergey Yakovlev
    • 55यूज़र समीक्षाएं
    • 44आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 4 जीत

    वीडियो2

    Criterion Collection DVD Preview
    Trailer 3:41
    Criterion Collection DVD Preview
    The Ascent
    Trailer 1:36
    The Ascent
    The Ascent
    Trailer 1:36
    The Ascent

    फ़ोटो58

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 51
    पोस्टर देखें

    टॉप कलाकार15

    बदलाव करें
    Boris Plotnikov
    Boris Plotnikov
    • Boris Sotnikov
    Vladimir Gostyukhin
    Vladimir Gostyukhin
    • Nikolay Rybak
    Sergey Yakovlev
    Sergey Yakovlev
    • Pyotr Sych - Village elder
    Lyudmila Polyakova
    Lyudmila Polyakova
    • Avginya Demchikha
    Viktoriya Goldentul
    Viktoriya Goldentul
    • Basya
    Anatoliy Solonitsyn
    Anatoliy Solonitsyn
    • Pavel Portnov - the Nazi interrogator
    Mariya Vinogradova
    Mariya Vinogradova
    • Village elder's wife
    Nikolai Sektimenko
    Nikolai Sektimenko
    • Stas' Gamanyuk
    Anatoli Chebotaryov
    • German officer with glasses
    Sergei Kanishchev
    Sergei Kanishchev
    • Boy wearing Budyonovka
    • (as Serezha Kanishchev)
    Vasili Kravtsov
    • German officer
    Mikhail Selyutin
    Mikhail Selyutin
    • Fascist collaborator
    V. Sokolov
    • Politzai
    Leonid Yukhin
    Leonid Yukhin
    • Partisan detachment commander
    Aleksandr Zvenigorsky
    Aleksandr Zvenigorsky
    • German officer
    • निर्देशक
      • Larisa Shepitko
    • लेखक
      • Vasiliy Bykov
      • Yuri Klepikov
      • Larisa Shepitko
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं55

    8.211.4K
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    10

    फ़ीचर्ड समीक्षाएं

    10lasse-16

    A Soviet masterpiece

    In the Belarus of 1942, two Soviet soldiers are captured by Nazi-friendly Belarusians. In captivity, the attitude of the two men toward their fate differs greatly. One of the soldiers manages to find an inner strength and spirituality, incomprehensible to the other man. Larisa Shepitko's last film is one of the most beautiful war films in cinema history. The cinematography, by Vladimir Chuchnov, is incredible - particularly in the opening sequence, where long, slow, tracking shots depicting the solitude and almost desperate nature of winter landscape in rural Belarus set the mood perfectly. It is easy to draw comparison to Tarkovsky's films, even more so since Tarkovsky's alter ego Anatoli Solonitsyn has a small but important part in The Ascent. The acting is overall brilliant, especially by Boris Plotnikov, in the part of Sotnikov. The film reveals an old-fashioned belief in the strength of religious passion, which feels related to characters such as Dostoyevsky's Prince Myshkin, or Tarkovsky's Stalker. However, this is not a weakness of the film, but rather one of its greatest strengths. The religious content seems so honest, and human, that it is impossible not to be moved. The emotional richness of the film cannot be overstated; the answer is not as simplified as a short summary of the plot would make you think. The slow development of the characters, and the emphasis on their complicated relationships to each other, are somewhat reminiscent of The Commissar, another great Soviet film. The Ascent deserves a second watching, as well as a third, and a tenth. It continues to provide interesting ideas, beautiful images, and emotional complexity.
    10racinemovies

    The greatest and most harrowing war film of the 20th century...

    Larisa Shepitko's THE ASCENT (1976) is an extraordinary, gruelling account of the partisans' fight against the Nazis in German-occupied Belorussia, The Ascent reflects the Russian obsession with the horrors of the Great Patriotic War, but unusually is both steeped in religious symbolism and ready to acknowledge the existence of the less than great Russian collaborator. The true battle is not with the Nazis, who hover in the background as mere extras, but between the Russian Nazi investigator and Sotnikov, the captured partisan who finds the spiritual strength to go to his death unbeaten. With its many references to the Crucifixion, the story takes on heroic proportions glorifying the sufferings of the martyr and his influence on future generations. A remarkable piece of work.
    9jacksflicks

    Shattering

    I agree with another reviewer, this is such a shattering film, that will be tough to watch again soon, though for quality alone, it deserves repeated viewing. The complexity of the characters, the incredible cinematography and superb direction make this movie worth the emotional price of watching.

    There is one scene, of the two partisans dragging themselves through the snow to escape a patrol, that's perhaps, for sheer physicality, the most amazing performance I've ever seen. In fact, though not episodic -- the story flows -- this is a movie of memorable scenes. There's the passing of rations amongst the partisans, the snow scenes, the ruined farm scene, the encounters in the houses, the interrogation, the "basement" scene, the "ascent". All stand out like jewels in a necklace.

