Supervivientes de los Andes

The father and son directors Rene Cardona Sr. and Jr. (the king and prince of Mexican exploitation!) first international hit movie. The Cardonas has given me hours and hours of quality entertainment and my expectations for Survive! was naturally mountain-high, being their most talked about and hyped efforts (amongst exploitation fans that is). I was really surprised to find out that the movie is actually a pretty dull affair. I suppose the negative imdb reviews should have scared me off, but the Cardona-flicks always get bad reviews, and hey - I would have seen it anyway. You all know the story, based on an actual incident: A plane crashes in the Andes and the survivors are forced to eat parts of the crash victims in order to stay alive. Much of the running time is filled up with endless talking and the moral issue of their survival is stretched out far too long for it's own good. The movie is not at all as gory as they say - I saw the uncut version and still feel that Alive was much gorier. I'm no real gorehound, but in such a slow moving picture as this a little more flesh and blood really would have spiced things up a bit. I would not say the movie is a complete waste of time, it does have its moments, but unfortunately it lacks the speed and charm of movies like Carlos, Hostages!, Night Of The Bloody Apes and Guyana (amongst others). See them before you see this.

This movie made so much money for Paramount Pictures that it made the producers went on to produce many big films. All they did was pick up a Low-budget Mexican film, clean it up, and ad some scenes and released it wide all across America. The plot is based on a true story of the Andes Mountain Plane crash where the survivors had to eat human flesh to survive. (Disney later remade this film and called it ALIVE and hired many white casts(?!). At least SURVIVE is true to real life as they were mostly Mexican on that plane). The so-called graphic violence is cheap and cheezy and is shown un-cut on Tv alot. Recommened if you are into these type of film. The director went on to make Universal tons of money in GUYANA CULT OF THE DAMMED 4 years later.

This dubbed Italia effort, the first movie, recreating the events of that tragic day in 1972, when that soccer team crashed in the Andes, is indeed involving, despite some cheaply filmed shots, that required a background screen. The surviving victims, some in a great deal of pain, finally had to resort to eating their friends. Two embarked off to get help, the second time succeeding in their quest. We learn from the first effort, if they had gone in the opposite direction, they would of come across the town. But you're in the Andes, remember. You couldn't hypothesize on where the closest help is. During this crisis of starvation and stuck in this below O blizzard, you almost feel like your one of them in this hellish ordeal. This movie which in my opinion, was better than the remake 16 years later, doesn't hold back on the dissection of these dead nude bodies, where for the living, this was their only source of nourishment. Be warned, some of the canniballism scenes may disturb but for you strong stomachs out there, this is a recommended viewing experience of a tragedy, you'll never forget, where hope and belief had to be kept strong. An inspirational drama, with an inspirational soundtrack.

After reading somewhere that this film was never released in the UK, I thought I'd write & let you know that after reading the book by Piers Paul Reid ( which was the only book ever to make me cry ) full of emotion, My friend & I went to the Odeon in York to watch this film which in the 70's was very graphic for the time, you have to put it into perspective of the time, we had St Johns ambulance active in the cinema when the Exorcist was shown, sex & violence were censored heavily let alone cannibalism, anyway my mate fainted but to this day Nando Parrado and Roberto Canessa have been hero's & an inspiration to me since the 70's

Almost 20 years before Frank Marshall brought tears to your eyes with his mesmerizing epic "Alive", there already was the legendary Mexican exploitation director René Cardona who used the same drama as an outline for his ambitious film "Supervivientes de los Andes". The unforgettable fatal flight of Fairchild 571 that crashed in the Argentinian Andes on October 13, 1972. This terrible accident cost the lives of many passengers, most of them members of a professional rugby team. But 16 people of them were eventually rescued thanks to their strong will to survive and because they fed on the mortal remains of their unfortunate fellow-passengers. Of course you can't claim that this cheaply made and roughly edited film is better than the famous 90's version but I definitely appreciate and respect this film more. After all, an exploitation film demands a lot more input from both cast and crew while the big-budgeted Marshall film, although intense, feels more like routine money-making. The sets and special effects naturally can't compete with "Alive", but "Supervivientes..." delivers an equally impressive sentiment of hopelessness and creates an even more nightmarish hell of snow. Cardona's film is ambitious, surprisingly compelling and easily one of the most remarkable Mexican productions ever. I am really astonished that Cardona's take on this story isn't more exploitative and explicit. The scenes where the deceased passengers are cut open and consumed are nevertheless hard to digest, but they only serve to increase the credibility of the catastrophe and to stress the inhuman conditions of the survivors. Rather praiseworthy for a vicious director who gained fame with his notoriously bad films like "Night of the Bloody Apes" and the Santo-series. The unknown young Mexican actors do a great job and the musical score is endearing. The story is well-known, of course, so the screenplay doesn't offer any unexpected shocks. Either by history or previously having seen "Alive", you know which kind of dramas these people still have to endure before being rescued and you can only await them. Still, this is a good film that shouldn't be bashed like too often is the case.