    For me, the religiosity isn't overt. Frankly, I don't think it would have been permitted in a Soviet film. I do see this as an existential parable about the value of life. Here is a tale where the hero -- and he is a true hero -- becomes the villain, and the weaker one becomes the stronger one. Is this a mystical process or one dictated by circumstances? There is a transfiguration, but does it come from within or without? You must see the movie to understand the issues, for they can't be discussed without giving away too much of the story. I can't say enough about the acting. It's hard for me to choose which of the leads is more affecting. I'm not familiar with Soviet film of the 70s and am not familiar with any of the actors, but they are all superb. I also note how director Larisa Shepitko uses children. They remind me of Giotto's child angels.

    There is a little muddling in the end. There is apparently a prior relationship between the soldier Sotnikov and the interrogator Portnov, but this is left dangling. And the final scene is a bit ambiguous. But compared to the total experience these are quibbles. This is a movie that will mark you for life.
    10adipocea

    The Russians made the BEST war movies. Period

    If you have a chance, see this Russian(how should I call them: gems, masterpieces,hidden treasures?), war movies like this one, or The dawns here are quiet, or Proverka na dorogah... And , right after that, watch again the American war movies, or the international productions, those one with the allies and the Germans,etc. Or, even worse, watch the Italian war movies. Everything from the west will seem shallow, contrived, ridiculous, in comparison with the Russian movies. I am sooooo stunned by the quality of the aforementioned Russian war movies that I cannot find the words to praise enough their shattering superiority over Anglo-Saxon war movies.
    9museumofdave

    The Brutality of Battle and The Search For The Human Soul

    This intense dramatic examination of the effect of battle on two soldiers thrown together by the circumstances of World War II is brutal and often difficult to watch; it is a black and white film, and since most of the action occurs in the snow, it sometimes approaches the look of an abstract painting.

    In what is now Belarusa, the two men from different backgrounds are ordered to leave the camp to find food; on the way they encounter Nazi soldiers and are captured along with members of local peasantry; interrogation and torture follow. The film is less about action and more about the struggle to find meaning in battle, a struggle for the soul's integrity. This is a new release from the Criterion Eclipse series and is exquisitely remastered; be warned it is not an action film, and more a potent examination of human behavior under the worst sorts of stress; it can be a powerful viewing experience for some, and like Elem Klimov's Come And See, a revelation in many ways.

    इस तरह के और

    Letyat zhuravli
    8.3
    Letyat zhuravli
    Krylya
    7.6
    Krylya
    Skammen
    8.0
    Skammen
    Ballada o soldate
    8.2
    Ballada o soldate
    Znoy
    7.0
    Znoy
    Andrey Rublyov
    8.0
    Andrey Rublyov
    Ordet
    8.2
    Ordet
    Soy Cuba
    8.2
    Soy Cuba
    Såsom i en spegel
    7.9
    Såsom i en spegel
    Ty i ya
    7.1
    Ty i ya
    The Ascent
    5.7
    The Ascent
    Woman in the Dunes
    8.4
    Woman in the Dunes

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Official submission of Soviet Union for the 'Best Foreign Language Film' category of the 50th Academy Awards in 1978.
    • भाव

      Sotnikov: [Imprisoned, Sotnikov and Rybak are arguing whether to speak with Germans or not] We're soldiers. Soldiers. Don't crawl in shit. You'll never wash it off.

      Rybak: So then, to the grave - to feed the worms. Right?

      Sotnikov: That's not the worst that could happen. No. That's not what I'm talking about. Now I understand. I understand. The important thing is to be true to yourself.

      Rybak: Fool! You're a fool, Sotnikov. You graduated from the institute for nothing. I want to live! To live! To kill those bastards! Understand? I'm the soldier. And you're a corpse. All you've got left is your stubbornness - your principles!

      Sotnikov: Then go, go on living - without a conscience. It can be done.

    • कनेक्शन
      Featured in Women Make Film: A New Road Movie Through Cinema (2018)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल13

    • How long is The Ascent?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 2 अप्रैल 1977 (सोवियत संघ)
    • कंट्री ऑफ़ ओरिजिन
      • सोवियत संघ
    • आधिकारिक साइट
      • Mosfilm [rus]
    • भाषाएं
      • रूसी
      • जर्मन
    • इस रूप में भी जाना जाता है
      • The Ascent
    • फ़िल्माने की जगहें
      • Mosfilm Studios, मास्को, रूस(Studio)
    • उत्पादन कंपनियां
      • Mosfilm
      • Trete Tvorcheskoe Obedinenie
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 51 मि(111 min)
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.37 : 1

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